Cheap & Chic: 70 posts

Simple. Lemon with a touch of lavender and piney rosemary. Not a perfume to wear if you want a big trail. Not a perfume that will make you ponder the mysteries of life. Just a good, no-nonsense cologne that smells bracing and sharp and makes you feel clean and energized. And the name is straightforward too, just four numbers. 4711.

When I first smelled 4711 at the now defunct pharmacy on New York’s East Side, it smelled so familiar and traditional that I could picture my grandfather slapping some on his shaved cheeks or my grandmother adding it to her bath. This was, of course, pure fantasy. 4711 didn’t exist in my Ukrainian childhood, but because the scent of a classical cologne–and 4711 is anything if not classical–has such a recognizable form, it feels as if this German cologne has always been around.

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Elisa on stress and the gourmand ways to fight it.

I suspect there are those among you who, on an especially rough day, derive comfort from an elegant classic like Chanel No. 19 – perhaps because your mother wore it, or perhaps because the orris, vetiver, and galbanum are cool like a hand on a fevered head. I can claim no such level of sophistication. My comfort scents are the equivalent of crème brûlée, which is to say, sugar and fat: perfume as mouthfeel.

I was recently in one of those moods, what Holly Golightly would call “the mean reds,” when such a palliative is called for, and my mind immediately went to Hanae Mori. The original Hanae Mori for women, sometimes known as “Butterfly” due to the bottle design, is a first-generation gourmand. Created by Bernard Ellena in 1995, just three years after Angel, Hanae Mori borrowed the apparently new idea of layering fruit over caramel, but skipped the massively pungent patchouli note that made Angel so shocking. Butterfly, instead, was content to be pretty.

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Andy discovers another cheap and chic perfume.

Smell Bent is a small, independent perfume company with an interest in keeping fragrance enjoyable, affordable, and, above all, fun. The cheeky names and concepts behind their fragrances, including Monaco-Dependent and Violet Tendencies might sound wacky, but in a market where we’re up to our noses in increasingly expensive niche perfumes, I find a playful and inexpensive line refreshing. After recently testing some perfumes from the brand, one stood out to me above the rest, a fragrance called Commando.

At first I thought Commando would be bold and dynamic, as it sounded like a perfume one sprays on for combat. This was before I realized that the creator had another idea in mind—let it suffice to say that Commando is described “as close as it gets to wearing nothing at all.” Likewise, Commando is best described as a skin scent, though wearing it hardly feels like wearing nothing. Commando is both simple and strangely intriguing despite only two distinguishable notes, of musk and tonka. On the whole, this fragrance has little in the way of development, but the overall light and luminous effect is more than the sum of its parts.

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Andy discovers how refreshing and uplifting Elizabeth Arden’s Green Tea can be.

Potent is the last word I’d associate with Elizabeth Arden’s Green Tea, yet when I first tried it, it felt like a jolt of something refreshing and uplifting. It was very early in my fragrance journey, when I wanted to build a small fragrance wardrobe without spending too much. I can remember picking up a bottle of Green Tea for $10 during a sweltering May heat wave, ravenously ripping the packaging open in my overheated car, and spraying myself liberally. To this day, I still reach for Green Tea whenever I need some immediate relief from the heat, or for no reason at all, because it is both refreshingly simple and pleasantly sparkling.

Elizabeth Arden launched Green Tea in 1999, following dozens of other fragrances (like Tommy Girl and Ck One) in the trendsetting footsteps of Bulgari’s Eau Parfumée au Thé Vert. But in comparison to Thé Vert’s nuanced, misty interpretation of green tea, Elizabeth Arden’s Green Tea, composed by Francis Kurkdjian, smells somewhat one-dimensional. As a result, Green Tea can be considered neither revolutionary nor particularly outstanding in composition, but instead it seems to me a study in technical expertise, of making the most out of a formula that is composed of relatively few ingredients while still smelling complete.

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Elisa discovers another underrated gem and white floral beauty in Carolina Herrera’s 1988 perfume. But don’t say that you haven’t been warned about its big sillage and quintessential 80s character.

My mother has never worn perfume, so as a young girl I had to look elsewhere for scented role models. One was my grandmother, who introduced me to the wonders of White Linen. Another was my best friend’s mother, a beautiful, petite brunette who always entered the room in a cloud of womanly sillage. Her weapons of choice – I remember seeing the bottles on her vanity – were the original Escada and Carolina Herrera.

They both seemed impossibly glamorous and “grown up” from that vantage point. But in my first year of full-on, post-rabbit-hole perfume mania, I remember realizing with a jolt that, as an adult woman myself now, I am free to drown myself in Carolina Herrera if I choose to. Not having smelled it in years if not decades, I picked up a small bottle of the EDP at a discount store (in the classic polka-dot box). I got it home, sprayed it on, and smiled in recognition: it hadn’t changed.

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