Osmanthus: 11 posts

by Elise Pearlstine

I moved to the southeastern United States in 1997 after living nearly everywhere else. My profession took me to South Carolina where I was to work for 5 years documenting its biodiversity. Three things stay with me from my time in that lovely state: a fondness for grits, the husband who found me there, and a deep and abiding passion for a certain small tree – the Tea Olive or Osmanthus fragrans. The scent of osmanthus blossoms is elusively sweet and rich, floral yet reminiscent of sunripened apricots, very slightly earthy while at the same time ethereal; a scent that warms with the sun. Mostly it defies description. I was to smell that fragrance for nearly three years before finally determining its source. It floated out at me from the strangest places, a parking garage with a narrow planting of spindly shrubs or a front yard with an ordinary-looking hedge. I kept looking for the source but did not find anything spectacular enough to give off such an amazing scent. The answer finally came from the botanist with whom I worked. She showed me this small, tough-leaved shrub growing next to my parking garage. Certainly those tiny white blooms growing out of the axils and gray twigs of the shrub were not the source!

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Agent Provocateur Maîtresse, the latest release from the saucy British lingerie brand, brought to mind the stereotypical images of the 1980s—teased hair, electric blue eyeshadow and big perfume. In a sense, it is not very surprising. The original Agent Provocateur Eau de Parfum was a take on the lush floral chypres of the 1980s à la Paloma Picasso Mon Parfum and Estée Lauder Knowing. However, while Agent Provocateur EDP tapped into something indeed provocative, Maîtresse merely reminded me why some aspects of the 1980s will never bring out a bittersweet nostalgic sigh from me. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Osmanthus, the tiny blossoms of a shrub native to Asia, have the scent of ripe apricots and jasmine soap, with osmanthus absolutes also possessing a pronounced leathery note that lends an alluring twist to the already fascinating aroma. By allowing osmanthus to dominate a composition and unravel its many beautiful layers, the perfumer can take a number of approaches. One would be to accent the leathery warmth of the note, as the perfumer Jean-Claude Ellena has done in Hermès Osmanthe Yunnan. Another is to highlight its citrusy top notes. Ormonde Jayne Osmanthus and The Different Company Osmanthus represent the latter treatment. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Although Annick Goutal fragrances are sometimes considered either frilly and pretty like Petite Cherie or subtle and wispy like Duel, Sables and Eau du Fier present another side of the house—scorched earth and leather in the midst of chiffon and silk. Sables displays an orchestration of the bittersweet immortelle flowers, which smell of hot rocks, curry spices and salty ocean breeze—a note that does not often take a center stage, especially not in its full glory.

Eau du Fier (2000) is a story of tar and smoke, accented by the delicate fruity sweetness. The watercolor quality of Annick Goutal fragrances sometimes renders them almost ethereal, however Eau du Fier proves that the light hand of Isabelle Doyen, the Annick Goutal in-house perfumer, can work magic. What might have been a base heavy and opaque composition instead has the quality of Persian calligraphy—an exquisite pairing of precision and grace. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Inspired by a visit to the gardens of Beijing’s Forbidden City, Hermès Osmanthe Yunnan, Jean-Claude Ellena’s creation for Hermessence range explores the marriage of tea and flower. Yunnan tea and osmanthus is a combination of natural harmony due to the fact that the flowery rich tea tonality underscores the fruity delicacy of osmanthus. Its scent, elusive and haunting, ranges from tea-soaked dried apricots to jasmine soap crushed in a leather bag.

The hesperidic notes sparkle like sugar crystals falling into a tea cup, their astringent quality appearing as somewhat sharp on the skin. The tart orange becomes more pronounced, contrasting with the gentle richness of tea. As could be expected, the composition is quintessentially Ellena—delicate transparency paired with complexity of the final result, which is a panoramic display of the idea. The composition appears rather smooth, with none of the notes dominating, but instead melding elegantly into a transparent, yet velvety fruity-floral scent. …

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