Salty Notes: 15 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

With the newest fragrance from The Different Company, Sel de Vetiver, on my arm and a paper blotter, I am reflecting on whether a point ever comes when the world does not need another Vetiver, another tribute to the roots of grass native to tropical Asia that smell of earth and sweet woods. For devoted vetiver fans, there are dark roots that still have soil clinging to them, in case of Maitre Gantier et Parfumeur Route de Vétiver, or seaweed, in case of Annick Goutal Vétiver. Pale earthy whispers wrapped around flower petals in Guerlain Vetiver Pour Elle would delight those who prefer their vetiver rendered in a lighter manner. Frédéric Malle Vétiver Extraordinaire is quite true to its name, the smooth darkness resting on an ambery base. Etro Vetiver is a dry rendition, emphasizing the fresh hazelnut aspect of the root. Hermes Vétiver Tonka is a gourmand take on the vetiver theme.

Sel de Vetiver is an elegantly cut gem–a transparent veil of sweet spices over the layers of earthy vetiver. Created by Celine Ellena, it intricately folds the herbal and floral nuances into the bitter citrus punctuated sharpness, accenting the earthy, woody qualities of vetiver and lending it a delicate sparkle. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Terre d’Hermès proves that the best non-niche releases over the past year are taking places in the masculine perfumery. Dior Homme, an iris wrapped into warm, sweet leather, Lanvin Arpege Pour Homme, a velvety violet-iris fougere are among some of the recent examples. Likewise, the new fragrance by Jean-Claude Ellena, Terre d’Hermès, has a number of qualities that make it exceptional—chiseled refinement of its elegant structure, unconventional, transparent take on the woody notes and remarkable quality of its ingredients. The composition conjures the intensity of sunlight reflected against the white stones of Roman ruins.

Jean-Claude Ellena’s theme of multifaceted transparency explored in his other creations, from Cartier Déclaration to Hermès Un Jardin sur le Nil, will be immediately recognizable in Terre d’Hermès. Nevertheless, it seems as if the theme has received further polish, luminosity and elegance. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The first time I smelled Vétiver by Annick Goutal (1981), I was taken by the affinity between vetiver and marine notes. The earthy richness of the former, marked by the grapefruit bitterness complements the iodine smell of the seashore resulting in the aroma of driftwood covered with the wet shreds of seaweed.

The vetiver focused fragrances have a devout following among both men and women, with Guerlain Vétiver (1961) setting the gold standard with its elegant rendition of the balsamic root suspended between the transparent citrusy top accord and the spiced tobacco base. It maintains the Guerlinesque refinement with a glimpse of its seductive smile. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Hazy and gentle, Annick Goutal Duel seems inappropriately named, as more than anything it calls to mind opponents who would rather exchange polite remarks than gunshots. It has a certain subtlety that delicately hints at its more forceful aspects, wrapping them in sweetness of violet. On the one hand, it may register as too subtle, yet, on another, it has the same charm as the pastels. Thus, whenever Annick Goutal fragrances are compared to the watercolors, I always think of Duel as a good example of such an analogy.

Created by Isabelle Doyen in collaboration with Camille Goutal, Annick Goutal’s daughter, Duel is a fragrance with a romantic air. Its violet tinged coolness of iris paired with crisp greenness of maté conjures a vision of the Belle Époque salon set with preparations for tea.  …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Hermès Eau des Merveilles, created by Ralf Schwieger (the nose behind Frédéric Malle Lipstick Rose) and Nathalie Feisthauer for Hermès in 2004, is a fragrance that catches by surprise. From the first accord, it vacillates between reflecting either the translucent amber and delicately sweet tobacco or sweet glow of citrus. Intertwined with the scintillating central accord is lily of the valley. The floral aspect is rather subtle, resembling a crushed flower stem caught in the driftwood on the beach, however it lends an interesting facet.

An inky note appears in the heart of the composition, and although slightly sharp at first, it develops into salty undercurrent, touched by dry peppery warmth.  The base notes glow through the translucent layers, creating a scent of sand and sun warmed skin, which remains rather subtle. The winey veil of ambergris is touched by a lush whisper of hyacinth, which is elusive, yet during certain moments, its sweetness appears suddenly, caressing and seductive, only to fold back into the base accords.

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