2 stars: 62 posts

Poême : Missing the Poetry

When I first smelled Lancôme Poême six years ago during the time of its launch, it struck me as unbearably shrill and synthetic. It is a testament to the cheapening of fragrance formulas over time that when I smell it today, it actually seems to contain more naturals than most of the current big prestige launches. Of course, the quality of the materials is only one aspect of a well-made perfume; the balance between different parts of the fragrance is what determines how it behave and whether it ultimately pleases its wearer. Poême is an example of an interesting oriental orange blossom idea that is executed in a heavy-handed manner. It is like a nicely cut dress made out of a cheap fabric—appealing idea, but ultimately very unpleasant to wear.

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

A lurid press release that makes bodice ripper novels appear tame has pretty much been the only distinctive thing about Les Elixirs Charnels, which include Gourmand Coquin, Chypre Fatal, Oriental Brûlant and Boisé Torride. Despite my lack of excitement about the collection, I nevertheless made a trip to Bergdorf Goodman to try the latest release, Floral Romantique. After all, I thought, the last thing one loses is hope! And I am just about to lose it… This review does not even need my customary three paragraphs to encapsulate my feelings about this new Guerlain launch. Floral Romantique is an orange blossom version of Dolce & Gabbana Light Blue with an ultra-luxurious price tag.

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

In Arabic, one can wish someone a morning of roses, “sabah al ward.” Whenever I hear the words “Clair Matin,” I think of this beautiful expression. The idea behind the newest limited edition fragrance from Les Parfums de Rosine was indeed to capture the delicate scent of pink roses as they unfold in the morning. Yet, the question that remained for me as I wore Clair Matin was whether it truly evoked a rose scented dawn for me.

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The newest splash trio from Marc Jacobs caught my attention for its interpretation of the classical cologne genre as inspired by fruity summer cocktails. Of course, light and fresh launches flood the summer market, yet it is always interesting to see how modern fresh and sheer ideas can give a new twist to a conventional theme. In the past, I have enjoyed Violet (2006,) Ivy (2006,) and Gardenia (2008) for their clean, transparent renditions with unusual twists, and while there was nothing particularly complex about these splashes, they had a cheerful, uplifting quality. Yet, as I was testing Curacao, Ginger and Cranberry, I found myself disappointed, because their fruity interpretations do not deviate from the norm. This kind of fresh, citrusy fruity-floral abounds in every area of the fragrance market today, and with some effort, one can even find something similar and less expensive in the Bath & Body Works range. While I understand that Marc Jacobs Splashes are not meant to be perfume art, I still long for at least a suggestion of originality. Moreover, while $68 is not an excessive price tag for a prestige brand, given the quality of these fragrances, I still find them overpriced.

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

For their 50th anniversary, Diptyque has launched a perfume capturing the scent of its first boutique located on 34 Boulevard Saint Germain in Paris. The idea behind the eponymous fragrance was to capture the main elements of the famous Diptyque: L’Ombre dans l’Eau, Philosykos, L’Eau, Do Son. Blending various disparate accords is often liable to produce a pastiche effect, and perhaps, this is exaclty what happened with 34 Boulevard Saint Germain, which while competent, does not have a strong character.  For a niche launch, it especially seems too safe and traditional: a soft-spoken fougère that would not be out of place on the masculine side of the fragrance bar at Macy’s.

Continue reading →