Victoria: 2668 posts

Our “Recommend Me a Perfume” thread is now open in time for your spring queries. You can this space to find fragrance recommendations, to share your discoveries and favorite scents, and to ask any questions about scents, aromas and flavors.

How does it work: 1. Please post your requests or questions as comments here. You can also use this space to ask any fragrance related questions. To receive recommendations that are better tailored to your tastes, you can include details on what you like and don’t like, your signature perfumes, and your budget. And please let us know what you end up sampling. 2. Then please check the thread to see if there are other requests you can answer. Your responses are really valuable for navigating the big and sometimes confusing world of perfume, so let’s help each other!

To make this thread easier to read, when you reply to someone, please click on the blue “reply” link under their comment.

Photography by Bois de Jasmin

Rose is a classical flower in perfumery, along with carnation, jasmine and violet. Yet, it need not be interpreted in a classical manner. It can be made either daring or innocent, dark or pale, smoky or soft. I like roses in all of their guises, but some of my favorites are roses with a twist. My FT column, Unusual Roses, was originally prepared for Valetine’s Day, but since I wear these roses all year round, I’d like to take them further into spring.

When the Spanish actress Rossy de Palma decided to create a fragrance, she selected rose as her main theme. While the choice of such a classical flower from the star of Pedro Almodóvar’s Women on the Verge of a Nervous Breakdown might have struck some as surprising, the perfumers Antoine Lie and Antoine Maisondieu weren’t taken aback. They were the co-authors of de Palma’s scent, and when it was released as Eau de Protection (£82 for 50ml EDP) by the niche perfume house Etat Libre d’Orange, the result was anything but staid. As the perfumers knew, rose had many faces, and it could be made as smouldering or as innocent as an artist’s skill allowed.  To read more, please click here.

What are your favorite unusual roses?

Pablo Picasso, 1905, Garçon à la pipe, (Boy with a Pipe), fragment. Private collection

For the Persian New Year and the vernal equinox, the first day of spring, I would like to take you to a secret garden with thousands of blossoms and thousands of scents. The passage will be provided by the twelfth-century Persian poet Nezami, who described this enchanting place in his poem Haft Peykar, The Seven Beauties.

Nezami (1141-1209), also known as Nizami Ganjavi, lived in the city of Ganja, the area of Azerbaijan that was part of the Persian empire until the 19th century. Like most poets of his day, Nezami had skills in various branches of arts and science. He was a philosopher, a mathematician, an astronomer, a historian, and a botanist, to name only a few fields in which he was skilled, and his marvelous erudition and knowledge of Persian literature and folklore make his works vivid.

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Angelica may seem like an esoteric perfume note to be obsessed with. If people associate it with anything, it’s with the candied green stems that make their way into cakes.  As I discovered when I was researching an article for my FT column, it’s an essential ingredient in many types of fragrances and a fascinating material. Angelica combines musky and green nuances with a bright, peppery touch, making it a perfect partner to florals, citrus, woods and musks. Atelier Cologne Jasmin Angélique is firmly in the floral camp, but its angelica layer gives the fragrance complexity and radiance.

The first impression of Jasmin Angélique is so green and peppery that it’s a surprise every single time I put on the perfume. It’s the hit of gin, the bite of black pepper and the pleasant bitterness of greens rolled into one accord. The illusion is created by the use of frankincense that can smell either dark or shimmering depending on what notes accompany it. Here it is paired with leafy notes, and the effect is dazzling.

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The great couturier Hubert de Givenchy passed away at the age of 91 on March 12th. It’s fitting that in remembering him every obituary mentions his collaboration with Audrey Hepburn. It was thanks to her that he found fame, recognition, and a chance to design the wardrobes of Jackie Kennedy Onassis and Princess Grace of Monaco. Today we take for granted celebrity endorsements, but in the 1950s it was novel. Yet, the collaboration between Givenchy and Hepburn was different from today’s business ventures between Hollywood stars and designers. The duo inspired each other, serving as each other’s muses. Givenchy’s clean, elegant lines and innovative techniques left a lasting imprint on fashion.

Hepburn contacted Givenchy to design her clothes for Sabrina (1954). Givenchy was in his 20s, running his first boutique on Plaine Monceau in Paris, having previously trained with Elsa Schiaparelli. Givenchy had an impressive career working for Christian Dior, Jacques Fath, Lucien Lelong, Pierre Balmain and Robert Piguet, but he was unknown. Hepburn felt that his designs would be perfect for a young woman who returns from a sojourn in Paris. The Hague exhibit told the story of Givenchy initially refusing the offer. As he told at the interview recorded for the museum, “I was busy preparing my next collection so I told her I wouldn’t be able to do it, but she was very persistent. She invited me to dinner, which was unusual for a woman to do back then, and it was at dinner that I realized she was an angel.”

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