Refreshing: 98 posts

Not just another simple cologne. Elisa on Parfums de Nicolaï’s L’eau Mixte.

If there’s one perfume category I’ve heard people call “boring” the most, it’s citrus. Perhaps it’s because there is less variation among citrus scents than, say, orientals or florals—a rose perfume, a tuberose perfume, and an iris perfume smell nothing alike, but lemon, orange, and grapefruit have a fair amount of olfactory overlap. Or maybe it’s because citrus scents don’t—can’t—evolve much on skin because they don’t last long enough to evolve; they are fleeting, volatile molecules by nature, destined to be top notes.

I must admit I have some of the same reservations about citrus-centric perfumes. I’ve got a few in my collection, and on a hot day, a few spritzes of a crisp citrus chypre like Clarins Eau Dynamisante or Monsieur Balmain hits the spot. But I don’t reach for them often, and I almost always end up putting something else on later. So to make me sit up and take notice, a citrus scent has to be pretty unusual.

L’eau Mixte, Parfums de Nicolaï’s eau de cologne release for summer 2010, was the first citrus to take me by surprise in years. Primarily a grapefruit perfume, it manages to be both refreshing and rich, hitting so many pleasurable notes at once—sweet, tangy, green, herbal—that it feels like getting out of a car to breathe in a big lungful of cool mountain air. Most citrus scents have a bracing quality, but L’eau Mixte is exceptionally bracing.

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Olfactive Studio Flashback, a salty vetiver and rhubarb blend, is one of those rare fragrances that not only smell good but feel poignant. Olfactive Studio’s concept marries fragrances with visuals, and in the image that accompanies Flashback, a frame from a video shot by Laurent Segretier of his long-distance girlfriend, you see very few details–the delicate tilt of a girl’s head and a thick fringe framing the face. This photograph was the brief to perfumer Olivier Cresp, who tapped into his childhood memories to create Flashback. For my part, when I smell Flashback, I’m reminded of collecting shells along the beach and helping my grandmother make rhubarb jelly.

While childhood memories are often saccharine, there is nothing cloying or precious about Flashback. When I was collecting notes for my article about salty perfumes, it quickly turned out to be one of the best recent examples of salty vetivers. It’s also polished and elegant, suited for both men and women.

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“It’s like drinking sunshine,” said my 11 year old cousin when she tried my orange blossom scented lemonade. Although her unexpected and poetic compliment made my day, I can’t take any credit. First of all, the idea comes from my friend Muna (whom you’ve met before). Second, it’s all in the lemon and orange blossom pairing.

Some combinations in perfumery are considered absolutely perfect. There are classical ones like coumarin and lavender, personal innovations like Jacques Guerlain’s bergamot and vanilla in Shalimar, or modern discoveries like cotton candy and patchouli in Thierry Mugler Angel. And then, you have natural marriages like orange blossom and citrus that are so harmonious than after you try it once, you know that these two are meant to be together.

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Colognes are close cousins to gin, vermouth, and other spirits flavored with botanicals. Until the late 19th –early 20th century when denaturated alcohol gradually began to supplant grape spirits as a perfume base, you could safely take a swig of your Eau de Cologne. Today, I wouldn’t recommend it, but take a whiff of Ô de Lancôme, and you can easily imagine it served on the rocks with a twist of lemon. It smells exhilarating–green and lemony, with a pleasant earthy note of wet woods.

If you’re familiar with Christian Dior’s Eau Sauvage, Ô de Lancôme will seem familiar. Launched in 1969, it was Lancôme’s answer to Dior’s marvel–you see, even back then, perfume companies were happily copying each other’s blockbusters just as they do today. But while in the 1970s, it was probably just another nice cologne, today Ô de Lancôme stands out for its classical elegance and nonchalant style. You can easily wear it to the gym, to a cocktail party or even a board meeting: It’s really that versatile.

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A Russian friend told me that when she first moved to Sicily twenty years ago she couldn’t get used to the overabundance of oranges. Back in Moscow you had to queue for hours to get a box of precious Jaffa oranges but the sidewalks in the villages around Palermo were covered with fallen fruit. Or in what seemed to be a case of utter decadence, people would use oranges to polish copper. “Imagine cleaning your dirty pots with oranges!”

I think of this story whenever I cook with oranges or try an orange based fragrance. I imagine myself eyeing in dismay the piles of orange opulence–wasted, unwanted!–and stopping to stuff yet another orange into my purse. Even though oranges for me are not a rare luxury, I find their vibrant color and exuberant taste irresistible. My kitchen is never without at least one orange, and there is often a small bottle of Atelier Cologne Orange Sanguine (Blood Orange) in my purse.

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