Refreshing: 98 posts

Among my perfumes that are the equivalents of t-shirt and jeans, Roger & Gallet fragrances share a top spot with L’Occitane Green Tea and Parfums de NicolaïL’Eau à la Folie. The classical cologne, Bois d’Orange and Fleur d’Osmanthus are among my Roger & Gallet favorites. They are easy to wear and are perfect for those days when you want something refreshing and not overly demanding.

In addition, the low price (18€ or $25 for 1 oz bottle) makes them accessible. A low price doesn’t have to mean a poor quality perfume (and I would argue that the worst quality perfumes on the market today are among the most expensive). The Roger & Gallet collection is created by excellent perfumers. For instance, Fleur de Figuer was designed by Francis Kurkdjian, Bois d’Orange by Dominique Ropion, and Gingembre by Jacques Cavallier.

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I have a friend who loves mimosa so much that when I mentioned seeing cut branches at a florist shop, she didn’t hesitate to make an hour long journey to Manhattan. In New York, these aromatic yellow flowers are both rare and expensive (they’re usually flown in from the South of France), so she was determined to find a perfume that bottled its unusual scent of almonds and violets. My first recommendation was L’Artisan Parfumeur Mimosa Pour Moi, because it’s the closest approximation of mimosa in full bloom.

The first inhale of Mimosa Pour Moi is a rustle of green leaves, with a soft brush of violet petals and drizzle of creamed honey. It’s effervescent and breezy, with strong hints of cucumber peel. The cuddly, soft impression of mimosa is created from these disparate elements shortly thereafter, and suddenly you imagine yourself holding a large bouquet of mimosa and burying your face in it. Instinctively, I reach to brush away the pollen from my nose.
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When I reviewed Annick Goutal colognes recently, I mentioned that the trio would be great for those who are new to this fresh citrusy genre. The Hermès cologne collection would be my other recommendation. You can have a cologne flight starting from the champagne dryness of Eau d’Orange Verte and continuing with the white wine effervescence of Eau de Pamplemousse Rose. If you’re ready to try something more challenging, Eau de Gentiane Blanche offers a cocktail of green peppers and milky sap oozing from dandelions.

With Eau de Narcisse Bleu and Eau de Mandarine Ambrée having recently joined the collection, you have even more interesting choices. The fragrances round out Hermès’s cologne offerings with the elegant interpretation of spring flowers and sweet citrus. Both fragrances are polished and refined in a way that is typical of most fragrances by Jean-Claude Ellena, and either would be equally suited to both men and women.

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If you’re a fan of citrus colognes, you soon discover nuances in this effervescent perfume genre. Citruses can be classically austere (Hermès Eau d’Orange Vert), sexy (Thierry Mugler Cologne), exotic (Guerlain Eau de Cologne Impériale), or impeccably elegant (Thirdman Eau Moderne). But if you enjoy colognes only when the mercury levels rise and anything else seems too heavy, they all may smell, well, lemony. That’s why the new Annick Goutal cologne trio–Eau d’Hadrien, Néroli and Vétiver–is great for those who are not sure what they like, but are curious to learn more. It has three distinctly different scents which are easy to wear all year round.

Cologne collections are nothing new, of course. Hermès has one, Atelier Cologne made its name by blending all sorts of things with citrus, and half of L’Artisan Parfumeur’s fragrances can be worn as fresh colognes. The simplicity, on the other hand, is what I enjoy about Annick Goutal’s play on the lemon, orange blossom and vetiver themes. The lemony Eau d’Hadrien smells zesty. Néroli is a mass of white petals. Vetiver smells of driftwood and sea breeze. All would fit equally well for both men and women. All three are well-crafted, but of course, I have my favorites.

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When I first smelled the Atelier Cologne fragrances Rose Anonyme and Vetiver Fatal, I immediately fell for the sheer, smoky roses and left the vetiver to languish on my desk. Perhaps that day I craved more flamboyance and more glamour which Rose Anonyme amply delivered. But a week or so later, I absentmindedly dabbed Vetiver Fatal on my wrist–there was no other perfume around–and curled up with War and Peace. Well before Natasha Rostova appeared on the scene, I abandoned the book and sat with my wrist glued to my nose. The scent on my skin was bright but moody, rustic but sophisticated. It smelled of sliced oranges, damp earth and fallen leaves–a little vignette of late summer.

At first, Vetiver Fatal makes me think of green tangerines, complete with their leathery leaves–verdant, zesty and tart enough to make my mouth water. The vetiver takes form stealthily, until you distinctly smell its characteristic scent of earth covered roots and milky hazelnuts. Perfumer Jerome Epinette makes a seemingly simple choice by pairing vetiver with citrus (vetiver oil naturally has a  grapefruit-like accent in its top notes), but the harmony and the addition of other elements makes Vetiver Fatal stand out.

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