Beautiful Prose
Halfway through my graduate studies, I remember experiencing an intense craving for beautiful prose. I was training as a political scientist, and the texts on politics and economics, written by academics for other academics in a dry style favoring passive construction, began to make me listless. Respite arrived in the form of George Orwell’s essay “Politics and the English Language,” which remains one of my favorite pieces of writing–clear, concise, powerful.
Beauty, of course, is in the eye of the beholder, or reader. When I think of the books that left the biggest impression on me, they are written in a crystalline clear style, poetic but without unnecessary embellishments. Beautiful prose to me is a harmony between substance and style.
I don’t intend to compile a comprehensive list, merely a snapshot of my favorites today, but if I were to create an anthology of beautiful writing, Evelyn Waugh’s Brideshead Revisited (1945) would be one of the star contenders. Set before the Second World War, it is the story of one man’s infatuation with the aristocratic family and their world. There is passion, loss, betrayal and reflections on faith and religion. Waugh’s most introspective novel and also his most masterful, it combines beautiful writing with sharp observations on upper class society and its decline.
