What happens when a talented photographer and a perfumer cross paths? To figure this out, I take a close look at the striking sunshine filled image by the Italian master Massimo Vitali and apply a drop of Lumière Blanche to my wrist. The idea behind this perfume by the French niche house Olfactive Studio was to capture the intense white light saturating Vitali’s photograph of a Sicilian beach.

It’s easy enough to fall under the spell of suggestion with something as intangible as a scent and as vivid as this image, and I could tell you that I smell “white” and “radiance.” What I feel above all is just pleasure. As I press my nose into my wrist, I notice a comforting warmth from the perfume’s blend of spices, almonds and sandalwood. There is a beautiful synergy between picture and a scent, but even on their own, they are striking.

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Amouage makes perfumes that are Arabian corollaries to how perfumes used to be made in the US up until the post-World War II era.  By this I mean assertive, statement-making perfumes with incisive notes. Amouage Lyric Woman (2008) is a blueprint rose chypre for this type of perfume, using Middle Eastern motifs on a classical framework.

Lyric Woman is composed around a central floral scheme of rose, jasmine, and ylang-ylang.  The particular rose used in Lyric Woman is not a Western-type dewy or jammy rose but one that has smoky elements, as if rose were a herbal, rather than a floral, component. This rose is scattered all over Lyric Woman, its dried petals offering a textural counterpoint to rich, rubbery ylang-ylang and honeyed jasmine.

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There’s a twenty-year-old ad for Yves Saint Laurent Paris that says everything you need to know about this iconic fragrance.  In the ad, the model Lucie de la Falaise leans against a wall while holding a huge bouquet of light-pink roses.  Everything but the model’s face and the bottle of perfume is in gauzy soft focus, including in the background the Eiffel Tower.  De la Falaise looks otherworldly in this city of muted pinks and greens, serene, elegant, and very, very French.  Surely the City of Light is scented exactly like this, is it not?  Isn’t Paris a veritable rose macaroon, tinted pink as Yves Saint Laurent’s fantasy fragrance is?

Paris is an ebullient and romantic daydream of a scent that interlocks a fruity, jammy, and abstract rose with violets that smell the way candied violets look.  One spray and (nearly) all is revealed. This is not a perfume of special effects but one that opens big, stays big, and gives you a bit of sandalwood as a basenote souvenir.

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Serge Luten has unveiled his newest Paris exclusive fragrance called Une Voix Noire. “The stars rise in chorus. The night sky is filled with the light of the moon.  It is a tribute to the singer Billie Holiday, a reference to a gardenia she wore in her hair.

The perfume is now available via sergelutens.com, 75ml is 130 euros. Via sergelutens.com

“Flowers can have a dark enchantment,” says Tom Ford of his new Jardin Noir series. “When you showcase their darker and less innocent aspects, flowers can become so thrilling and beautiful, they could almost ruin you. That was the sensation I was after.”* For a flower from a collection called Jardin Noir, Lys Fume upon first impression is not all that dark. For a perfume named “Fume”, which I take to mean “smoked lily” in French, the smoke is quite subtle.

But even if Tom Ford is after the “film noir” glamour goddesses in theory only, Lys Fume is an enjoyable fragrance. Real lilies smell intensely indolic–of ink and moth balls–and while perfumers Rodrigo Flores-Roux and Shyamala Maisondieu  tone down the animalic components, they didn’t shy away from exploring some surprising twists to create this blossom.

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