caron: 25 posts

Ernest Daltroff (1870-1941), a great perfumer and founder of Parfums Caron, must have been quite a character and also a man of great marketing vision. When smoking became appropriate for women after WWI, in 1919, he promptly created Tabac Blond. It was a fragrance that would imitate the scent of  blond tobacco, thus, placing a cigarette among the accoutrement of a chic Parisian woman.

Although I find nothing chic about smoking, Tabac Blond never fails to make me feel like someone effortlessly glamorous, outfitted in black satin, long gloves and pearls, with lips varnished crimson red. The elegance of this perfume is suggested by the unique combination of leather, tobacco leaf and vanilla. It is a dry fragrance, with a strong smoky note that initially reminds me of smoldering pinecones. This impression is pleasant one, and as the notes meld into unique dry leather composition, the warmth of amber fills the outlines of the composition. A smoky vanilla note makes its entrance relatively soon and adds a welcome touch of sweetness. A fragrance that is not traditionally feminine, Tabac Blond is a great choice for someone who is confident and daring (or at least wants to appear this way.)

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Caron Parfum Sacré can be compared to a fine cashmere shawl as it clings to the skin and feels warm and smooth. Created by perfumer Jean-Pierre Béthouart in 1990, it is a spicy oriental, with a big rose in its heart. The first impression is a tingly rush of black pepper. Then, mace (the inner casing of nutmeg), cardamom and lemon grow stronger and richer.

For all its spicy notes, Parfum Sacré is not a dry, pungent fragrance, but caressing and enveloping. The rose softens the middle notes lending them a honeyed sweetness. Rose’s appearance can be compared to a gorgeous stranger entering the room–the clamor stops and every minute whisper is heard distinctly. That’s when I notice orange blossom and iris delicately hinting at their presence. Soon the woody accords undulate slowly lending a resinous aspect to the dry down. The smooth balsamic myrrh, sweet amber and smoky vanilla form the intricate drydown. To call Parfum Sacré sultry is probably an understatement! Still, it is not what I would call a bombshell perfume. Parfum Sacré lends itself to being worn as a comfort scent. On a cold winter day, it is a perfect scented choice–warming and rich, like a glass of mulled wine.

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Caron Or et Noir, “Gold and Black” was created by Michel Morsetti in 1949 in homage to Ernest Daltroff and the tradition of Parfums Caron. Ernest Daltroff was fascinated with roses and incorporated rose absolutes in nearly all compositions he has created for Caron.

A fragrance that served as an inspiration for Parfum Sacré, Or et Noir is a dark rose on a rich base of spices and woods. The opening notes are of honeyed red rose blended with the astringent bite of geranium and bergamot. The sandalwood and black pepper provide a wonderful foil for the rich rose accord. Unlike most rose fragrances that start out bright and crisp and then proceed to warm up on the skin, Or et Noir reveals its sensual facets instantaneously. The darkness of Caron accord is like a breath of cool air that renders the sweet and spicy composition light and airy. I always think of Or et Noir as a rose before sundown, petals closing slowly to hide the unabashedly sultry opening.

One of the Urn Parfums, Or et Noir is available at the Caron boutiques as extrait de parfum. Its notes include Bulgarian rose, centifolia rose and geranium; Anatolian rose, lilac and carnation, oakmoss and woody amber.

On Reformulation 3/31/2011:

The femme fatale roses of Or et Noir are still dark and smoldering, with a wonderful mossy-patchouli undertone. The main difference is that I smell less natural rose and more rose alcohols, which lend Or et Noir an unexpected lemony and zesty quality. Still, it is a good dark rose for those who like this fragrance genre.

Picture: 1949 advertisement for Caron.

Established by Ernest Daltroff in 1904, Parfums Caron was originally located on Rue de la Paix in Paris. Daltroff purchased the perfumery from Anne-Marie Caron and kept the original name.  At the same time, he met Félicie Wanpouille, who became his partner and an important contributor to the rise of the house.  While Daltroff created fragrances, Wanpouille designed bottles and served as an artistic director.

From the beginning, Parfums Caron was the house dedicated solely to fragrance, unlike houses like Chanel or Christian Dior that were first and foremost fashion houses. While the perfume houses produced more fragrances than fashion houses, by the 1920s women started to look at perfume the same way they regarded new fashion styles as Marylène Delbourg-Delphis noted in her book Les Sillages des Elégantes (1983). However, as the couture fragrances became more and more popular, they provided a stable point in the ever changing world fashion, therefore the pace of perfume production began to decline.

Daltroff was a true experimentalist when it came to fragrance creation in his departure from the traditional reproduction of floral scents.  He used synthetics and rare absolutes daringly, and would not shy away from combining rose and jasmine essences with phenyl acetic acid and terpineol.  Although Caron fragrances are rather diverse, despite being created by the same perfumer, many of them share a wonderfully dark undercurrent, which is based on a blend of geranium, licorice, leather, iodine, and vanillin. This accord gained the name of “Mousse de Saxe,” revealing its mossy, dark and cool edge. When creating Nuit de Noël, Daltroff daringly incorporated this dark accord both in the heart and the base of the fragrance, which made the finished composition very unusual. ….

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Nuit de Noël was my introduction to the house of Caron, and what a wonderful exploration it has charted out for me. Caron creations seem unusual to me; they are carefully balanced, possessing a dark languid undercurrent that immediately conjures visions of classical French couture. I do not want to use the term old-fashioned since it is liable to negative connotations, but Caron’s creations have a classical aspect that I do find appealing, if slightly nostalgic.

Nuit de Noël was created in 1922 by Ernest Daltroff for his lover, Félicie Vanpouille, who loved Christmas Eve and the scents associated with it. Indeed, it is a quiet, whispering fragrance, conjuring perfectly the silence and the serenity of the night before Christmas. “Twas the night before Christmas, when all through the house not a creature was stirring, not even a mouse…” (by Clement Clarke Moore). Nuit de Noël is one of my favorite Caron scents because of its interesting composition and exquisite dry down. Overall, Nuit de Noël is a soft wood-based scent with a floral heart. The top notes are very classical rose, jasmine and ylang ylang–dry floral notes rather than a creamy modern composition. The most interesting changes take place after the fragrance dries down slightly. Suddenly the floral blend is dissipated by the wetness of oakmoss. Then the spicy notes become apparent, albeit remaining very soft and intertwining with sandalwood and vetiver. The fragrance does not lose its dry quality which is wonderful and comforting. I imagine walking around in the city as the snow is falling softly.

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