Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

“Exquisitely elegant” was the first impression that formed in my mind as I smelled Prada Infusion d’Homme. It also struck me right away as a masculine fragrance that eschews the conventions of masculine perfumery: dihydromyrcenol (a citrus-lavender aroma material that is commonly used in masculine scents) is not noticeable, citrus is dealt with a light hand, florals are magnified. Created by talented perfumer Daniela Roche-Andrier, who is a nose behind many of Prada’s fragrances, Infusion d’Homme translates Prada aesthetic at its best—subtle, sophisticated, understated, yet somehow dramatic nonetheless.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The ethereal beauty of Prada Infusion d’Iris contrasted with the bitterness of vetiver and galbanum was such that this fragrance quickly ended up among my top favorites, where it still remains. When I learned that Prada is launching a whole collection, Ephemeral Infusions, based around select raw materials, I immediately started to anticipate the releases. Alas, the first launch, Infusion de Fleur d’Oranger, turned out to be an utter disappointment for me, being reminiscent of Guerlain L’Heure Bleue, with all of its good parts sheared out. The most recent addition, Infusion de Tubéreuse, promised to be more interesting: a crisp green floral, suggesting the verdant tuberose buds, the flowers just before they are about to open. Yet, once again I suffer disappointment and I have to admit that Infusion de Tubéreuse does not captivate me at all, as it somehow does not even recall its namesake, even if you imagine it painted in pastel tones.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

It seems that all has been said on the fig theme, from the gold standards L’Artisan Premier Figuier and Diptyque Philosykos, to the surprisingly creamy milky-woody Hermès Un Jardin en Méditerranée; from the fresh and musky Marc Jacobs Men to the retro floral Ellie by Ellie D. Although these selections merely highlight some of the most interesting modern compositions, one thing is certain—fig is a note that has been used extensively over the past decade, both in niche launches (Nez à Nez Figues et Garçons) and in big prestige releases (Thierry Mugler Womanity.) Yet in studying Ninféo Mio, I was amazed to discover that Isabelle Doyen, Annick Goutal’s in-house perfumer, once again managed to create something interesting and unusual, an elegant woody fig with a surprisingly strong green character.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The lush complexity of tuberose is bewitching: the intense sensuality of its aroma; the surprising layering of green, mineral and creamy notes; the contrast between wet petally and ripe fruit facets. Although perplexing and challenging, this flower offers a rich source of inspiration to a perfumer. Even a brief glance at the L’Artisan Parfumeur tuberose collection reveals that it can be treated in strikingly diverse ways: as a coconut bonbon (Tubéreuse, first launched 1978 and now sadly discontinued,) an innocent ingénue in white (La Chasse aux Papillons), opulent, with an emphasis on jasmine notes (La Chasse aux Papillons Extrême,) or as a heady, creamy and spicy accord (La Haie Fleurie de Hameau). Nuit de Tubereuse, a fragrance by perfumer Bertrand Duchaufour and launched this spring, presents yet another tuberose treatment: earthy, musky, with a delicious tropical fruit accent.

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A few years ago, I attended a dance performance that was a mixed bill of classical and modern. After the audience was treated to two long modern pieces, in which dancing was somehow secondary to scenery, it let out a collective sign of pleasure and relief,when the curtain rose to reveal a classical ballet set. This incident illustrates my feelings about the latest launch from Serge Lutens. Having been uninspired by Nuit de Cellophane, bored by L’Eau and mildly interested in Bas de Soie, I find Boxeuses a welcome return of Lutens’ seductive, romantic and smoldering Oriental muse.

A woody-leathery composition, Boxeuses (which means “boxer” in French) will strike a chord in an ardent Lutens lover, especially those of us who yearn for Lutensian darkness and its tendency to perplex. The dominant element of Boxeuses is leather, which is set against a dark woody accord. Before the full richness of the leather drydown unfolds, the prelude of ambery-leathery and unctuous castoreum as well as incense-smoky labdanum sets the stage. Moreover, the contrast with sweet and floral notes allows one to experience the beautiful richness of smoky leather, crafted along the lines of Russian leather, which combines the birch tar smokiness and the animalic aggressiveness of isobutyl quinoline (classical leather aroma-material.)

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