“Perfume experts have helped prove that relics thought to have been those of Joan of Arc are forgeries made from an Egyptian mummy – by sniffing them. … when Sylvaine Delacourte from Guerlain and Jean-Michel Duriez from perfume maker Jean Patou sniffed the charred relics, they smelt hints of vanilla and burnt plaster, according to Nature, which published the study today. The plaster smell was expected, because the 19 year-old was burnt as a witch on a plaster stake to prolong the spectacle for the audience, but vanilla smells are not created by cremation. Philippe Charlier, a forensic scientist who led the study, said: ‘Vanillin is produced during decomposition of a body. You would find it in a mummy but not in someone who was burnt.’ ” Read the rest of this fascinating article in LifeStyleExtra UK News. Thanks to Karen for the link.

Classical oriental fragrances like Guerlain Shalimar (1925) used a large amount of citrus oil (30% bergamot oil in case of Shalimar) supported by a lush base of animalic and woody notes. The effect of this dramatic juxtaposition is unforgettable—the scintillating, icy chill of citrus melting into the languid warmth of the amber accord, rich civet and leathery castoreum. Such contrasting sensations not only serve to lend an intriguing and memorable quality, but also to lighten the intoxicating richness of the classical oriental notes—vanilla, benzoin, tolu, opoponax, civet, ambergris, castoreum, musk, sandalwood, and patchouli. The new generation of gourmand fragrances based on the chocolate accord has taken a similar approach—the heft of chocolate can be made more palatable when accented with bright and sparkling notes, be it the lemony jasmine of hedione and bergamot in Thierry Mugler Angel, the orange blossom in Missoni Eau de Parfum, or green ivy leaves in Lolita Lempicka Eau de Parfum. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Aquatic and fresh masculine fragrances have never appealed to me beyond a brief period of infatuation in the 1990s when the trend was still novel and distinctive. After the hundreds of Cool Water and Aqua di Giò clones, I no longer feel interested in this genre. On the other hand, fragrances that explore earthy, smoky and leathery notes never fail to catch my attention. In many ways, their appeal lies in their distinctive character, very much different from the crisp, fresh, and ozonic creations that dominate the masculine market right now. While Santa Maria Novella Nostalgia is a perfume that should not be reserved only for men, it is a fragrance I want to smell on men around me.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

A woman who wears Paloma Picasso Mon Parfum is most certainly not a wallflower. Even the first impression of this fragrance banishes any thoughts to the contrary. The lemony brightness of hedione and the green richness of the floral accord do not hide the animalic warmth and honeyed patchouli foiling the heart of this distinctive composition. The Paloma Picasso woman is not a delicate waif nor is she an inaccessible ice queen. Mon Parfum is a smoldering beauty, with its masculine touches evoking the olfactory equivalent of a perfectly tailored tuxedo suit rather than a skintight dress. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The melancholy aura and retro elegance of Chanel 31, rue Cambon are fascinating, given its decidedly modern interpretation. Experiencing it is like flipping through the pages of an old family album, glancing at the photographs of people in Edwardian outfits and flapper dresses only to notice a striking resemblance between their features and your own. While 31, rue Cambon is a chypre (a fragrance based on the interplay of citrusy, floral, woody, mossy, ambery/musky notes à la Guerlain Mitsouko and Rochas Femme), this chypre possesses a certain delicate and serene quality. 31, rue Cambon is not a fragrance that seduces, but rather it enchants softly. …

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