Patchouli: 49 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Sometimes I encounter fragrances that are the equivalent of overpriced haute cuisine—glittering table settings, 5 waiters per customer and a gnawing sense of disappointment at the end of the meal. That is exactly how I find Christian Dior Patchouli Impérial—the promise of a beautiful experience with little substance and character when it finally dries down on the skin.

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

If only Tom Ford White Patchouli upheld the promise of its opening accord, I would have been ready to give it 5 stars. It opens up on such a sultry accord of spices and amber with patchouli’s chocolate bitterness perceptible underneath; it is difficult not to fall under its spell. Yet, after an opulent prelude, the composition veers into the barren territory of sharp woods and pale musks. Perhaps this suggests that I prefer my patchouli in the darker registers, full of its earthy, pungent facets.

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

I generally try to steer clear of too much hyperbole, but in the case of Angel, every hyperbole describes it perfectly. The most polarizing, the most memorable, the most dramatic, the most grotesque… Angel, created for Thierry Mugler in 1992, is one of the great perfume success stories of the last two decades. Its introduction on the market is also an interesting case study into what it takes to make a classic: quality juice, a strong character, a memorable signature and also time. Today, most brands go for the quick sell, releasing fragrances that are bland and derivative; the new launches are rarely given time to take hold in the market place. Angel was not a runaway success; it took three years of constant support from Thierry Mugler and its parent company, Clarins, for this fragrance to start topping the best seller lists. And the rest is history!

What follows is not so much my standard perfume review, but rather an exploration of how this fragrancew came about and what makes it unusual. In the end, I share some of my favorites among Angel offspring, including some fragrance that I find fantastic but that fared quite badly on the market. I also would love to hear your thoughts on Angel, positive and negative.

Angel: New Gourmand Fragrance Genre

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The spirit of Guerlain haunts many fragrance houses today, from L’Occitane to Cartier, and the refrains of Shalimar, Samsara and other great Guerlain classics show up in the most unexpected places. The house of Guerlain itself, however, seems to have taken another direction, leaving the decadent and plush to the exclusive L’Art et la Matière collection. The new widely distributed fragrance launches stake out the modern, trendy category exploring sheer orientals, luminous florals or crisp, musky chypres. This by itself is not a criticism, because Guerlain is a unique house in many respects. It is a prominent prestige fragrance brand with strong niche appeal which is trying to expand its audience. Moreover, breaking new ground and trying new genres is what fuses life into the fragrance houses and allows them to grow and build new loyalties. Idylle, which was launched in 2009, is the first feminine fragrance by Guerlain in-house perfumer Thierry Wasser and a much anticipated release.

Continue reading →

Original:

Reformulation:

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Of all the fragrances attempting to convey the idea of darkness, Lancôme Magie Noire stands out as particularly successful. The layering of animalic notes, the opulent florals like ylang ylang and tuberose and a lush dose of moss results in a fragrance of such mysterious, dusky and brooding character that I cannot describe it in any way but haunting. It is not easy to like as a fragrance since it is simultaneously quite dark, animalic and intensely green. Despite its rich floral accord, it is not particularly feminine either, and in fact, I can see it as an interesting, unconventional masculine scent. I cannot help being fascinated by the way Magie Noire evolves and goes from challenging to spellbinding.

Continue reading →