Anise & Licorice: 16 posts

Any number of different materials in perfume can give an anise effect: anise seeds, fennel, star anise, or synthetics like anethole. Anise has a sweet, spicy scent, with a pronounced green note.

The spicy sweet flavor we associate with licorice is due to a reverse association–licorice candy which doesn’t smell anise like on its own is usually flavored with anise oil or anethole. The true scent of licorice, the roots of Glycerrhiza Glabra, smells sweet, almost cloying, and caramelized. It’s rarely used in perfumery, but is a very important flavor ingredient.

Aftelier Perfumes Licorice and Jasmine : Perfume Review

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Licorice

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Used for centuries in China and ancient Greece, licorice is a scent that vacillates between sweet and cool, creating a sensation of an ice cube sliding across hot skin. Sweetness of anise laced with spicy greenness is accented by warm and delicately earthy vanilla. Aftelier Perfumes Licorice teases with its subtle spice and luscious vanilla notes.

Jasmine solid perfume opens with a tart note of pink grapefruit and sweetness of orange, which are a nice counterpoint to the lush opulence of jasmine. Amplifying its fruity facets, citrus creates a scintillating burst, given the presence of aldehydes in its oils. The solid perfume melds into the skin creating a gentle veil of sparkling jasmine.

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Guerlain L’Instant de Guerlain Pour Homme : Perfume Fragrance

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Guerlaininstanthommesp

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Masculine perfumery is often seen as either minimalist (citrus and musk) or ostentatious (Yves Saint Laurent Kouros). Yohji Yamamoto Yohji Homme, Divine L’Homme de Coeur, Yves Saint Laurent Rive Gauche Pour Homme were among my first discoveries from the domain of specifically masculine perfumery. I have recently added L’Instant de Guerlain Pour Homme to my list. Created by Béatrice Piquet in 2004, it features notes of jasmine, citrus, star anise, hibiscus, patchouli, sandalwood, lapsang tea and cacao bean.

The first rush of bitter citrus is underscored by spicy fresh leaves and sweet chill of anise. A cured leaf note rises up to create a smoke screen over citrus, softening its bright shimmer. Caramelized undercurrent undulates out of the shiny layers, creating a vision of slowly ossifying petals. A note bridging a gap between a flower and a woody stem lends an appealing indeterminacy to the composition, teasing one into thinking that the accord is about to become more floral and lacy. Instead, a dark rose turns into rosewood embellished by bittersweet smokiness and delicate sweetness. Gentle earthy patchouli laced with musky ambrette seed is completed by citrusy freshness, which persists into the drydown. It is not an effervescent sparkle of lemon, but a cut glass sharpness of synthetics, which actually complement the rest of the composition well, giving a layer of translucent glow to the bitter caramelized notes. Like a well aged whiskey, L’Instant Pour Homme has a beautiful prolonged drydown, containing a trace of the initial exciting burst.

While the fragrance opens up in a manner that may recall classical masculine compositions, the drydown is finely constructed in such a way as to blend gender divisions. It is beautiful in the same way as Chris Sheldrake’s compositions for Serge Lutens–it escapes conventions and predictability.

Caron N’Aimez Que Moi and Aimez Moi : Perfume Review

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N’Aimez Que Moi

In 1917, Ernest Daltroff creates a fragrance that captured the promises made by the couples separated by the WWI to remain loyal and to await the return of the loved ones from the front. N’Aimez Que Moi was the name given to  this new perfume by Caron. “Love Only Me!” Alas, it is not a promise I can make. While undoubtedly beautiful, N’Aimez Que Moi is too heavy and powdery even for this fan of makeup-like notes in perfume. The top notes are of creamy rose and violet intertwined with soft lilac. The lush floral bouquet is wrapped in sandalwood and cedar, with an accent of earthy vetiver and iris. Unfortunately, that’s when the fragrance becomes unbearably powdery and opaque, and N’Aimez Que Moi and I part ways.

Aimez moi

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Guerlain L’Heure Bleue : Fragrance Review (New and Vintage)

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Guerlain L’Heure Bleue is the embodiment of refinement. When I read that Catherine Deneuve wore it for many years as her signature fragrance, I was not at all surprised. Its luminous orange blossom is beautifully contrasted with the rich plushness of vanilla, iris and incense.  L’Heure Bleue’s sillage is among the most beautiful of great classics—bright, radiant, enveloping.

Lheure bleue

It was also the first Guerlain perfume to use aldehydes (distinctive starchy-metallic notes) to give a lift to the rich floral accord.  The carnation, ylang-ylang and anise introduce L’Heure Bleue, but then you become aware of its velvety layers–iris, vanilla, incense, musk, tonka bean. The leitmotif of anise persists through the layers of L’Heure Bleue.   The eau de parfum concentration is plusher and warmer than the musk inflected eau de toilette. The extrait de parfum is even more memorable, a mouthwatering confection of orange blossom, iris, and vanilla with a touch of licorice.

L’Heure Bleue has set many trends in its day and it continues to do so. It is one of legendary perfumer Sophia Grojsman’s favorite fragrances, and her Kenzo Kashaya, Lagerfeld Sun, Moon, Stars and Laura Biagotti Sotto Voce were inspired by its structure of plush richness and opulent floral notes. Recent launches like Costume National Scent, Iris Ganache, Insolence and Kenzo Flower pay tribute to L’Heure Bleue.

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Guerlain Apres l’Ondee : Perfume Review

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Guerlain Après l’Ondée was created by Jacques Guerlain in 1906.  I loved this scent right away for its wonderfully delicate combination of orange blossom and violet, tinged with a spicy anise note.

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The first accord is reminiscent of a spring garden after a tempestuous May shower as the damp earth, drenched leaves and flowers begin to warm up under the sun. The aura of this fragrance is effervescent, innocent and joyous. But there is a dark timbre to Après l’Ondée as well. It is similar to the moment after the rain is over; the sun is shining, yet the clouds still cast somber shadows upon the landscape. The heart blossoms with iris and violet, which much to my delight, is a departure from the traditionally sweet candy-like violet notes. The carnation is subdued and merely adds a spicy ornament. The dry down is smooth and tender, with the sugared almond, vanilla and musk lending it an abstract gourmand sensation. Après l’Ondée is a garden in the first flush of bloom, yet to reveal all of its secrets.

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