Perfume 101: 517 posts

It’s time for my gifts lists inspired by French magazines and Belgian stores. Christmas decorations are going up around Avenue Louise, Brussels’s version of Avenue des Champs-Élysées, and the boutiques are receiving their seasonal gift sets. I’m rarely tempted by the matching scented creams and shower gels, but the presentations are so irresistible that it’s hard to walk past the perfume shop window without taking a quick peak inside.

My list reflects things that I like to give and would love to receive. If you would like to introduce someone to fragrance and know a bit about their tastes, discovery kits are excellent options, and there are several choices below. Another criterion for including the sets is the high-quality matching products. All too often the body lotions and creams are of mediocre quality in comparison to the perfume and needless to say, such sets don’t make the cut.

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“Don’t crush the molecules!” I turned around, a bottle of perfume in hand, to discover a sales associate approaching me with a look of mild panic. My crime was that I sprayed too much perfume on my wrist and tried to transfer the excess to another arm. “You’re about to crush molecules,” she repeated for emphasis, leaving me to imagine dramatic visions of aldehydes and ionones bursting like overripe grapes on my skin.

Out of all the nonsensical things I hear at the perfume counter, “don’t crush the molecules” (or its variant “don’t crush the scent”) tops the list of my all time favorites. I never argue with the sales associates, but I once inquired where they’re taught such a concept. What do the perfume sales associates know that still eludes modern science? One counter manager admitted that she heard more senior personnel say it and repeated it herself. Another recalled hearing this molecule business in a perfume training class (in my opinion, she deserves a refund).

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Patricia on her absolute favorite animalic scent.

One person’s poison is another’s…well, perfume. This is never clearer to me than when I enter the horse barn. Immediately I am surrounded by scents, both pleasant and not. Hay and leather mix with the earthy smells of manure, dirt, wood stalls, and the acrid smell of urine, all blended with the rich loamy fragrance of the horses themselves. Those who love only clean scents would not find this a pleasant place to visit, but I love to immerse myself in this world for hours at a time and enjoy all aspects of it, from currying, brushing, and bathing my horse, to riding and rubbing scented saddle soap and conditioners into my  tack before putting it away.

Many of the fragrances I wear on a daily basis remind me of my time at the barn. Leather and horses go together, and leather fragrances are among some of my favorites.

The Big Guns

Robert Piguet Bandit, if not the oldest of the “old broads,” is certainly one of the most assertive. I have an old bottle of unknown concentration, but the current version is just as potent. Bandit’s combination of everything leathery and animalic needs to be experienced. I may not wear it frequently, but I unstop the crystal stopper often to breathe in its dark richness.

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Today Elisa discusses perfumes that she wears not necessarily because they suit her personality, but the opposite–they become her means to fantasize and play dress up.

As a child, I never wanted to be something scary for Halloween; my costumes were always aspirational. Instead of dressing up as a witch or a ghost, I was a bride or a ballerina. As I got older, I’d pile on my grandmother’s costume jewelry to be a fortune teller; for several years in a row as a teen, I borrowed my mother’s embroidered purple suede platform boots from the ‘70s and called myself a hippie.

Whether Halloween is approaching or not, I think of everyday fashion as a kind of costuming. I admire those chic women with a well-edited closet and a simple daily uniform, but I can’t resist buying beautiful but impractical items that don’t necessarily go with anything else in my closet, then trying to find ways to mix them in. I haunt consignment shops to find my costume pieces: a tie-print Diane von Furstenberg dress that makes me feel like I’m in a Woody Allen movie; the perfect ‘80s-era ankle boots for walking in SoHo (though my ankles were killing me by the end of the night); the black velvet tuxedo vest that I fantasize about throwing on with everything (but never actually wear). When I approach getting dressed as putting on a costume, I never worry about being overdressed or looking like I’m trying too hard; I’m just having fun with it.

Perfumes too can serve as a kind of costuming. I have my go-to favorites that always feel perfectly “me” whatever the occasion – Donna Karan Gold works in any season, day or night – but I also have scents in my collection that I wear to feel less like me. These are a few of my costume scents, the ones I put on to go clandestine, escape myself, or perform a character.
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The first article in this series described the process through which the perfume brief goes before it ends up on the perfumer’s desk (Brief). Then, my perfumery school classmate and former colleague Lauren gave you a glimpse of what it’s like to be a perfume evaluator (Evaluator). Today, I will describe the role of the perfumer.

If you’re new to this series, I recommend starting with Part 1: Brief.

Ever since Frédéric Malle highlighted perfumers by adding their names on the fragrances created for Editions de Parfums, these actors, traditionally consigned to ghost writing scents, have become more prominent. We can find out which nose created our favorite perfume, read about perfumers’ work, and even hear them explain their metier. Names of houses that employ perfumers–International Flavors & Fragrances, Givaudan, Firmenich, Symrise, Mane, Robertet–even show up in the traditional media. Magazines call noses rock stars. Fans queue to meet them at store events. Isn’t then the perfumer the most important person in the process of creating a perfume?

Yes and no. With the exception of those who direct their own brands, most perfumers are only one of many groups that influence how a fragrance will smell. Today, it’s hard to speak of a perfumer’s fingerprint on a big brand launch because many fragrances are created as a collaboration among several creators, marketing reps, sales people, and evaluators. In most cases, an individual perfumer may not have a say in the matter and simply has to follow the given direction.

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