Amber: 69 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The combination of sweet amber and flowers is the olfactory equivalent of hot chocolate with whipped cream, where the heavy richness of one component is balanced out against the airy softness of the other. Amber Ylang Ylang, a fragrance from Estée Lauder’s Private Collection, is a great example of how this sumptuous pairing works. Amber Ylang Ylang was created in 2008 by Annie Buzantian and Honorine Blanc-Hattab and it is a comforting, enveloping veil of a fragrance, with a gourmand twist.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Whenever I wear Maître Parfumeur et Gantier Ambre Précieux and find myself charmed yet again by this sumptuous sweet amber, I wonder why this gem is so rarely mentioned on blogs. Fragrances from Maître Parfumeur et Gantier are well-made and distinctive, and compared to many other niche brands, the price point is very reasonable. Ambre Précieux can hold its own next to many other fancy and not so fancy ambers out there. All comparisons aside, it is a fantastic composition for those—men and women alike–who like their ambers dark, velvety and smoky.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Sometimes I like to revisit fragrances a few years after their initial launch. My tastes might change in the meantime, but also the landscape of the market itself is likely to be different enough that what seemed disappointing earlier, turns out to be a pleasant discovery. This is exactly what happened with Yves Saint Laurent Cinéma. When I first smelled it in 2004, this amber laced mimosa seemed lost in the sea of other floral orientals—Giorgio Armani Sensi (2002), Cacharel Amor Amor (2003), Burberry Brit (2003,) Dolce & Gabbana Sicily (2003,) Christian Dior Pure Poison (2004,) to name a few prominent launches. Today, its warmth and softness stand out as particularly sophisticated next to the sugary gourmand blends currently popular. While it may sound like a backhanded compliment, Cinéma is a well-made, polished blend that deserves a second chance.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Vodka, caviar, golden onion shaped church domes, horse pulled sleighs running into the snowy night… What other Russian stereotypes might Parfum d’Empire have missed in their description of Ambre Russe? Though I might gripe about the clichés, one thing is without any doubt—among the excellent modern ambers, Ambre Russe is one of the most opulent and luxurious. Its character is enveloping and rich, while the spicy and leathery accents give it a sensual, smoldering aura. At the same time, the dryness of incense makes Ambre Russe elegant and polished by dispelling the usual resinous heft of sweet amber.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Some fragrances need to be well-tested over time to become classics. Guerlain Nahéma was an utter failure when first launched in 1979, but today its ripe, voluptuous accord of ylang-ylang, rose and sandalwood is considered archetypal. Serge Lutens Ambre Sultan, on the other hand, has achieved the status of an amber gold standard in a mere decade. Created as an interpretation of a classical sweet amber theme, today it is among the most imitated and recognizable amber fragrances. The genius of Serge Lutens and perfumer Christopher Sheldrake lied in layering a sweet, unctuous amber accord with the camphorous brightness of herbs. The result is a fascinating sweet-savory interplay that evokes as much caramel ganache as tomates à la provençale (tomatoes grilled with parsley and oregano.)

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