Germaine Cellier : Perfumer, Femme Fatale and Bandit

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One of the first famous female perfumers, Germaine Cellier (1909-1976) was a creator ahead of her time, relying on short formulas to paint dazzling abstractions and treating notes as colors, much like a painter would. She was not afraid to use a large quantity of the aggressive aroma-chemical isobutyl quinoline in creating of the leather accord for Robert Piquet Bandit or 8% of galbanum for infusing Balmain Vent Vert with a fierce verdancy. She was also responsible for Robert Piguet Fracas (1948), Balmain Jolie Madame (1953), Balmain Monsieur Balmain (1964), and Nina Ricci Coeur-Joie (1946).

It is said that she was a striking woman—elegant, tall, thin, blond, blue-eyed. She had a sharp sense of humor and was full of vitality. She posed for André Derain and counted other famous painters and sculptors among her friends. …

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Hermes Hermessence Osmanthe Yunnan : Perfume Review

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Inspired by a visit to the gardens of Beijing’s Forbidden City, Hermès Osmanthe Yunnan, Jean-Claude Ellena’s creation for Hermessence range explores the marriage of tea and flower. Yunnan tea and osmanthus is a combination of natural harmony due to the fact that the flowery rich tea tonality underscores the fruity delicacy of osmanthus. Its scent, elusive and haunting, ranges from tea-soaked dried apricots to jasmine soap crushed in a leather bag.

The hesperidic notes sparkle like sugar crystals falling into a tea cup, their astringent quality appearing as somewhat sharp on the skin. The tart orange becomes more pronounced, contrasting with the gentle richness of tea. As could be expected, the composition is quintessentially Ellena—delicate transparency paired with complexity of the final result, which is a panoramic display of the idea. The composition appears rather smooth, with none of the notes dominating, but instead melding elegantly into a transparent, yet velvety fruity-floral scent. …

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Fragrance News: Serge Lutens Gris Clair and Diptyque Eau de Lierre

It has been confirmed that in March Serge Lutens is launching a new export line fragrance called Gris Clair. The composition is supposed to be based around the ashes and lavender theme.

Diptyque is adding a new fragrance to its range, named Eau de Lierre. Based on the scent of ivy, the fragrance will include various green notes, including violet leaf as well as woods and musk. The fragrance will debut in May of 2006.

Frederic Malle Carnal Flower : Perfume Review

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Frédéric Malle Carnal Flower explores the sensuality of tuberose rendering white blossoms both as if bathed in the sunlight and touched by the evening shadows. In the Victorian language of flowers, tuberose signified dangerous pleasures, while in India young girls were warned against inhaling its aphrodisiac scent after dark, lest it lead them into trouble.

Its herbaceous verdant opening notes interspersed with tart shimmer of bergamot are structured as a crescendo leading to a heady burst of petals. The heart is comprised of creamy tuberose layered with lacy jasmine notes, their richness complementing the unique hot rubber and warm skin facet that hides underneath the white voluptuous petals of tuberose. …

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Vogue Article on Haute Perfumeries

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The December issue of US Vogue which provides a nice insight into the world of haute perfumeries. One of the stories is on La Maison Guerlain at 68, Champs-Élysées. From its stunning gold mosaic to the network of glass pipes called the Imperial Foutains, the article sparks one’s interest to visit and explore.

Do you have a favourite perfume boutique? One of my own favourites would undoubtedly be Iunx, an elegant venue selling Olivia Giacobetti’s fragrances, body care and home scents. Its black interior lit by soft opalescent light never fails to fascinate me.

Photo: Iunx boutique. 48-50 rue de l’Université, Paris 7e, tel: 33.1 45 44 50 14.

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