discontinued: 56 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

If there is a perfume that in the recent history has inspired the most imitations and variations, it must be Angel (1992), a dramatic composition combining an overdose of patchouli with the cotton candy sweetness of maltol. The surprising aspect is that the juxtaposition works remarkably well, resulting in a fragrance that fuses the gourmand temptations of melted chocolate swirled into warm honey and the unexpectedly masculine earthiness of patchouli. Although arresting and sensual, the combination can hardly be called pretty. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

An animalic fruity chypre, Balenciaga Talisman exemplifies the type of genre that while still explored in the transitional period between the heft and opulence of the 80s perfumes and the minimalism of the 1990s, has been on the steady decline ever since. In general, animalic chypre inaugurated by Chanel Cuir de Russie (1921) cannot be named as a popular category, although over the years, especially when crossed with the fruity chypre, it has produced beautiful compositions that are still considered to be the gold standards of the classical perfumery—aggressive leather of Robert Piguet Bandit (1944), civet melted on honey of Schiaparelli Shocking (1937), refinement of Christian Dior Miss Dior (1947), exquisite dryness of Grés Cabochard(1959), to name a few. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Gucci Envy proves the Easter fantasies in pastels that many spring flowers can inspire are not the only route for a modern floral. This composition released in 1997 has the quality that marks the most interesting of the large house releases—it does not try to be cerebral and unapproachable, yet it maintains the suspense. If Diorissimo creates an impression of capturing the smell of forest glens on a misty May morning, Envy is a gust of wind that brings spring into the city. …

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L’Artisan Parfumeur is a quintessential niche line, with the fragrances possessing quirky compositions, whimsical names and a flair for elegant simplicity. Under the direction of Jean-François Laporte, it has produced the classic like Mûre et Musc (1978) and the maltol overdosed Vanilia (1978). It was the first to introduce a fig accord in Premier Figuier (1994), to use coffee notes in L’Eau du Navigateur (1978), to make an animalic composition like Dzing! (1999) appear ethereal. That being said, a number of perfumes in the line are disappointingly thin, especially the florals, some of which strike me as so dainty that I feel like walking on tip toes when wearing them.

Orchidée Blanche is one of the few exceptions that make a bold floral statement. Created under the direction of Laporte in 1985, it presents a stunning white flower wrapped in a delicious layer of sweet iris and a subtle accent of spice. Its voluptuous arrangement shares more lineages with the soft floral-aldehydic fragrances of 1970s than with the rest of the L’Artisan florals. Perhaps, the now unpopular powderiness is one of the reasons for Orchidée Blanche being a relatively obscure L’Artisan perfume. Yet, the glamorous character and vintage elegance make it worth exploring, especially for those with the penchant for classics. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Provocatively named, Lanvin Mon Péché (My Sin for the American market) is a mystery novel full of unusual twists and complex subplots. From the chilly elegance of its top notes crowned with the crisp aldehydes to the languorous darkness of its floral heart and the animalic base, heavy like a sigh of yearning, it never ceases to maintain attention. Why a mystery and not a simple story of seduction? Like most classical fragrances, My Sin does not flaunt its sensuality, but treats it in a tantalizing and unpredictable manner, resulting in a composition that, like a good mystery novel, keeps one guessing until the last page.

Between 1923 and 1924, the Russian perfumer Mme Zed created a range of perfumes for Jeanne Lanvin’s fashion house, which were intended more as the scented souvenirs for travel obsessed Lanvin than the fragrances with the wide appeal. Thus, La Dogaresse captured the beauty of ochre colored Venetian palazzos reflecting in the murky waters of the canals. Geranium d’Espagne spoke of hot stone paved streets in Seville. Le Sillon reminded of the wake of a ship. A collaboration between Mme Zed and Firmenich in 1924 resulted in My Sin. It broke with the holiday postcard tradition of Lanvin perfumes, instead presenting a composition that told its irresistible story in a sexy whisper. Its success was to be rivaled only by Arpège. …

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