Iris: 79 posts

What happens when a talented photographer and a perfumer cross paths? To figure this out, I take a close look at the striking sunshine filled image by the Italian master Massimo Vitali and apply a drop of Lumière Blanche to my wrist. The idea behind this perfume by the French niche house Olfactive Studio was to capture the intense white light saturating Vitali’s photograph of a Sicilian beach.

It’s easy enough to fall under the spell of suggestion with something as intangible as a scent and as vivid as this image, and I could tell you that I smell “white” and “radiance.” What I feel above all is just pleasure. As I press my nose into my wrist, I notice a comforting warmth from the perfume’s blend of spices, almonds and sandalwood. There is a beautiful synergy between picture and a scent, but even on their own, they are striking.

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Ramón Monegal is both the name of a perfumer and a perfume house.  Monegal is a Spaniard with a strong background in perfumery.  His lineage is the House of Myrurgia, a preeminent Spanish house based in Barcelona—the family business—with which Monegal was associated until he decided to embark upon his own projects.  The perfume house has just entered the market in a big way with the release of 14 perfumes!

The most striking thing about the line overall is the stages of development each fragrance goes through. This came as a surprise to me, since many modern fragrances come at you in a rush of notes.  With the Monegal line, what you smell at first may be dramatically different from the various stages of the fragrance.

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‘Please see my review of Viktor & Rolf Flowerbomb‘ — this is how I originally started my post on the newest Lancôme perfume La Vie Est Belle. This big Lancôme launch takes a lesson from its flop Magnifique and does everything by the book: a fetching package (check), something pink (check) and a safe, easy to like perfume (check). It’s even better if you tag on a well-known spokesperson (check, Julia Roberts looks gorgeous in the ads).

While my initial reaction was to dismiss La Vie Est Belle as another copycat, after wearing it for the past couple of weeks I’m not so sure what I think. The citrusy top notes laced with tangy raspberries were facile, but addictive, while the gourmand drydown tempered by earthy iris was surprisingly mellow.  I readied myself for another cheap fruit compote, but I discovered a trendy and likable perfume. I would have had an easier time making up my mind if it smelled cheap, but it doesn’t.

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Those of you who enjoy eaux de cologne know how refreshing and uplifting these citrus accented fragrances can be. The effervescence of bergamot peel and orange blossom gives a jolt that I find comparable to a cup of coffee. Even if the buzz wears off quickly—citrus perfumes are quite volatile—the initial effect is rejuvenating. But what took me longer to understand–and what I discovered via the iris inflected Thirdman Eau Moderne—is how elegant and versatile citrus colognes can be.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

I have not been excited about any release from Guerlain’s L’Art et La Matière Line since Bois d’Arménie with its softly sketched out woody accord. Iris Ganache and Tonka Impériale were enjoyable, but like a high-calorie dessert, too rich to savor for long. An acquaintance with Myrrhe et Delires, on the other hand, quickly turned into an infatuation.

Peppery and citrusy at first, Myrrhe et Délires immediately changes course into the woody direction. At the heart of Myrrhe et Délires is a beautiful floral accord, which allows you to enjoy the cool, earthy touch of iris and the honeyed embrace of rose. The powdery candy-like violet and the milky peach add a pleasant sweetness.  Just as you settle in to linger over these morsels, you become aware of the savory, cool leitmotif running through Myrrhe et Délires, that of myrrh.

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