Culture: 426 posts

The morning sun streaming through the stained glass windows throws a confetti of colors onto the walls of the Masjed-e Nasir al Mulk. The unusual rose petal shade of its tile work–different from the vivid blue favored elsewhere in Iran, gives this mosque a romantic aura. Then again, Shiraz, a town in southern Iran where Nasir al-Mulk is located, is imbued with romance, from its lush orange filled gardens to the tombs of its illustrious poets where people gather to recite favorite stanzas. All of this exists next to the modern Shiraz of skyscrapers, expressways and high-speed communication technologies, a combination that first strikes me as unexpected.

Before long, however, I get used to such contrasts.  “What does it remind you of?” ask friends and family, but the truth is that Iran is unlike any other place I’ve visited. It is a sophisticated, twenty-first century country with its own distinctive culture. It’s neither the saccharine vignette of roses and nightingales of the Victorian orientalists nor the grim and humorless vision of western newspapers. It’s much more complex, much more interesting and much more beguiling. From the first day I landed in Tehran and began to explore the sprawling, crowded capital city, I felt comfortable enough to venture wherever my curiosity took me. Thanks to the good will of ordinary Iranians, who are delighted to explain their country to a foreigner, my discoveries were constant.

Continue reading →

The Financial Times Weekend issue, October 31st, is devoted to Brussels, and it includes my article (p. 19-21) on my favorite places for sensory discoveries. I share advice on where to enjoy the best of Belgian chocolates, rare Chinese teas and beauty products. I also walk you through the fashion district of the city and highlight a few of its must-visit perfume spots. The issue also includes several other pieces on different aspects of Brussels, an interview with one of the best chocolatiers Pierre Marcolini and an excellent piece by Jim Brunsden with a city walk itinerary.

Click here to read the online version.

Of course, my list is not exhaustive, and since Brussels is a dynamic, ever-growing place, exploring its different neighborhoods and making your own discoveries is a special experience. If you’re familiar with the city and have other recommendations, please share them. Also, if there is a Brussels related topic you would like me to cover, do make a note in the comments.

The FT Weekend Magazine is available on newstands right now.

“From the colors and aromas of this world, my childhood made a poet’s lyre and offered it to me.” Sayat Nova, Armenian poet (1712/22-1795)

Certain images stay with you. They are so indelibly etched into your mind that it’s hard to identify with precision when you have seen them for the first time. I remember the stone ramparts covered with books, their pages turned by the wind, the Persian rugs hanging on the brick walls, and the blue wool in the metal cauldrons. Sometimes my memory plays tricks on me suggesting that these vignettes are from my own life, that I myself have turned those large yellowing pages and smelled the hot, freshly dyed bundles. But, no, they’re scenes from Sayat Nova, a film by Sergei Paradjanov that I saw as a child.

That I came across it in the Soviet Union of the 80s is unusual. The film was released in the Soviet Union in 1969 in a handful of cinemas and then it disappeared; its surrealism and religious imagery not meshing with the social realist message of the era. Four years later the director, Sergei Paradjanov, was sent to a maximum security prison on outlandish charges, which included “surrealist tendencies.” My stepfather was close with Paradjanov’s son, and perhaps that’s how I saw the film, peaking over their shoulders. Being aware of the director’s tragic fate while watching his masterpiece today makes for a poignant experience.

Continue reading →

From 2003 to 2014, perfume critic and scientist Luca Turin wrote columns for the Swiss magazine NZZ Folio on all things scent related. The topics ranged from the beauty of Jean Patou Sublime and Guerlain Mitsouko to the reflections on science and culture, and the columns had a wide following. This month the articles have been released in an e-book form, titled simply The Folio Columns. The foreword is written by Tania Sanchez, Turin’s co-author on Perfumes: the A-Z Guide.

Turin is also the author of The Secret of Scent, a book that the perfume lovers with a penchant for chemistry will find fascinating. Like all of Turin’s writings, it’s witty, erudite and full of surprises.

The Folio Columns: 2003-2014 by Luca Turin, Tania Sanchez (Foreword)
Print Length: 310 pages
Language: English
ASIN: B016A53RMG

Available via Amazon.

Beautiful sillage is a sign of sainthood in the Orthodox tradition. The fragrance, or mirro (holy myrrh), can be emitted by real life saints, saint’s relics or even icons, painted images of saints. It’s common even today to hear stories of icons shedding myrrh and filling the whole church with the heavenly scent. Such events are called thaumata, a Greek word for wonders. They’re not miracles in the supernatural sense like walking on water or feeding 4,000 with seven loaves of bread. Thaumata are everyday marvels, brief glimpses of the divine through the veil covering us. The same kind of wonder is held responsible for icons, because to paint a saint it’s not enough simply to have artistic skills. One has to be inspired.

“I didn’t mean to become an icon painter. It was never my goal as an art student. I can’t explain it, but in the end, that’s just what happened,” says Natalya Gladovska, an icon painter at the Lavra Art Studios. My mental image of an icon painter owes much to Tarkovsky’s Andrei Rublev–a somber bearded monk in black robes. Gladovska laughs when I tell her so. She’s warm and bubbly, and everything about her, down to her tendrils of abundant red hair escaping from a loose bun, is filled with energy and verve.

Continue reading →