Elegant: 198 posts

Jean-Paul Guerlain, the last perfumer for the house carrying the family name, once memorably said that one could be a Shalimar woman or a L’Heure Bleue woman, but not both. Of course, he made the statement in his usual provocative manner, but the idea was that the two perfumes had such different characters that you loved either one or the other. I had all the makings of a L’Heure Bleue woman, having fallen for its older sister Après l’Ondée, but then I met Habit Rouge. One encounter was all it took for me not only to be captivated by its velvety orange blossom doused in incense and bergamot, but also to understand the allure of Shalimar.

That Habit Rouge is marketed to men should make no difference to women. In 1965, when Habit Rouge was created by Guerlain, the collection had many splendid feminine perfumes like Jicky, Shalimar, L’Heure Bleue, and Mitsouko, but the offerings for men were considerably less outstanding. The exception was Vétiver, which Jean-Paul Guerlain created a few years earlier. His solution to draw gentlemen to the perfume counter was to take the basic outline of Shalimar and its famous accord of citrus and sweet oriental notes and give it a dandy appeal with leather and green orange blossom. The result was a less sweet, less curvy and less ripe version of Shalimar, but with all the elegance and panache of its great ancestor.

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Patricia on the Boston Harborwalk, Jo Malone Wood Sage & Sea Salt and tide.

The Boston Harborwalk is a 47-mile continuous public walkway from Chelsea to the Neponset River along the Boston waterfront. Currently 80% completed, it is a treasure for locals and visitors alike, and I never tire of strolling along a small portion of it, watching the boat traffic and inhaling the briny, mineral scents that are part of a busy working harbor. The tides, too, influence the degree of intensity of salt and vegetation in the air. During high tide, saltiness predominates, and the breeze is fresher and cleaner smelling. Low tide, however, uncovers the rocky bottom, exposes wood pilings and seaweed, and adds an interesting vegetal and animalic muskiness to the air.

Wood Sage & Sea Salt, a cologne created by Christine Nagel for Jo Malone, falls within the cleaner range and is what I would call a high-tide fragrance. It opens with a refreshing blast of grapefruit and ambrette, which as it is an unusual combination of top notes, sadly doesn’t last long enough to suit me. The overall effect is one of freshness from the citrus and depth from the plant-based musk tones in the ambrette seed. Soon, the sea salt and sage come into play, and they, too, are clean and polished and not likely to offend. This stage lasts for a few hours, not changing in essential character but gradually fading to a pleasant skin scent.

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The main argument you hear from brands launching one bland, derivative perfume after another is that consumers like this sort of thing and that it is impossible to come up with an easy to like and uncomplicated perfume that holds the attention and smells interesting. But Bottega Veneta Knot, the new fall launch, proves that this reasoning doesn’t have much merit. If you want a fragrance that is as versatile and stylish as a little black dress, then this radiant orange blossom has much to recommend itself.

Bottega Veneta’s first perfume was a leather-moss blend attuned to today’s fashions, with emphasis on radiance, softness and bright top notes. Knot’s basic idea is sheer as tulle orange blossom edged with vanilla and musk. Orange blossom is derived from the flowers of a bitter orange tree, and depending on how it’s processed–melting the flowers in a solvent or distilling the essence with steam, the result will be different*. The former gives you orange blossom absolute with its sweet, sumptuous notes, and the latter–neroli oil redolent of green buds of spring. Knot blends both of these essences and sheers them out with citrus juice and featherweight musk. The result is as fresh as a classical cologne, but with a curvier body.

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Patricia discovers a new love in Wit.

Daphne, a spring plant that smells like candied citrus rind and jasmine, is the inspiration for  Wit, the latest creation by Parfums DelRae. Parfums DelRae is a niche fragrance brand based in San Francisco and Paris and comprised of nine fragrances known for their creativity, complexity, and high quality. I own two others: Début, a fresh, green lily-of-the- valley, and Coup de Foudre, an effervescent rose.

Wit by perfumer Yann Vasnier, is easily my favorite release of 2014. I haven’t felt as excited about a floral perfume since L’Artisan Parfumeur introduced Séville à l’Aube in 2012. Although different in composition, they share the same lush, falling-into-a-pile-of-petals feeling. I wore Séville à l’Aube for a month straight after it came out, and I can easily imagine doing the same with Wit.

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Intended or not, Frédéric Malle Eau de Magnolia is an answer to two challenges: creating a novel cologne and capturing the elusive aroma of magnolia. The first is complicated, because cologne is one of the most popular genres, and recasting it in a new way requires some creativity. The second is due to the magnolia’s character. The scent blends citrus, rose and soft leather, but the main impression you get from smelling the waxy white petals is not of heady, lush perfume, but of exhilarating freshness and fizz. You can almost feel the champagne bubbles bursting before you notice all other facets.

Translating this sparkling effect into fragrance is more complicated than it seems in our age of high-tech tools. I smelled through a fair share of magnolia accords at one point to conclude that 90% of them smell either like furniture polish or bear no relation at all to magnolia. Which is why Eau de Magnolia comes as a surprise. It captures the nuances of magnolia, while setting them into a frame of citrus and moss. It makes for a beautiful arrangement.

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