Hope and Angels of Natalia Satsyk
“One face haunted me for a long time, and I knew that I had to paint it,” says Natalia Satsyk, a Ukrainian artist whose exhibition is currently on display at the St.-Adelbert Abbey in the Dutch town of Egmond-Binnen. The face gazes from her canvases. Sometimes it resembles Congolese masks, elongated and sharply defined. Sometimes it is rendered with bold strokes and dramatic colors. The gender may be obscured, as is the body to which it is attached, and what strikes me the most is the depth of sorrow and the pain I see in its eyes. And also the radiance of hope.
One of the unexpected outcomes of the independence achieved by Ukraine in 1993 is the vibrant art scene. Despite political and economic problems and meager state support, artists gave cities like Lviv, Kyiv and Kharkhiv a vitality they hadn’t experienced since the avant-garde of the 1910s and 1920s, a period that produced works by Kazemir Malevich, David Burliuk, Aleksandra Ekster, and other leading futurists. Satsyk is based in Lviv, a town in the western part of Ukraine, and she’s a part of the new, dynamic movement of young artists who are not afraid to take risks and question conventions.
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