serge lutens: 63 posts

Serge Lutens Bas de Soie : Perfume Review

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Before I write about Boxeuses, I would like to discuss Bas de Soie, a fragrance which joins the ranks of the Serge Lutens export collection. “Silk stocking,” as its name translates from French, Bas de Soie certainly conveys a rustling, shimmering sensation of silk, although at times, it disconcertingly veers towards sharp and metallic.
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Even if it is tempting to talk about a new direction for Lutens, I only have to recall the pallor of Clair de Musc (2003), the watery limpidness of Fleurs de Citronnier (2004), the transparency of Gris Clair(2006), and the sweet delicacy of Louve (2007.) Likewise, in Bas de Soie, the familiar dark, magnetic Serge Lutens character is not to be found. If your idea of a fragrance merges the coldness of hyacinth with metallic rose and the luxurious softness of Santa Maria Novella iris soap, then Bas de Soie is a perfume for you.

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Serge Lutens Sarrasins : Perfume Review

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

White jasmine, black jasmine. New love, old flame. That is how I think of Sarrasins, the newest fragrance from Serge Lutens’s exclusive range, and À La Nuit, the 2000 launch. Given the deep purple color of Sarrasins, one is led to expect a dark and sonorous rendition of jasmine. However, nothing could be further from the truth—Sarrasins is radiant, almost see-through, from its initial burst of citrus and wintergreen notes to the dry, leathery base. By contrast, À La Nuit has a remarkable heft, given its high calorie oriental base of vanillic balsams and resins. …

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Serge Lutens Bois Oriental : Perfume Review

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Though it is Serge Lutens at his classical best, Bois Oriental from the sumptuous Les Eaux Boisées range* did not immediately appeal to me. The elegant Bois de Violette and the luscious Bois et Fruits were the more likely choices, leaving Bois Oriental to languish ignored. Yet, Bois Oriental deserves its moment in the sun as well, and it turned out to be just as complex, opulent and seductive as the rest of Les Eaux Boisées. …

Serge Lutens excels at weaving images from the Moroccan souks, Arabian Night tales and Moghul palaces. While Bois Oriental is certainly born in that tradition, it seems to possess a certain softness that I do not find to such an extent in the other Les Eaux Boisées. It flows like a tale that Scheherezade might have been told after knowing that the Sultan Schahriar had fallen in love with her, enchanted by her stories and kindness. Where the woods in Bois de Violette, Bois et Musc, and Bois et Fruits cradle a dominant note, be it a soft musk or caramelized fruit, Bois Oriental is a lavish tapestry of spices.

Wrapped into the creamy foil of vanilla, the hot spices of Bois Oriental feel warm rather than fiercely searing. Nevertheless, their opulence and harmony assure a dramatic statement. Moreover, adding to the excitement of Bois Oriental are the abstract gourmand touches, evoking the ruby hued candied quince, rose sherbet, and cardamom almond halwa. Yet, the smooth warmth of the base notes tones down the sweetness in a rather elegant manner, leaving one with only a faint impression of something delectable.

The lovers of Les Eaux Boisées and Shiseido Féminité du Bois will find Bois Oriental enchanting. Moreover, if you enjoyed Arabie for its Middle Eastern gourmand character, but found it overwhelming, you might like to explore Bois Oriental. The fragrance is very tenacious and long-lasting like all of Les Eaux Boisées, a range with a strikingly beautiful sillage. Bois Oriental includes notes of violet, peach, plum, rose, cardamom, cinnamon, clove, musk, Atlas cedarwood, and vanilla. It is available from Les Salons du Palais Royal.

Les Eaux Boisées range includes Bois Oriental, Bois de Violette, Bois et Musc, and Bois et Fruits, Un Bois Sépia, Chêne, and Santal de Mysore.

Scheherazade Telling the Tales by Kay Nielsen (1922).

Serge Lutens Rousse : Fragrance Review

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Lipstick and candied lady apples were the first associations that Rousse, the newest Serge Lutens’s fragrance, brought to my mind. One was conjured by the powdery violet note, the other by the intensely sweet and caramelized wood. Although I loved Chypre Rouge and Mandarine-Mandarin, Rousse was somewhat of a let down. It possesses neither the distinctive presence of Lutens’s fragrances like Iris Silver Mist and Ambre Sultan nor the classical elegance that marks Rose de Nuit and Chêne. It is simply a pleasant scent, but then again, the world is full of them. From Serge Lutens, I expected nothing but breathtaking, even if not conventionally pretty. …

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Serge Lutens Iris Silver Mist : Fragrance Review

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Serge Lutens Iris Silver Mist is iris to the power of 10. Despite its raw strength it manages to convey the ethereal softness and exquisite silkiness that make iris one of the most prized materials in perfumery. Although Iris Silver Mist is not a classical Serge Lutens oriental like Ambre Sultan, Chergui or Fumerie Turque, it has the distinctive aura and unconventional construction of other fragrances from the line.

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