Perfume 101: 517 posts

If I had to pick only one perfume to wear throughout winter, it would be neither a smoky incense nor a warm amber. I could even survive the cold days without sumptuous white florals or dark spices. I couldn’t, however, go through winter without a citrus cologne. More precisely, my ideal winter fragrance is based around the zesty, bright note of mandarin. In my recent FT column, Mandarin Scents, I describe why I enjoy this ingredient, what makes it different from other citruses and which perfumes one should try.

Take, for example, Prada Infusion Mandarine. Its philosophy is to keep mandarin simple, and that refined minimalism is rewarding. The top notes combine all of the best elements of a citrus cologne – the green vibrancy of mandarin leaves, the sweetness of mandarin zest and the warmth of orange flowers. You notice the delicious bitterness of the peel and then the sweetness of pulp, and the contrast remains vivid into the drydown. To continue reading, please click here.

If you have favorite citrus perfumes for winter, please let me know.

Photography by Bois de Jasmin

Givenchy the couturier was catapulted into stardom by his work with Audrey Hepburn. Their partnership resulted in one of the most distinctive wardrobes in fashion history, from the embroidered gown of Sabrina to the little black dress of Breakfast at Tiffany’s. Equally important was Hepburn’s role in making Givenchy the perfumer. L’Interdit was the first Givenchy perfume, and whether Hepburn wore it or not, she claimed it as her signature fragrance. 

The original 1957  L’Interdit was a floral aldehydic with enough elegance to make one feel dressed up, even if you wore only pyjamas. Think Chanel No 5, but soft, warm and with a delicious strawberry note.

I say was, because in 2005 Givenchy reformulated it. The change was done by perfumer Aurelien Guichard, and it made the fragrance less aldehydic and starchy, but also simpler. Still, as far as updates go, it was decent in that it retained the character of the original. You can read my more detailed review, in which I compare the original and the 2005 version.

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Every year when I sit down to summarize the best of the launches, I look at perfumes I’ve reviewed and check my notes for whether I’ve changed my mind about the ratings. Although one could complain about too many launches, too much sameness in the market, too little creativity, the truth is that some fragrances always stand out and demonstrate that it’s possible to be original and interesting even when it seems that all of the possibilities have been exhausted.

I never intend my best of 2018 lists to be definitive, as they’re highly personal. This year I reflected back on what I wore and selected 12 perfumes I’m planning to keep in 2019. They’re not simply well-crafted and memorable; they also spoke to me and helped me create my own fantasies. This year has been a difficult one, but certain pleasures like books, art, music and perfume could make a big difference on even the worst day.

As always, please share your lists. I look forward to them every time. I wish you lots of happiness and good fortune in the new year. 2018 hasn’t been easy for many of us, but it’s my fervent hope that 2019 will be better in all respects. I thank all of you for visiting these pages, sharing your thoughts with me and being the best readers a writer could possibly wish for.

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Every year brings us a few thousand new perfumes. When I stand in front of a perfume counter, I’m reminded of something I learned in my university psychology course – too much choice leads to anxiety. Thankfully, there are people who work tirelessly to make sense of the fragrance market and save us from experiencing choice overload. One such individual is Michael Edwards, whose Fragrances of the World, aka The Fragrance Bible, has been cataloguing and classifying perfumes since 1983. Luca Turin and Tania Sanchez are the other brave souls. Their Perfumes: The Guide 2018 includes more than 1,200 reviews of fragrances, along with tips on navigating that overwhelming perfume counter.

I’ve reviewed Perfumes: The Guide 2018 for my FT Magazine column (please click here to read it), but after I finished the piece, I had more to share from my interview with Tania Sanchez. Such as what were the authors’ favorite fragrances as they were working on the Guide, what perfumers do some of the best work today, what would Tania & Luca recommend to someone new to fragrance as well as some of their own favorite reviews.

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What happens when a group of people from different disciplines, such as chemistry, political science, philosophy, sociology, art, sculpture, film, literature and perfumery, come together to discuss scent?  This month I attended The Perfumative conference organized by the Zürich University of the Arts, and it was exactly such an event. It was open to the public and the combination of talks, freestyle discussions and art installations based around scent made The Perfumative a vibrant and inspired gathering.

My contribution to the conference centered around scent, culture and the way perfume writing has evolved over the past years, becoming a legitimate subject comparable to similar discussions in the related fields of fashion, wine and food. You can see the range of topics covered in the program, and since the talks were recorded, I’ll share the link here once they go online. Edit: the video recording of my talk is now available at the conference website, https://perfumative.zhdk.ch/vortraege/ and scroll down.

For now, however, I wanted to share with you some of the observations inspired by the talks and discussions. Please feel free to contribute your own thoughts.

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