Refreshing: 98 posts

My wedding outfit wasn’t white. It was green, because in the western part of India where my husband’s family originally comes from, and where we were married, it means the color of life, spring and rejuvenation. Since then I have been paying more attention to this shade, and the scents associated with it. In perfumery, for instance, green can be suggested by a variety of materials, from naturals like violet leaf and galbanum to synthetics such as leaf alcohols that smell of freshly cut grass.

The rich palette of green notes finds its expression in a diversity of green nuances in perfumery. This is the topic of my FT column, Seven Green Perfumes. I select these seven fragrances to paint a full spectrum of green, from the dark emerald to pale pistachio.

Green notes, however, can be difficult to wear, which is why, though this perfume family has many loyal fans, it remains small. We prefer our scents of freshly cut grass and new leaves in the air, rather than in the bottle. Nevertheless, certain green fragrances have become classics. One is L’Artisan Parfumeur Premier Figuier. It creates its signature fig accord with the clever combination of ivy, leaves and galbanum. The latter is a fennel-like plant that produces a pungent-smelling essential oil. When carefully dosed, however, galbanum conjures up the vivid colours of spring — young buds, new leaves, damp earth. To continue reading, please click here.

As always, I would love to know your favorite green scents?

Photography by Bois de Jasmin

The next big Chanel launch is a collection of three perfumes, Les Eaux de Chanel. Like Les Exclusifs, they are inspired by places that were meaningful to Chanel. Perfumer Olivier Polge has selected three destinations, Deauville, Venice and Biarritz, and created three stories around them. All three are meant to explore fresh and effervescent notes, but they play with different characters and effects. I will share more detailed reviews as I test the perfumes carefully, and for now just a few general notes the collection.

PARIS-DEAUVILLE

Gabrielle Chanel opened her first boutique in Deauville on the Normandy coast in 1912.

“More than the actual reality of the destination, I liked the idea urbanites make of it when they dream of a
weekend away in the country. I wasn’t striving to capture the Normandy countryside as it stands today, but rather
the promise of a stroll through the tall grasses.” Olivier Polge

The fragrance is green, with the brightness of bitter orange rind, petitgrain and basil leaves. It’s accented with rose and jasmine, but the drydown has a layer of patchouli that gives it a chypre-like impression.

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When I first heard of the new Hermessence collection, with its ouds and myrrhs, I was apprehensive. The previous additions to the line were all sheer, opaline and ethereal, and I couldn’t see how Middle Eastern inspiration could continue the same aesthetic. As it turns out, I underestimated Christine Nagel, the current in-house perfumer for Hermès, because Agar Ebène, Cèdre Sambac, Myrrhe Églantine, Cardamusc and Musc Pallida have the radiance that gives the house’s perfumes its distinctive quality. They also have curves and sensuality.

Myrrhe Églantine is the most classical of the five new Hermessence fragrances and the one that pays the most homage to an existing perfume, Rose Ikebana. Created by Jean-Claude Ellena, Rose Ikebana was one of the most underrated gems from the collection. Yes, it’s a pretty, fizzy rose, but it also had a level of precision and refinement that few other fresh roses possess. Myrrhe Églantine plays with the same shimmering effects, but it sets the rose against a velvety background.

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Angelica may seem like an esoteric perfume note to be obsessed with. If people associate it with anything, it’s with the candied green stems that make their way into cakes.  As I discovered when I was researching an article for my FT column, it’s an essential ingredient in many types of fragrances and a fascinating material. Angelica combines musky and green nuances with a bright, peppery touch, making it a perfect partner to florals, citrus, woods and musks. Atelier Cologne Jasmin Angélique is firmly in the floral camp, but its angelica layer gives the fragrance complexity and radiance.

The first impression of Jasmin Angélique is so green and peppery that it’s a surprise every single time I put on the perfume. It’s the hit of gin, the bite of black pepper and the pleasant bitterness of greens rolled into one accord. The illusion is created by the use of frankincense that can smell either dark or shimmering depending on what notes accompany it. Here it is paired with leafy notes, and the effect is dazzling.

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This week as Belgium and the rest of Europe was battered by Siberian winds, I’ve enjoyed thinking about peach blossoms and pink confections. March 3rd is celebrated in Japan as Hinamatsuri, also known as Girl’s Day or Doll’s Festival. Starting in February, families with daughters put up elaborate platforms representing the imperial wedding, complete with the emperor, empress, court ladies, famous poets and musicians of the Heian era (794-1192). These doll sets are usually given by grandparents to their granddaughters as they wish them health and happiness. Since most Japanese live in tiny, cramped apartments and doll sets cost around $2000, only a few still keep to the old customs. Nevertheless, girls are still feted on this special day.

The reason I enjoy Hinamatsuri is not for the dolls but the flowers and food. March 3rd is known also as Momo no Sekku, the festival of peach blossoms. Peach trees blossom even before spring makes its first claims, and the flowers are as beautiful as they are symbolic–delicacy need not come at the expense of resolve. The fragrance of peach blossoms has a hint of bitter almond and creamy jasmine, but it’s fresh and bright. The pale color of flowers inspires the meals served on Hinamatsuri, like chirashi zushi, a bed of vinegared sushi rice scattered with raw fish, salmon roe, egg threads and pickled lotus root slices, or hishi mochi, diamond shaped rice cakes in delicate pastel shades. My other favorite is sakura mochi, glutinous rice cakes filled with red beans and wrapped in a salted cherry leaf.

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