Narcissus: 10 posts

When I reviewed Annick Goutal colognes recently, I mentioned that the trio would be great for those who are new to this fresh citrusy genre. The Hermès cologne collection would be my other recommendation. You can have a cologne flight starting from the champagne dryness of Eau d’Orange Verte and continuing with the white wine effervescence of Eau de Pamplemousse Rose. If you’re ready to try something more challenging, Eau de Gentiane Blanche offers a cocktail of green peppers and milky sap oozing from dandelions.

With Eau de Narcisse Bleu and Eau de Mandarine Ambrée having recently joined the collection, you have even more interesting choices. The fragrances round out Hermès’s cologne offerings with the elegant interpretation of spring flowers and sweet citrus. Both fragrances are polished and refined in a way that is typical of most fragrances by Jean-Claude Ellena, and either would be equally suited to both men and women.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

There is something exhilarating and uplifting about the green notes. A whiff of crushed leaves, mowed grass or of minced herbs—and suddenly the breath of spring itself envelops you, making you feel giddy. Yet, strong verdant accords in fragrances are notoriously difficult to weave in such a way that the perfume maintains its effervescent quality without being overly sharp and aggressive. Therefore, most fragrances interpret the idea of verdancy in a rather tame manner, using the green accords as mere accents. Le Temps d’une Fête by Parfums de Nicolaï comes as a pleasant surprise—a sophisticated fragrance that presents a vibrant green theme, yet retaining a plush, caressing quality on the skin. It has the bold character of Balmain Vent Vert, while it wears as elegantly as Guerlain Chamade.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Recognizing women’s newfound love for sun and summer sports, Jean Patou was one of the first fashion and fragrance houses to introduce suntan oil which was named Chaldée, after an ancient Sumerian city. In 1927, Henri Alméras reinterpreted Chaldée in a fragrance form with notes of orange flower, hyacinth, jasmine; narcissus, lilac; vanilla, opoponax, amber.

Composed in a classical 1920s manner, Chaldée is a blend of white flowers on an ambery base. The initial accords are dark and heavy with the oily richness of hyacinth dominating, however the composition lightens as soon as the sunny mist of orange blossom and jasmine weaves in. Powdery warmth of amber made deliciously sweet by a haze of vanilla constitutes a base upon which delicate white blossoms fall. It has an appealing richness that could translate as powderiness, however smooth greenness of hyacinth provides a beautiful counterpoint, which balances out the dark warmth.

While the EDT is well-done, I would love to try the parfum version, which I would imagine to be even more stunning. Chaldée was available as a part of the Ma Collection, a set of classical Jean Patou fragrances released between 1925-1964. It can still be found fairly easily at various online discount stores.

Update on the 2014 reissue: a warm, sweet white floral that takes on a musty, pungent twist. It’s a pleasant blend overall, but the drydown is a let down.

Narcisse Noir

5 stars

Caron Narcisse Noir created in 1911 by Ernest Daltroff is a true child of Art Deco, an era in art and fashion marked by the fascination with the East. The movie Sunset Boulevard enshrined this perfume, when Gloria Swanson pronounced the name in a deep sultry voice, “Black Narcissus, Narcisse Noir.” Even without knowing the context in which Narcisse Noir was created, one whiff of this sensual orange blossom can conjure up the Art Deco’s black and white motifs, Greek art inspired lithe figures, geometrical designs and stylized floral freezes.

 It is a dark fragrance, with a sunny orange blossom note rendered uncharacteristically animalic and brooding. As Narcisse Noir develops, the incense unfolds and wrap the jasmine and orange blossom into a smoky mist.  The eau de toilette is beautiful for its luminous, sparkling quality. The extrait de parfum, on the other hand, is magical, given its rich, smoldering and mysterious character. Notes: orange blossom, lemon, bergamot, and petit grain; rose, jasmine, and jonquil; Persian black narcissus, musk, civet, and sandalwood.

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A gem of Guerlain’s classical collection, Vol de Nuit is a miniature universe. Smelling it, I am transported to a wood-paneled library. The gilded leather bound books, the honeyed scent of beeswax candles and the warmth of the fire are evoked by its balsamic and leathery notes. The baroque oriental base of Vol de Nuit cradles a luminous orange blossom and narcissus.

Perfumer Jacques Guerlain created Vol de Nuit, “night flight”, in 1933 as an homage to the brave aviators of the 1920s. The French company Aéropostale was one of the first operations to fly the mail from continent to continent. The chief pilot of Aéropostale’s operations was Antoine de St. Exupéry. After serving as a French combat pilot during World War I, he wrote several books, among them Wind, Sand and Stars, Night Flight and The Little Prince. He disappeared during World War II while flying a reconnaissance mission in 1944. Vol de Nuit was named after a novel by Antoine de Saint-Exupéry. The bottle is emblazoned with the shape of French Air Force wings and has a dark amber color.

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