Osmanthus: 14 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Osmanthus, the tiny blossoms of a shrub native to Asia, have the scent of ripe apricots and jasmine soap, with osmanthus absolutes also possessing a pronounced leathery note that lends an alluring twist to the already fascinating aroma. By allowing osmanthus to dominate a composition and unravel its many beautiful layers, the perfumer can take a number of approaches. One would be to accent the leathery warmth of the note, as the perfumer Jean-Claude Ellena has done in Hermès Osmanthe Yunnan. Another is to highlight its citrusy top notes. Ormonde Jayne Osmanthus and The Different Company Osmanthus represent the latter treatment. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Although Annick Goutal fragrances are sometimes considered either frilly and pretty like Petite Cherie or subtle and wispy like Duel, Sables and Eau du Fier present another side of the house—scorched earth and leather in the midst of chiffon and silk. Sables displays an orchestration of the bittersweet immortelle flowers, which smell of hot rocks, curry spices and salty ocean breeze—a note that does not often take a center stage, especially not in its full glory.

Eau du Fier (2000) is a story of tar and smoke, accented by the delicate fruity sweetness. The watercolor quality of Annick Goutal fragrances sometimes renders them almost ethereal, however Eau du Fier proves that the light hand of Isabelle Doyen, the Annick Goutal in-house perfumer, can work magic. What might have been a base heavy and opaque composition instead has the quality of Persian calligraphy—an exquisite pairing of precision and grace. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Inspired by a visit to the gardens of Beijing’s Forbidden City, Hermès Osmanthe Yunnan, Jean-Claude Ellena’s creation for Hermessence range explores the marriage of tea and flower. Yunnan tea and osmanthus is a combination of natural harmony due to the fact that the flowery rich tea tonality underscores the fruity delicacy of osmanthus. Its scent, elusive and haunting, ranges from tea-soaked dried apricots to jasmine soap crushed in a leather bag.

The hesperidic notes sparkle like sugar crystals falling into a tea cup, their astringent quality appearing as somewhat sharp on the skin. The tart orange becomes more pronounced, contrasting with the gentle richness of tea. As could be expected, the composition is quintessentially Ellena—delicate transparency paired with complexity of the final result, which is a panoramic display of the idea. The composition appears rather smooth, with none of the notes dominating, but instead melding elegantly into a transparent, yet velvety fruity-floral scent. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The scent of osmanthus, a fragrant olive originating from China, is a scent of apricots crushed with jasmine soap in a leather purse. It alternates between fruity and spicy, delicate and opulent. Ormonde Jayne Osmanthus, on the other hand, is sharp and citrusy. The top notes create a burst of green grapefruit, immediately followed by a floral accord. The progression to the heart and then to the base is without much delay, and I would say that Osmanthus is less complex than other Ormonde Jayne’s fragrances.  Citrus notes are wont to disappear rapidly, however in this case, pomello persists even in the drydown, leaving a hint of freshness as it meets the smooth embrace of cedar. The crystalline effect of the top notes is reinforced by the soft muskiness, creating an uncomplicated crisp fruity scent with a slightly woody accord.

Notes: Pomello, davana, pimento; osmanthus absolute, water lily and jasmine sambac; cedarwood, labdanum resin, musk and vetiver.