Citrus: 84 posts

Although I make accords of various materials as part of my work, they’re not what I would call “perfume.” Most of them are meant to explore combinations of specific ingredients or to showcase a raw material. Even so, I often return to some of my favorites well after the project is over to add a little touch here or there. Imagine how much more tempting it must be for a perfumer to revisit her creations down the line, but also more frustrating, since loyal clients don’t want their fragrances to change.

For indie perfumer Vero Kern the solution was to present Rubj, Mito, Kiki and Onda, the quartet that makes up her Vero Profumo collection, as three different concentrations–Eau de Parfum, Extrait de Parfum, and now Voile d’Extrait. As I quickly discovered, they could easily be different perfumes, and so I’ve waited with anticipation for Les Voiles d’Extrait.

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There are perfume novels and perfume short stories. Guerlain Mitsouko will take you on a long journey with many subplots and supporting characters, while Estée Lauder White Linen will reveal it all within the first few musk and rose lines of its composition. But what if you want something even more succinct for days when you crave an effortless, pleasant scented accompaniment? On such occasions, Roger & Gallet Thé Vert comes in handy.

Thé Vert is a citrusy green tea  cologne. If you take a cup of green tea and dilute it with lemon juice, you’ll get something close to this Roger & Gallet number. It starts out tart and sharp, but the musk makes it sweeter as it dries down. A posy of white flowers softens the lemon, and the rest of the story doesn’t change much until Thé Vert fades. It’s not even a full story; it’s more like a Facebook status update. 

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Today’s article is brought to you by Ann. After buying a set of Scent on Canvas samples, she was so excited about the perfumes that she asked me if she could share her favorites with you. Ann is a seasoned perfume lover, and she has been wearing fragrance ever since she was a little girl. Pine scented bath beads, Prell shampoo (circa 1970), and her grandmother’s 4711 Eau de Cologne were among the first scents Ann remembers. As a teenager, she began to venture beyond her stash of samples and hand-me-down perfumes to her own flasks, sometimes owning as many as three at a time. Then a couple of years ago, Turin and Sanchez’s “A to Z Perfume Guide” crossed her path and she stumbled upon perfume blogs… and so began her uninhibited daily adventures with beauty and art just an arms-length away.

If perfumes tell stories, then why not illustrate them? New niche perfume company Scent on Canvas has set about to do just that with their five fragrances, Rose Opéra, Brun Sicilien, Noir de Mars, Ocre Doré, and Blanc de Paris. “Our aim is to unite the arts of the perfumer with a pictorial creation,” says owner and perfumer Béatrice Aguilar-Cassarà. On the website she explains that fragrance notes were given to artists, who in turn created art to match the scents, which were then named after color pigments in the paintings. Next, a color engraving was made of each work for reproduction in a limited number of boxes in which the perfume is packaged.

I was drawn to the multimedia nature of the project that combined art and artists, perfume and perfumers, and business and marketing. However, when my package of five samples arrived from Barcelona along with charming scents strips in the shape of paintbrushes, I decided to just focus on the scents without the distraction of the companion art. It turned out to be an adventure with some unexpected turns.

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Not just another simple cologne. Elisa on Parfums de Nicolaï’s L’eau Mixte.

If there’s one perfume category I’ve heard people call “boring” the most, it’s citrus. Perhaps it’s because there is less variation among citrus scents than, say, orientals or florals—a rose perfume, a tuberose perfume, and an iris perfume smell nothing alike, but lemon, orange, and grapefruit have a fair amount of olfactory overlap. Or maybe it’s because citrus scents don’t—can’t—evolve much on skin because they don’t last long enough to evolve; they are fleeting, volatile molecules by nature, destined to be top notes.

I must admit I have some of the same reservations about citrus-centric perfumes. I’ve got a few in my collection, and on a hot day, a few spritzes of a crisp citrus chypre like Clarins Eau Dynamisante or Monsieur Balmain hits the spot. But I don’t reach for them often, and I almost always end up putting something else on later. So to make me sit up and take notice, a citrus scent has to be pretty unusual.

L’eau Mixte, Parfums de Nicolaï’s eau de cologne release for summer 2010, was the first citrus to take me by surprise in years. Primarily a grapefruit perfume, it manages to be both refreshing and rich, hitting so many pleasurable notes at once—sweet, tangy, green, herbal—that it feels like getting out of a car to breathe in a big lungful of cool mountain air. Most citrus scents have a bracing quality, but L’eau Mixte is exceptionally bracing.

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When it comes to telling compelling stories, Hermès takes the prize. The house’s perfumer, Jean-Claude Ellena, is the author of Perfume: The Alchemy of Scent and The Diary of a Nose, and he is a natural storyteller. Perfumes in the Hermessence collection are like pages from his personal journal, some inspired  by his travels, others by his native Provence. Epice Marine, introduced earlier this fall, was likewise inspired by Ellena’s adventures, but this time it’s also marked by a collaboration with another artisan.

The fragrance came together as Ellena met and corresponded with chef Olivier Roellinger. Ellena travels the world in search of interesting scents, while Roellinger’s quest is for spices. Back in Brittany, a fog shrouded region along France’s northern shore, he composes spices into complex bouquets. If your idea of a spice blend is a Madras curry mix, then Roellinger’s delicate, harmonious blends will come as a surprise. When I sprinkle his Poudre Sérinissima over a tomato salad, I also want to dust my skin with this ginger and saffron accented powder. Who else could be a better collaborator and muse for a perfumer?

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