Sandalwood: 42 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Recently I found myself wishing for a woody oriental fragrance, where woods take the center stage, as opposed to the gourmand effects. While I love a mouthwatering dessert of a fragrance a la Lolita Lempicka or Prada Candy, I am even more partial to dark, rich blends with dry woody and incense accents. One such favorite is Etat Libre d’Orange Like This. Created in collaboration with the actress Tilda Swinton, Like This is a strange and unconventional blend. It is a cross between the woody richness of Serge Lutens Douce Amère and the smoldering darkness of Donna Karan Chaos, with plenty of its own surprising elements.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Is it possible to create a stunning sandalwood fragrance without using Indian sandalwood? As I smell more and more sandalwood dominated new launches, the answer to this question increasingly appears to me as negative. There exists nothing that duplicates the fragrance of Mysore sandalwood, which smells more of flowers and fresh cream rather than of dry woods. Tom Ford Santal Blush is an attempt to construct a classical sandalwood accord, using Australian sandalwood, spices and resins. While it does not convey the mellifluous character of true sandalwood, it presents an elegant twist on the woody theme reminiscent of Diptyque Tam Dao.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

My sample of Le Labo Santal 33 has been sitting on my desk alongside several samples of sandalwood oil and synthetic sandalwood materials. For a perfumer, sandalwood is what chocolate is to a pastry chef: a creamy, dark material that can give a sensual, luscious twist to any composition. Sandalwood even behaves similar to chocolate: initially crisp and dense, the warmth of the skin makes it bloom and reveal its milky, sweet richness. Yet, not all sandalwood notes are made equal. Synthetic sandalwood materials, beautiful though some are, have the roughness of raw silk at best and the screech of nylon at worst. Australian sandalwood is medicinal and pungent, missing the delicious rose petals and cream facets of Indian sandalwood.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Serge Lutens Jeux de Peau, which translates from French as “play on skin” or games “involving skin,” certainly engages in plenty of olfactory tricks. Christopher Sheldrake and Serge Lutens have never been shy about exploring difficult notes. I still marvel at the technical genius of La Myrrhe, in which a traditionally heavy, unctious and dense note of myrrhe seems effervescent and luminous. Or the harsh, diesel fuel note of methyl benzoate in Tubéreuse Criminelle that makes the white tuberose appear even fresher and brighter. In Jeux de Peau, the notes that are pushed to the point of discomfort are the caramelized, charred accords that evoke toasted bread.

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As I smell many niche collections these days, I get a distinct feeling that the luxury is being channeled mainly through the price and elaborate packaging. I do not wish to single out Cartier; the same thing can be said about by Kilian, Armani Privé, Clive Christian, Xerjoff, etc, etc, etc. This is also not to imply that the fragrances launched under these brands are poorly made; in fact, sometimes it is quite the opposite. However, as the price of luxury rises higher and higher, I begin to wonder whether the fragrances truly justify it. After all, I am not wearing a pretty bottle, nor do I care about the esteemed brand name. The only thing that remains is the scent. As for Cartier Les Heures de Parfum scents, I enjoyed the incense of L’Heure Mystérieuse and fell hard for the introspective aura of L’Heure Fougueuse and liked L’Heure Brilliante. Yet, as I mentioned previously, I wish for more complexity in these compositions and fuller stories being developed around these strong ideas. As I finish testing Les Heures de Parfum, I am left with the surprising discovery that in comparison to many niche lines, Serge Lutens fragrances can seem like bargains!

I decided to review L’Heure Folle, L’Heure Brilliante, L’Heure Promise, and L’Heure Diaphane together, because they capture a similar bright, joyful sensation to me, despite being quite different in terms of their olfactory profiles. As such, it is very interesting to observe how different olfactory effects can be used to achieve a similar mood. They also give a very interesting insight into Cartier in-house perfumer Mathilde Laurent’s style and her strong signature.

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