I have my priorities straight: I selected my wedding perfume a few days after my engagement, while I bought my dress six days before the ceremony. I do not necessarily recommend following my example (discovering that something does not fit correctly a day before the big event is stressful!), but the choice of fragrance should not be an afterthought.

There is a reason why brides are the epitome of beauty and radiance—no makeup, dress or jewelry can compete with the radiance of someone happy and in love. A well chosen perfume that can make you feel beautiful and elegant is the most exquisite ornament. It also becomes a special scented memento reminding you of this happy day. My wedding was already a few years ago, but I only need to take a whiff of Frédéric Malle Carnal Flower to be reminded of the chaos and excitement of that day.

But how do you pick a perfect perfume? Do you wear something familiar or do you select a completely new fragrance? What role do scents play in your wedding ceremony? Some of these questions can best be answered by Alyssa Harad, who wrote a book about falling in love with perfume and becoming a bride at the same time. Coming to My Senses: A Story of Perfume, Pleasure, and an Unlikely Bride  is a story about being seduced by scents and creating memories through aromas. Since perfumes played an important role in my and Alyssa’s weddings, we exchanged many letters on the subject.  Continue reading →

“Why does all I do become Byzantine?” mused Gabrielle “Coco” Chanel. The silhouettes of her garments might have been streamlined and paired down, but the embellishments would be sumptuous: baroque jewels, ornate camellias, richly textured embroideries. Byzantine may not be the first association with Chanel fragrances, which tend to be polished and understated. Yet, if you look closer, you will find plenty of intricate details that make each perfume memorable: the luscious ylang-ylang of No 5, the smoky incense of No 22 or even the vivid technicolor jasmine of Coco Mademoiselle. Coco Noir, the latest addition to Chanel’s collection, promises to take Byzantine a notch further.

With Venetian fabrics and colors inspiring perfumer Jacques Polge, how can Coco Noir be anything but Byzantine! In order to weave his perfume story, Polge looked to the time Coco Chanel spent in Venice in 1919. She fell in love with the city, which she visited in an attempt to ease the pain of the sudden death of her lover, Boy Capel. The exquisite beauty of Venice seduces her and its Byzanthine influences stayed with Chanel for the rest of her life.

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I might as well admit it, I originally disliked Chanel Coco.  I will be up front about that because now I won’t be separated from it. Coco is a good case for retesting a fragrance:  more compliments have come my way with Coco than with any other fragrance. Although created almost 30 years ago in 1984, Coco is far from being dated. It is an outgoing, definite statement scent, not a wallflower. It is a fragrance from the time when women adopted a signature perfume as bold style accessories. Consider Coco an adornment, a piece of jewelry, the finishing touch.

Classic Chanel scents reveal themselves through mists of aldehydes that always to my nose make a Chanel perfume smell high concept.  They are tailored even when they are meant to be sexy, as is the case with Coco.  The top notes are bright and brassy with ripe, fruity aldehydes, mandarin peel, and macerated raisins.  These notes ignite as if flambéed.

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A consequence of the popularity of Middle Eastern style fragrances and the need to understand the local market is that the big companies are seeking to hire perfumers of Middle Eastern origin. Firmenich is currently looking:

“We are thinking of recruiting a perfumer from the GCC countries: an Emirati perfumer, a Saudi perfumer or an Omani perfumer,” said Firmenich general manager Louis Lecoeur. “We want someone with the culture of oils and fragrances who we could train to follow the practices of perfumers today.”

More via thenational.ae

A man at the outdoor market where I shop each Friday cuts melons to entice customers. He lays out a colorful platter that looks like a Byzanthine mosaic of golden cantaloupe slivers, opalescent musk melon cubes, with an occasional splash of watermelon red. The colors makes me wish that I had a big pile of summer dresses in these shades, but it’s the scent that makes me bring home more fruit than the two of us can possibly eat. The perfume of ripe melon has an almost tangible quality, and its musky sweetness is so seductive, I feel lightheaded.

Yet, as much as I love melons, when I hear that a perfume contains this note, I approach it with caution. Too many melon fragrances have crossed my path that smelled either too sweet, too artificial or both. For this reason, it took me a very long time to try Parfums DelRae Emotionnelle.

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