Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Like any fragrance house with a large and diverse range, Le Labo has a number of hits and misses in its collection. The generic blandness of fragrances like  Fleur d’Oranger 27 and Neroli 36 exists side by side with the striking renditions of Patchouli 24 and Oud 27. In fact, when Le Labo offers something successful, it is truly memorable and dramatic. Would one have expected Rose 31 to be a dark, moody composition where roses completely melt into the smoky woods? Would one have anticipated Aldehyde 44 to be a vision of edgy glamour? Likewise, Baie Rose 26 is a fragrance I find fascinating, and in a word, addictive.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

A classical streak common to the latest Diptyque launches, Vetyverio and Eau Duelle, contrasts with the linear and streamlined character of most other fragrances offered by this house. Certainly, Vetyverio and Eau Duelle are not particularly complex, yet their structures offer some nice contrasts and interesting transitions. Eau Duelle is the most layered of the two, offering a bright spicy citrusy note set against a smoky, vanilla enriched amber backdrop.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Pretty, classical, romantic… Un Lys is somewhat of a wallflower next to the quintessentially dark and cerebral Serge Lutens blooms like dramatic Tubéreuse Criminelle, voluptuous Fleurs d’Oranger, animalic jasmine of Sarrasins, or even dusky Bois de Violette. Yet, what Un Lys lacks in drama, it more than makes up by its bright, uplifting character. It is a fragrance I reach for when it has been raining too long or when I crave a waltz, for Un Lys is truly the olfactive equivalent of Strauss’s Blue Danube, given its radiance and romantic elegance!

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A remarkably talented perfumer, a creator of his own brand, a former ballet dancer, Francis Kurkdjian represents an idea of a Renaissance man. He first became famous for Jean Paul Gaultier Le Male, which became of the defining masculine fragrances for the 1990s. Subsequently, he created a wide array of scents, from airy Elizabeth Arden Green Tea to smoldering Christian Dior Eau Noire. He also has his own eponymous line. Below are a few excerpts from a good interview Kurkdjian gave to Kanokporn Chanasongkram of Bangkok Post (originally published on September 2005.)

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The classical treatment of vetiver, a fragrance note with an interesting interplay of bitter grapefruit and blond woods facets, has often seen it paired with cedarwood and citrus notes. Classical citrusy woods like Aqua Brava, Guerlain Vétiver, Givenchy Vetyver follow this model. Many modern fragrances like Frédéric Malle Vétiver Extraordinaire, Lalique Encre Noire and Ormonde Jayne Zizan take the classical woody theme as well, albeit using vetiver in the lower, more sonorous register. Even lighter, airier vetiver dominated blends like The Different Company Sel de Vétiver and Miller Harris Feuilles de Tabac do not depart radically from the classical dry woods formula. In this light, Diptyque Vetyverio, a fragrance created by perfumer Olivier Pescheux, offers an interesting discovery—a woody composition with a juicy, fruity top and a fresh green floral heart.

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