Eau d'Italie: 2 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

There are seldom fragrances that I try very hard to like, but there are a few. I wanted to like the new Mille et Une Rôse by Lancôme because I wanted desperately to enjoy a glimpse of the original 2000 et Une Rôse. I wanted to enjoy Délices de Cartier because I have a weakness for red tinted bottles, but I could not get past the sugared cherries of the composition. When I first heard about the two newest fragrances from Eau d’Italie, I fell in love with the idea of scents capturing Sienese winters and Umbrian woods, a desire very much influenced by my travels in Italy. Thankfully, it was not difficult to find myself charmed by Sienne L’Hiver and Bois d’Ombrie. While neither strikes me as an exploration of a dramatically novel theme, their wistful character holds nostalgic connotations for me. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The romantic in me is attracted to the idea that Paestum Rose by Eau d’Italie is inspired by the roses that grew in such profusion around the temples of Paestum, a city south of modern Naples, that Virgil referred to them as “the rose-gardens of twice-bearing Paestum.” These were the same roses that were sacred to Aphrodite on the island of Samos and that were showered upon guests during Nero’s decadent feasts.

Although such a story might lead to expect a composition similar to Ormonde Jayne Ta’if, a rich crimson rose hiding honey and incense ashes in its petals, Paestum Rose is a modern spicy flower, the transparency of its rose notes being more reminiscent of Stella than of ancient unguents. The spicy touches are embroidered upon the sheer floral accord, with the composition foiled in the dryness of woods and the subtle earthiness of patchouli. …

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