Amber: 69 posts

Aerin, the lifestyle brand of Aerin Lauder, recently presented five fragrances: Gardenia Rattan, Amber Musk, Lilac Path, Ikat Jasmine and Evening Rose. So what can you expect from the collection? Each fragrance is built around a distinctive theme and painted with delicate, pastel tones. The word that comes to mind is tasteful.

At first, I was a little disappointed to find such mild-mannered blends, but the more I wore the perfumes, the more the collection made sense as the scent equivalent of pret-a-porter. Wearing these perfumes is like slipping into a cashmere dress or silk camisole, a garment that may not look flamboyant but that makes you feel wonderful. The perfumes are not dramatic, to be sure, but they are a pleasure to wear.

While the perfumes don’t come cheap, Lauder didn’t skimp on high-grade materials when making Aerin’s collection. For instance, Evening Rose contains beautiful rose absolute and Amber Musk features a particularly luscious musk note. Overall, it’s a good fit with Aerin Lauder’s understated aesthetic and emphasis on quality. But if you want haute couture drama and panache, you’ll probably have to look elsewhere.

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If you feel that minimalism is overrated or you’ve  had enough of well-mannered, chic to the point of annoyance perfumes, I have one answer for you: Chopard Casmir. You have it all in this amber tinted liquid–the richness of vanilla, the earthy heft of patchouli, and the creamy sweetness of sandalwood. Also, let me not forget the piña colada like fruit and jammy jasmine. It may sound scary, but Casmir works surprisingly well as a blend of woods with a bold gourmand note. It’s a Bollywood film in a perfume bottle.

Chopard is famous for its jewel encrusted finery and watches, but its fragrance collection is comprised of such over the top scents that even diamonds pale in comparison. Most of the perfumes were flops–Mira Bai, Madness, Infiniment, and Casmir didn’t exactly rake in the profits with its drama queen personality. Created in 1991 by perfumer Michel Almairac, Casmir looks to the 1980s with its glitzy composition.

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Opium. Even if you haven’t worn Opium yourself, just the name of this perfume by Yves Saint Laurent is enough to conjure its controversial and dramatic personality. Opium came out in 1977 and it marked a whole era with its spicy, fiery carnation scent. In the 1980s, when neither perfume nor hair could be too big, it held its own alongside Christian Dior Poison, Giorgio Beverly Hills and other heavy hitters.

My relationship with Opium and other big 1980s perfumes is ambivalent. I recognize their genius; I admire their boldness and verve. But whenever I wear Opium in all of its “pre-reformulation” spicy glory, it feels like I’m playing dress up. I can’t make it my own. But Yves Saint Laurent left us with no choice. In 2009, the house discontinued Opium and reintroduced a new version. The original formula of Opium contained so many ingredients considered allergenic that trying to save it was a losing battle.

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I’ve been slowly testing the new Atelier d’Orient quarter, which was launched earlier this season in Tom Ford’s Private Blend collection. While I was enjoying Plum Japonais, Fleur de Chine and Rive d’Ambre well enough, Shanghai Lily stood out the most. I fell for it so hard that on any given day if I don’t have other perfume wearing plans it ends up on my skin. There are a few fragrances from Tom Ford’s Private Blend collection that hit the spot–Champaca Absolute, Velvet Gardenia, Cafe Rose, but Shanghai Lily is quickly becoming my favorite.

I like my flowers with a twist, and Shanghai Lily is a white floral with a dark mood. The jasmine and tuberose are warmed up and cossetted with plenty of spices and dark resins, which is already interesting. But the best part is that nothing about Shanghai Lily is heavy or oppressive. Instead, it sparkles from its gingery top notes to the incense accented drydown.

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Most perfumery output today can be divided roughly into the children of Angel and the children of Light Blue: Angel, as in Thierry Mugler and Light Blue, as in Dolce & Gabbana. On the fringes of the Angel and Light Blue families, you have an ever popular white floral clan that once upon a time was sultry and dark like Hermès 24 Faubourg and is now pretty and coy in the manner of Juicy Couture and Elie Saab. Issey Miyake’s Pleats Please belongs with that group, even though it speaks with a Light Blue accent and also has Angel’s patchouli. It’s a cosmopolitan perfume counter citizen.

Pleats Please was created by Aurélien Guichard, the same perfumer who interpreted peach as a decadent dessert in Bond no 9 Chinatown and made lilac modern in Gucci Guilty. The opening is a mix of juicy apple and orange. Imagine chilling apples in the fridge near the freezer compartment and then taking a bite out of the icy, crunchy fruit.

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