chanel: 67 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

If I were given Bleu de Chanel in a blank vial, I would have pegged it as a Hugo Boss flanker: a competent, commercial, focus group winner. Indeed, it is almost a shock to realize that this is a major masculine Chanel launch. While Chanel masculines are not of the same caliber as its feminine fragrances, they are invariably memorable: the velvety plum of Egoïste, the orange tinted woods of Antaeus, even the spicy warmth of Allure Homme. Bleu de Chanel, on the other hand, does not charter new  directions; instead, it relies on the market winning combination of citrus, aromatics, marine notes and woods.

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Égoïste is based on the classical orchestration of woody and oriental accords. It is said to be derived from a limited edition called Bois Noir, which was introduced by Chanel briefly in 1987. Although the fragrance is inspired by a classical theme, Polge rendered it in a novel manner. The bright herbal accord of thyme, rosemary, lavender and sage is set against sweet plums and candied apricots, which in turn are supported by a dramatic woody backdrop. A prominent vetiver note lends a certain bitter chocolate effect, which heightens the baroque richness of the composition. The contrast among these accords produces a multilayered effect, which lasts from the top to the drydown.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

A few years ago I had a revelation about Coco Chanel. Sure, I had read several books about her and her fashion contributions, but it was only at the Chanel exhibit at the Costume Institute of the Metropolitan Museum of Art that I began to understand her ability to reinterpret shapes and structures, to appreciate her novel construction techniques and spectacular use of seemingly muted colors like white, black, ivory, grey… And of course, beige! …

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In his wonderful memoirs Souvenirs et Parfums Constantin Weriguine, a Russian emigre perfumer who worked with Ernest Beaux at Chanel shares some fascinating tidbits not just about the perfume industry of his time, but also about Ernest Beaux himself. Beaux was a man who admired Napoleon Bonaparte, searched for raspberry nuances in rose oils he used in Chanel products and had a tremendous passion for his art. Re-reading Souvenirs et Parfums on the plane last week, I noted down a passage, in which Weriguine shares a speech given by Beaux in 1946 about fragrance, chemistry and inspiration for Chanel No 5.

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def: vetiver — frequently used in perfumery, vetiver oil is steam distilled from the rootlets of grass Vetiveria Zizanoides. It has a dark earthy-woody aroma, with a grapefruit bitterness and a touch of anise-like sweet spiciness.

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The newest addition to Chanel’s Les Exclusifs range, Sycomore is advertised as inspired by the fragrance originally created in 1930. I have a bottle of the original, therefore I was curious to compare the two. I would describe the original Sycomore as closer in spirit to Bois des Iles (vetiver, sandalwood and soft aldehydes.) It played up its gamine features with a twist of tobacco and violet.  The new Sycomore eschews the obvious floral allusions. It is an elegant and pared down vetiver, which emphasizes the green hazelnut facet of the root. The embellishments are subtle, yet they serve to highlight the beauty of the raw material well. With hardly any retro references, Sycomore (2008) is a thoroughly modern fragrance. As far as I can tell, there are few, if any, allusions to the vintage. …

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