4 stars: 439 posts

Estée Lauder Knowing blends roses and moss, one of Elisa’s favorite perfume pairings. She revisits this glamorous and plush fragrance today.

There’s just nothing like a rose chypre. Though the perfume world has given me no shortage of beautiful options in this moss inflected category, there’s something about it that feels endlessly variable to me, and if I ever had the money and good fortune to commission a bespoke fragrance from a great perfumer, the perfect rose chypre is what I would chase.

As luck would have it, this category hasn’t yet been ruined by time or perfume regulations (unlike, say, lily of the valley). The classical chypre accord, traditionally a harmony between bergamot, oakmoss, and labdanum, is harder to achieve since oakmoss was identified as an allergen in 2001. But perhaps because rose plays so nicely with earthy materials like patchouli and vetiver, only a touch of the now restricted oakmoss is needed to create a dramatic effect. So, for example, Francis Kurkdjian’s Lumiere Noire Pour Femme (2009) is almost as beautiful as L’Arte di Gucci (1991).

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So, you’ve worn fragrances in the days when the dangers of oakmoss didn’t occupy the bright minds in the EU’s governing bodies. Perfume to you means character and statement, not something that smelled blindly could be mistaken for shampoo or a flavor compound mistakenly rerouted from a candy factory. Or you simply love scents that have curves and glamour, just like the stars in your favorite black-and-white films. Well, I have three words for you–Jean Patou Mille. Or let’s just make it a number–1000.

Although Jean Patou’s fame owes much to its 1930s bombshell Joy, 1000 is my favorite from the collection. It packs as much old-school glamour as a reasonable person could take, but that’s what makes it interesting. You can certainly find plenty of dramatic perfumes with a touch of vintage glamour, from Chanel to Frédéric Malle, from Guerlain to Parfums de Nicolaï, but 1000 holds its own next to No 5, Hermès Calèche and Madame Rochas.

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Patricia discovers a new love in Wit.

Daphne, a spring plant that smells like candied citrus rind and jasmine, is the inspiration for  Wit, the latest creation by Parfums DelRae. Parfums DelRae is a niche fragrance brand based in San Francisco and Paris and comprised of nine fragrances known for their creativity, complexity, and high quality. I own two others: Début, a fresh, green lily-of-the- valley, and Coup de Foudre, an effervescent rose.

Wit by perfumer Yann Vasnier, is easily my favorite release of 2014. I haven’t felt as excited about a floral perfume since L’Artisan Parfumeur introduced Séville à l’Aube in 2012. Although different in composition, they share the same lush, falling-into-a-pile-of-petals feeling. I wore Séville à l’Aube for a month straight after it came out, and I can easily imagine doing the same with Wit.

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Elisa on breaking with the niche formula and on the masculine retro glamour.

There is a prevailing trend in niche perfumery toward unisex scents. Often, the “unisex” quality is communicated through a combination of (supposedly masculine) woody notes, such as sandalwood, cedar, and patchouli, and (supposedly feminine) sweet notes, such as vanilla and benzoin, to the point that when mainstream scents hit on this combination, we say they “smell like niche.” I love sweet woody scents, but this formula is starting to look like a niche cliché – mix up booze, tobacco, resins, a touch of leather and some vanilla until it’s the color of cocktails in a cigar bar. Does it smell good? Then ship it!

Parfums Retro is a new niche outfit that seems to be taking a different approach. Their first three scents are all clearly targeted at the men’s side of the aisle. And yet, Grand Cuir (a sample of which I received as part of an Olfactif gift box) doesn’t smell like the typical men’s offerings at department stores, radiating powerful synthetics like sexual-chemical warfare. Instead, it truly smells retro: reminiscent of the dry, bitter leathers from the first half of the 20th century, when women comfortably wore perfumes like Lanvin Scandal and pre-reformulation Caron Tabac Blond.

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Intended or not, Frédéric Malle Eau de Magnolia is an answer to two challenges: creating a novel cologne and capturing the elusive aroma of magnolia. The first is complicated, because cologne is one of the most popular genres, and recasting it in a new way requires some creativity. The second is due to the magnolia’s character. The scent blends citrus, rose and soft leather, but the main impression you get from smelling the waxy white petals is not of heady, lush perfume, but of exhilarating freshness and fizz. You can almost feel the champagne bubbles bursting before you notice all other facets.

Translating this sparkling effect into fragrance is more complicated than it seems in our age of high-tech tools. I smelled through a fair share of magnolia accords at one point to conclude that 90% of them smell either like furniture polish or bear no relation at all to magnolia. Which is why Eau de Magnolia comes as a surprise. It captures the nuances of magnolia, while setting them into a frame of citrus and moss. It makes for a beautiful arrangement.

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