Christine Nagel: 21 posts

I was a late convert to Miss Dior Chérie (2005), the Coco Mademoiselle sibling-scent that expanded a green patchouli note with sticky carnival accords like strawberries and caramel popcorn.  Miss Dior Chérie is aimed at the young; I was converted to it by a nineteen-year-old girl who owned her own makeup store.  She considered it the height of elegance and at first I scoffed, and then I tried.  It was too much fun to pass up, with its neon fun-fair atmosphere bopping around underneath the nose in a major chord of teenage pleasure.  Why didn’t they have stuff like this around when I was fourteen?

With the mechanisms of the perfume industry being what they are, Miss Dior Chérie was recently reformulated and renamed  Miss Dior (the “real” Miss Dior is now called Miss Dior Originale).  Sometimes the reformulations means that a “bad” ingredient was removed and replaced by a “good” (and often inferior) one, and other times it means that something that is no longer available is replaced with something that is.  The truth is, perfumes are reformulated all the time for a variety of reasons, and the differences can be subtle or striking.

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The idea of a love potion can be traced back to antiquity, and excavations at Roman and Greek sites reveal various artifacts that were used to charm, sway and spellbind. Today we still yearn for a potion that would make us more beautiful, more alluring. So, Dsquared2, a fashion house often described as having “va-va-voom sex appeal,” decided to cater to our ‘earnings’ and offer its own version of a love filter. Potion for Woman is the feminine counterpart to last year’s Potion for Men, and is described as seductive and sultry.

The disconnect between the promise and the execution is evident in the crass marketing image. Who on earth decided that this visual conveys anything sexy or alluring? When I’m not distracted by the hairy arm in the foreground, I’m baffled by the drunken look on the model’s face. She looks more like a victim than a temptress.

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The combination of violet and oud is like a romance between Doris Day and Cary Grant—one is wholesome and innocent, the other is dark and smoldering. Yet, just as Day and Grant set the screen on fire in the comedy, “That Touch of Mink,” violet and oud can be an irresistible pairing as I discovered through Lalique Hommage à l’homme.

Hommage à l’homme is the newest Lalique perfume created by perfumers Christine Nagel and Mathilde Bijaoui. It’s a masculine fragrance, and while it’s much too virile for me personally, I would gladly smell it on men around me. You will not find typical masculine cologne elements wrapped into the elegant shape of Hommage à l’homme. It’s the fragrance equivalent of a leading man in a classic Hollywood film—dashing, suave, and sophisticated. Hommage à l’homme smells like something worn by Cary Grant, whether he dashes around the French Riviera with Grace Kelly or tries to woo Doris Day with mink coats and champagne.

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Do you have a discontinued fragrance that you long to see back on the perfume counter, and failing that, to replace with something similar? I receive many emails about long lost favorites, and most of the time I respond to them with my personal suggestions. However, I’ve decided that it might be better to post such requests here on Bois de Jasmin, so that readers can include their own recommendations. So, going forward, if you are searching for a discontinued fragrance and need help, you’re welcome to email me (editor at boisdejasmin dot com), and we will do our best to help.

After receiving several emails about Narciso Rodriguez for Her Musc Oil, I’ve decided to look into it. The oil form of Musc for Her was a limited edition that focused on the creamy musk facet of the original Eau de Toilette. The citrus, sharp amber, and woody notes were sheared out, with the elegant, luscious musk brought center stage. Musc for Her Oil smelled deliciously of warm skin and apricot flesh, with a hint of honey. Musc for Her collection, which also included Musc for Her EDT and Musc for Him EDT (black bottle) was launched in 2003. In 2009, Narciso Rodriguez added Musc for Her Intense Eau de Parfum and Musc for Him Eau de Parfum (iridescent violet bottle). Then in 2010, Essence Eau de Musc (silver bottle) appeared on the counters. These days we also have a limited edition called Essence Musc Intense Eau de Parfum. That is exactly why I dislike flankers—figuring out how they are related makes me feel like I’m solving some cognitive reasoning game.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

In the past, it was more common for functional products to imitate luxurious fine fragrances. That is why there were hair sprays scented with something like Nina Ricci L’Air du Temps, car fresheners redolent of Guy Laroche Drakkar Noir, and bathroom cleaners strongly reminiscent of Lancôme Trésor. Today, I am much more likely to find resemblance to functional products in fine fragrances, thanks to the fashion for clean, simple scents and the cheapening of luxury perfume overall. My latest encounter of such a hybrid is Jo Malone Wild Bluebell. It is a bright, lily of the valley dominated floral that I can envision far easier as a shampoo or fabric softener rather than a fine fragrance.

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