Patricia: 29 posts

Patricia takes Gold Leather to task.

In the first two offerings of their Collection Métal, Silver Iris and Gold Leather, Atelier cologne gives us two fragrances that have many things in common. Both are Absolues, which means they have a higher than usual concentration of perfume oil, 18 percent, giving them a depth and longevity more similar to an Eau de Parfum than a cologne.

Silver Iris and Gold Leather were created by perfumer Jérome Epinette. Both have over-the-top bottle designs in real gold or silver and “handcrafted leather caps.” The 200 ml size of these bottles comes with complimentary engraving. Both fragrances are accompanied by overwrought ad copy promising the wearer of these fragrances the “absolu” man or woman of one’s dreams.

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Cool, inky, powdery, nutty, dark… It’s hard to explain what’s so compelling about the smell of moss, but Patricia attempts it here and shares her love for all things mossy and chypre.

It was many years before I learned that my favorite perfumes, for the most part, fell into a group called “chypres.” I had no idea that they had anything in common, except that I loved the combination of cool and elegant with dark and almost feral notes, the sacred and profane all rolled into one. Chypre, I found out later, referred to a distinctive accord based around several different elements, but as Victoria mentions in her article on the history of chypre, the important chypre ingredient is oakmoss.

The oakmoss is exactly why chypres are not without controversy. Due to restrictions by the  IFRA (International Fragance Association) on the use of oakmoss because of its status as an allergen, the formulas of beloved old favorites have been radically altered. Enter synthetic oakmoss and the resultant buzz in the perfume community about dramatic change of beloved chypres like Guerlain Mitsouko, Chanel No 19 and Parfum Grès Cabochard.

But my story begins much earlier when a mother gifted a bottle of Miss Dior to a young teen who wasn’t quite sure what to make of it. Was it pretty? It was. Was it sharp and nose-wrinkling? It was that, too. Miss Dior had already been around for a couple of decades when she found a place on my dresser top and had already enchanted many with her love-me-love-me-not quality. The green and peppery opening in Miss Dior progresses from gardenia and jasmine to a creamy drydown of sandalwood and dark leather. In the end, the teen decided that it was true love, and my fascination with all things mossy was born.

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Patricia on rebellious (or not so rebellious) roses.

I approached Rose Rebelle Respawn by A Lab on Fire with some trepidation, since its older sister, perfumer Sophia Grojsman’s 100% Love by S-Perfume, was the only perfume to date that made me gasp for air. I wondered how the masterful Grojsman, creator of many of my favorites including Yves Saint Laurent Paris, a beautiful violet rose that I wore throughout the 80s, Boucheron Jaipur, Bvlgari Pour Femme, Estée Lauder White Linen, and Prescriptives Calyx could have created this monster? 100% Love is deeply polarizing, with many fans and many detractors. Its supporters praised its originality, while its naysayers found it unwearable.  If I tell you that I referred to it as 100% Nasty in my perfume notes, you’ll guess in which camp I belonged.

But I needn’t have worried about Rose Rebelle Respawn. Although it contains many of the same notes as 100% Love, such as rose, cacao, and musks, it handles these elements in a completely different way. Where 100% Love has a sour, fermented note, Rose Rebelle eschews it in favor of softness and warmth. It’s blended with a lighter touch and from top to bottom it’s a cozy, powdery confection.

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Patricia on her absolute favorite animalic scent.

One person’s poison is another’s…well, perfume. This is never clearer to me than when I enter the horse barn. Immediately I am surrounded by scents, both pleasant and not. Hay and leather mix with the earthy smells of manure, dirt, wood stalls, and the acrid smell of urine, all blended with the rich loamy fragrance of the horses themselves. Those who love only clean scents would not find this a pleasant place to visit, but I love to immerse myself in this world for hours at a time and enjoy all aspects of it, from currying, brushing, and bathing my horse, to riding and rubbing scented saddle soap and conditioners into my  tack before putting it away.

Many of the fragrances I wear on a daily basis remind me of my time at the barn. Leather and horses go together, and leather fragrances are among some of my favorites.

The Big Guns

Robert Piguet Bandit, if not the oldest of the “old broads,” is certainly one of the most assertive. I have an old bottle of unknown concentration, but the current version is just as potent. Bandit’s combination of everything leathery and animalic needs to be experienced. I may not wear it frequently, but I unstop the crystal stopper often to breathe in its dark richness.

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Patricia talks of emperors and leather miniskirts.

In one of my favorite comics, “Rose Is Rose,” the title character, a mild-mannered housewife and mother, has an edgy biker chick alter ego complete with big hair, thigh-high boots, a leather miniskirt, and a rose tattoo. This character pops up when Rose is stressed, conflicted, or otherwise feels the need to exert some power in her life. This kind of power is what I felt on first application of Ashoka, Neela Vermeire’s fourth fragrance, created in collaboration with perfumer Bertrand Duchaufour.

Ashoka (304-232 BCE) was an Indian emperor of the Maurya Dynasty. Through his frequent military conquests, he eventually ruled over what is present-day India. A fierce warrior and leader, he converted to Buddhism after witnessing the mass death and destruction of the Kalinga tribe, and he played an important role in making Buddhism a world religion. This perfume, which honors him, follows the same trajectory: from strong opening, to floral heart, to a quiet complexity of earthy notes.

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