“Iconic 90-year-old perfume Chanel No.5 is one of a host of well-known perfumes that could be banned following research into the allergy-inducing ingredients they contain,” says the Telegraph article “Chanel No.5 perfume faces ban.”  So, should you start stocking up on Chanel No 5?

The mainstream press seems to have woken up to the idea of reformulations and ingredient bans, which is why the Telegraph and other newspapers are running these alarmist headlines. In short, no, Chanel No 5 is not going to be banned in the near future. On the other hand, the pace of ingredient regulation is so fast and so stringent that it’s becoming a real issue for creative perfumery.

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Poison:  Nearly 30 years after its debut, the name still causes a chill up the spine or a frisson of fear among those whose nasal passages were assaulted by Christian Dior’s titanic fragrance.

Launched in 1985, Poison entered a world of big perfume.  It was the era of flamboyant, often bombastic scents.  Even in this context, Poison made an immediate name for itself.  Whether this was cause for celebration or not depended on who was doing the smelling.  Poison, like Giorgio Beverly Hills, had as many vocal fans as it did vehement opponents.

I remember the first time I smelled it.  I had recently started wearing Obsession, Calvin Klein’s new-at-the-time Oriental that had a hair tonic note in the base.  But during a holiday gathering a cousin arrived, or Poison arrived with the cousin, shrieking in like a comet to the Thanksgiving dinner table.  Gone were the typical holiday aromas:  chestnuts, turkey, and pumpkin pie.   We were served Poison alongside roasted yams and it was all anyone could talk about; even the old aunts clucked—in appreciation.

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Aftelier Perfumes is launching a fragrance called Wild Roses. Meant as a unisex perfume it was created by Mandy Aftel and inspired by the roses she has grown in her garden. It includes notes of rose co2, heliotropin, bergamot, geraniol, m-methyl anthranilate, damascenone; apricot, Turkish rose absolute, pimento berry, p-ethyl alcohol, rose petals attar; tarragon absolute, vanilla absolute, indole, and aged patchouli.

Wild Roses perfume evokes the garden in our imagination and memory — the book of a hundred petals unfolding: balsamic, spicy, apricot, and honeyed roses, mixed with the smell of warm earth and herbs. This is the rose that exists in your mind after you have smelled so many garden roses — blush, ruby, canary, purple, crimson edged with brown, pure white, candy-cane striped — that you feel intoxicated. …For me, I knew the center of this perfume had to be the harmony between rose and apricot — no other fruit would do: I love the way that they tumble into one another, marrying the soft, warm fruit aromas with the tender florals.

Wild Roses is available as a 1/4 oz. perfume ($170), a 30 ml EDP spray ($170), a 2 ml perfume mini
($50), and a sample size ($6) at www.aftelier.com.  Via press release

Neela Vermeire Mohur is a modern interpretation of a classical theme in Middle Eastern perfumery—the combination of rose with oud. It is one of a debut trio from the Neela Vermeire Creations line.  Ms. Vermeire is an Indian woman living in Paris who weaves the heritage of her native country around personal history to create perfume narratives.

Mohur takes its name from a gold coin minted during the Mogul era in Indian history. It is influenced by the story of the empress Nur Jahan, who not-so-secretly became the power behind the throne of her opium-addicted second husband.  After her husband’s death, Nur Jahan took up the art of perfumery while under what amounted to a house arrest.  Although the perfumes Nur Jahan created are lost to history, the story is not and it is this that Neela Vermeire has taken as inspiration.

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Wishing that all of my US friends stay safe, dry and prepared as the storm approaches! I’m keeping my fingers crossed that everything will be ok. I’m thinking about you!

Florabotanica is a good illustration of where most big brands, even those that start out with good intentions, end up as they chase market success. The first launch by Balenciaga, Balenciaga Paris, was a transparent violet leaf composition that wouldn’t be out of place in the L’Artisan Parfumeur collection. Not surprisingly, it didn’t take off that well. People need time to appreciate something unfamiliar, and the only way to do this is to support the brand and spend resources on educating the staff. In other words, you need time, money, and some new marketing tactics, all of which are in short supply at most fragrance houses today.

So, after the perfunctory flanker to Balenciaga Paris, L’Essence, we  have Florabotanica. It was composed by perfumers Olivier Polge (who also created Balenciaga Paris) and Jean-Christophe Hérault. The inspiration behind Florabotanica is described by Balenciaga as “not just a pretty flower, but a pretty dangerous flower.” This time Balenciaga took no risks. If you find transparent roses dangerous, then yes, I suppose that Florabotanica is right on the mark. I found it just pretty and meek.

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