Perfume Reviews: 873 posts

Perfumer Jacques Polge has authored or co-authored so many of my favorite Chanel fragrances (Beige, Coromandel, Cristalle Eau de Parfum, Coco) that it always pains me to admit that he has also authored my least-favorite Chanel scent, Chance.  Chance always smells to me as if a brand of lesser and striving quality decided to make something “à la Chanel” in style and came up with Chance.

I understand where marketing was going with this scent—that extremely lucrative twenty-something market must be addressed and not with No. 5.  In its fruit, vanilla, and patchouli trope Chance has the ingredients to appeal to this younger market and from that marketing standpoint Chance was a smart idea indeed; the scent does sell and sell well. I smell it on young girls in the mall, their hair swinging and their limbs tanned, and it doesn’t smell any better to me on them than it does on me.

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I’ve been slowly testing the new Atelier d’Orient quarter, which was launched earlier this season in Tom Ford’s Private Blend collection. While I was enjoying Plum Japonais, Fleur de Chine and Rive d’Ambre well enough, Shanghai Lily stood out the most. I fell for it so hard that on any given day if I don’t have other perfume wearing plans it ends up on my skin. There are a few fragrances from Tom Ford’s Private Blend collection that hit the spot–Champaca Absolute, Velvet Gardenia, Cafe Rose, but Shanghai Lily is quickly becoming my favorite.

I like my flowers with a twist, and Shanghai Lily is a white floral with a dark mood. The jasmine and tuberose are warmed up and cossetted with plenty of spices and dark resins, which is already interesting. But the best part is that nothing about Shanghai Lily is heavy or oppressive. Instead, it sparkles from its gingery top notes to the incense accented drydown.

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Most perfumery output today can be divided roughly into the children of Angel and the children of Light Blue: Angel, as in Thierry Mugler and Light Blue, as in Dolce & Gabbana. On the fringes of the Angel and Light Blue families, you have an ever popular white floral clan that once upon a time was sultry and dark like Hermès 24 Faubourg and is now pretty and coy in the manner of Juicy Couture and Elie Saab. Issey Miyake’s Pleats Please belongs with that group, even though it speaks with a Light Blue accent and also has Angel’s patchouli. It’s a cosmopolitan perfume counter citizen.

Pleats Please was created by Aurélien Guichard, the same perfumer who interpreted peach as a decadent dessert in Bond no 9 Chinatown and made lilac modern in Gucci Guilty. The opening is a mix of juicy apple and orange. Imagine chilling apples in the fridge near the freezer compartment and then taking a bite out of the icy, crunchy fruit.

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Suzanna reviews two India inspired fragrances

Neela Vermeire is an Indian perfume lover living in Paris whose “creative partner” is none other than perfumer Bertrand Duchaufour, king of the travel-themed fragrance.  The Neela Vermeire Creations line consists of four fragrances themed around different periods of Indian history: Mohur, Trayee, Bombay Bling, and Ashoka. I’ve already reviewed Mohur, and today I will talk about Trayee and Bombay Bling.

After Mohur, my favorite was Trayee, a fragrance inspired by the Vedic era that uses notes of Ayurvedic medicine and religious rituals.  Trayee is a smoky perfume featuring a stunning incense note.  Also in there is a “ganja accord” that I will call “green bud” for those who might recognize it, and a sense-awakening jolt of ginger, cinnamon, and clove at the top.  Here and there, Trayee reminded me of black tea leaves (this is not listed) steeped plain, without sugar.

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The first time I tried Parfums de Nicolaï’s Eau Soleil I was surprised. I expected a walk in a Sicilian orange grove perfumed with the zesty freshness of orange flowers and crushed green leaves, but instead of a gauzy, sunlit vision, the fragrance opened on my skin with a peppery, bitter tang. My orange blossom garden fantasy was nowhere to be found.

The mark of a good perfume is its ability to hold your attention. However different Eau Soleil was from my expectations, it followed me throughout the day. I would catch myself stealing little sniffs from my wrist or else enjoying the herbal and green scent that hovered around me. The next morning, I reached for the same scarf I wore the day before and for a few minutes I stood with my face buried in the silk scented with white flowers and soft musk. Eau Soleil courted me successfully.

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