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What happens when a talented photographer and a perfumer cross paths? To figure this out, I take a close look at the striking sunshine filled image by the Italian master Massimo Vitali and apply a drop of Lumière Blanche to my wrist. The idea behind this perfume by the French niche house Olfactive Studio was to capture the intense white light saturating Vitali’s photograph of a Sicilian beach.

It’s easy enough to fall under the spell of suggestion with something as intangible as a scent and as vivid as this image, and I could tell you that I smell “white” and “radiance.” What I feel above all is just pleasure. As I press my nose into my wrist, I notice a comforting warmth from the perfume’s blend of spices, almonds and sandalwood. There is a beautiful synergy between picture and a scent, but even on their own, they are striking.

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Amouage makes perfumes that are Arabian corollaries to how perfumes used to be made in the US up until the post-World War II era.  By this I mean assertive, statement-making perfumes with incisive notes. Amouage Lyric Woman (2008) is a blueprint rose chypre for this type of perfume, using Middle Eastern motifs on a classical framework.

Lyric Woman is composed around a central floral scheme of rose, jasmine, and ylang-ylang.  The particular rose used in Lyric Woman is not a Western-type dewy or jammy rose but one that has smoky elements, as if rose were a herbal, rather than a floral, component. This rose is scattered all over Lyric Woman, its dried petals offering a textural counterpoint to rich, rubbery ylang-ylang and honeyed jasmine.

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When I first smelled the Atelier Cologne fragrances Rose Anonyme and Vetiver Fatal, I immediately fell for the sheer, smoky roses and left the vetiver to languish on my desk. Perhaps that day I craved more flamboyance and more glamour which Rose Anonyme amply delivered. But a week or so later, I absentmindedly dabbed Vetiver Fatal on my wrist–there was no other perfume around–and curled up with War and Peace. Well before Natasha Rostova appeared on the scene, I abandoned the book and sat with my wrist glued to my nose. The scent on my skin was bright but moody, rustic but sophisticated. It smelled of sliced oranges, damp earth and fallen leaves–a little vignette of late summer.

At first, Vetiver Fatal makes me think of green tangerines, complete with their leathery leaves–verdant, zesty and tart enough to make my mouth water. The vetiver takes form stealthily, until you distinctly smell its characteristic scent of earth covered roots and milky hazelnuts. Perfumer Jerome Epinette makes a seemingly simple choice by pairing vetiver with citrus (vetiver oil naturally has a  grapefruit-like accent in its top notes), but the harmony and the addition of other elements makes Vetiver Fatal stand out.

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Natural perfumer Mandy Aftel created Sepia out of an exchange with fellow California perfumer Laurie Erickson of Sonoma Scent Studio.  This, the third installment of Nathan Branch’s Letters to a Fellow Perfumer project, involved each of the perfumers working with a material they had not used before.  Erickson chose black and blue hemlock spruce absolutes for a perfume that became Forest Walk.

Aftel originally selected natural alpha ionone (a violet-like smell) and a fire tree absolute for an idea she had to depict her feelings about California’s Gold Country and its ghost towns, of “the beauty of what remains after something is ravaged by time.”  Shortly into the project, Aftel abandoned both of these original materials, replacing them with flowering tobacco absolute and blond cedarwood and from this built her fragrant tone poem of both an imaginary past and a present reality.

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Oranger en Fleurs (“A celebration of the orange tree”) is a new release from Houbigant, a perfume house with a history dating back to 1775.  The company’s perfumes have for several decades been identified with drugstores, but the release of Oranger en Fleurs signals a return of Houbigant to the luxury market.

Oranger en Fleurs is a fully realized orange blossom fragrance that presents the honeyed floral note in a tableau of leaves and twigs, jasmine, rose, tuberose, ylang-ylang, nutmeg, cedar, and musk, along with something called “eau de brouts” (an absolute with a sharp, green orange blossom aroma).  The moment I sprayed it, the resemblance to Serge Lutens Fleurs d’Oranger was unmistakable.  Substitute Lutens’ cumin for nutmeg and give the composition some airiness and you have, for the most part, Oranger en Fleurs.

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