Summer: 172 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The best summer fragrances manage to be refreshing as well as complex. When Marie-Hélène Rogeon’s line introduced Les Parfums de Rosine Un Zest de Rose in 2002, I immediately fell in love with its scent of white rose petals folded into lemon sorbet. Indeed, the top notes are very interesting reminding me of unopened rose buds due to the crisp and green accords of bergamot tempering the sweetness of roses.

The heart loses some of the citrusy effervescence, however it is still a gorgeous creamy white rose fragrance that remains fresh and sparkling. A touch of jasmine adds a dusky opulent note, whereas vetiver prevents the fragrance from being one-dimensional. The dry down of rose on the base of subtle sandalwood and vetiver touched by amber balanced subtle warmth and icy sting, not unlike caipirinha, a Brazilian drink made with ice, vodka, sugar and lime. Although the lasting power is average, Un Zest de Rose is such a perfect choice for the summer that I do not mind refreshing it.

Available at Aedes and First-in-Fragrance.

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

It makes perfect sense to review Yuzu Rouge alongside Un Zest de Rose, because they share some similarities, primarily the rose and citrus pairing. Parfums 06130 were created by Raphaël Haury, a young nose behind Clarins Par Amour and several Azzaro fragrances. The opening of Yuzu Rouge is a tart effervescence of citrus notes, sweet lemon and dry lime. While they do not replicate the scent of yuzu precisely, the combination is vibrant and uplifting. Tea rose with its sweet fragrance weaves in gently around the citrus notes, softening the sharpness and astringency. A touch of blackcurrant provides a juicy note that permeates pink rose petals in the heart of the composition and lends a tart green accent that makes the resulting composition light and sparkling. I find it similar to Un Zest de Rose by Parfums de Rosine, with a touch more berry in the drydown, however while Un Zest de Rose is a white rose sorbet, Yuzu Rouge is a rose flavored drink. It is difficult to decide which is one better, because while Un Zest de Rose is slightly more complex, Yuzu Rouge has become my staple due to the fact that it is very easy to wear despite heat and humidity of the East Coast summers.

Available at Aedes and Takashimaya in New York (call 212-350-0100).

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Frédéric Malle Le Parfum de Thérèse was created by Edmond Roudnitska, one of the most influential perfumers, the nose behind Rochas Femme, Diorella, Diorissimo and Dior Eau Sauvage among others. According to Frédéric Malle’s site, Le Parfum de Thérèse was composed in 1960s by Mr. Roudnitska for his wife, Thérèse. Upon the death of the master perfumer in the 1996, his wife allowed for the fragrance to be released to the public through Frédéric Malle.

Le Parfum de Thérèse is one of my favorites from the collection. The burst of sunny mandarin is followed by tart sweetness that reminds me of cantaloupe. A dry note of pepper softens the sweet fruity accord before green, yet animalic jasmine reveals itself. It is faint at first, however it becomes deeper over time. Roudnitska’s treatment of indoles–perfume materials that smell of decay and moth balls–in jasmine is fascinating. By amplifying the dark notes, he creates a genuinely sensual fragrance that straddles the fine line between seduction and repulsion.

While jasmine intensifies, violet and rose swirl out of the spicy green plum accords in the middle notes. The entire composition rests on a dry leathery base touched by earthy notes of vetiver. A fragrance both seductive and elegant, it unfolds gently on the skin, never failing to surprise me. I find something new in it every time I wear it.

Photo: Auguste Rodin, Fugit Amor (before 1887), marble, Musée Rodin, Paris. Photo by E. & P. Hesmerg.

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Continuing with the gardens theme Hermès started in 2003 with Un Jardin en Méditeranée, in 2005 Jean-Claude Ellena created Un Jardin Sur Le Nil inspired by the travel in Egypt. Jean-Claude Ellena’s is one of my favorite contemporary perfumers, along with Maurice Roucel, Olivia Giacobetti, and Chris Sheldrake, however his creations for Hermès have been somewhat less innovative than some of the fragrances he has done before. Un Jardin Sur Le Nil is a masterfuly composed fragrance, possessing signature Ellena’s trademark of presenting the fragrance form as if illuminated by opalescent light.  The scent has been my summer staple, accompanying me on my exploits in Kiev and cooling me down in July heat of Chicago.

The explosion of green grapefruit segues gently into green mango with its piney floral fragrance, enhanced by translucent sweetness of lotus. While the initial impressions are not of much more than a pleasant fruit salad, resins and ashes seep through the fruit juices in the base, blurring distinctions and distorting the pretty affability of the composition, thus managing to lift the fragrance out of the domain of predictable. While I do not envision the street leading to a Nubian village where Jean-Claude Ellena discovered the mangos that inspired him, I am reminded of heavy clusters of fruit hanging from mango trees in India. Where one association does not resurface, a score of others are eager to take its place. I would also note that this fragrance is composed to blur masculine/feminine divisions, without being a typically conventional androgynous creation.

Photo: Tom Tidball.

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Eau de Toilette

There are some fragrances that one cannot forget, even if for one reason or another, the love affair is suspended, and the bottle is not replaced. When I moved to the US, my perfume bottles were left at the old apartment and, alas, never retrieved. Cristalle was one of them. And then recently I stopped by a Chanel counter and reached for the slim oblong bottle. As the mist fell upon my skin, I was immediately swayed by its luminous clarity. Of course, I had to have a bottle right away.

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