New Perfume Launches: 168 posts

“If you like Huile Divine, you should try Parfum Divin,” said the red lipsticked Caudalie sales associate at the local pharmacy, looking bored as she enumerated its features, carefully folding her manicured fingers one by one–trendy scent, big sillage and the fact that it smells exactly like the dry oil.

Since Caudalie’s Huile Divine is easily as fragrant and tenacious as any perfume, I didn’t understand why the last point was a draw. Wouldn’t it make sense just to buy the dry oil and have not only the perfume but also a terrific skincare product? But what the beautiful Caudalie rep didn’t mention was that Parfum Divin follows the same idea of Nuxe’s Prodigieux, Le Parfum–take the aroma of the cult favorite dry oil and turn it into perfume.

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Patricia discovers a new love in Wit.

Daphne, a spring plant that smells like candied citrus rind and jasmine, is the inspiration for  Wit, the latest creation by Parfums DelRae. Parfums DelRae is a niche fragrance brand based in San Francisco and Paris and comprised of nine fragrances known for their creativity, complexity, and high quality. I own two others: Début, a fresh, green lily-of-the- valley, and Coup de Foudre, an effervescent rose.

Wit by perfumer Yann Vasnier, is easily my favorite release of 2014. I haven’t felt as excited about a floral perfume since L’Artisan Parfumeur introduced Séville à l’Aube in 2012. Although different in composition, they share the same lush, falling-into-a-pile-of-petals feeling. I wore Séville à l’Aube for a month straight after it came out, and I can easily imagine doing the same with Wit.

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The smell of sun-dried linens is one of those scents that invariably make me feel like all is well in the world. At the root of it is a childhood recollection of my grandmother’s linens (the memory conveniently blots out the less romantic realities of doing laundry by hand in a house with no running water). The aroma of starched fabric heated in the sun is so comforting that I look to the perfume bottle to satisfy this craving. An unexpected addition to my “sun and summer” fragrances has become Jo Malone Rain and Angelica, a recent debut from the brand specializing in simple, easy-to-wear scents.

There is no reason to expect that something called Rain and Angelica (an unsubtle nod to Frédéric Malle ‘s rain drenched angelicas, Angéliques Sous la Pluie) would smell of sun warmed sheets or even anything summery. When I checked the list of notes well after trying and wearing the perfume for several days, I was surprised to find little resemblance between the cold, aquatic elements on paper and the warm, soft perfume on my skin.

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Intended or not, Frédéric Malle Eau de Magnolia is an answer to two challenges: creating a novel cologne and capturing the elusive aroma of magnolia. The first is complicated, because cologne is one of the most popular genres, and recasting it in a new way requires some creativity. The second is due to the magnolia’s character. The scent blends citrus, rose and soft leather, but the main impression you get from smelling the waxy white petals is not of heady, lush perfume, but of exhilarating freshness and fizz. You can almost feel the champagne bubbles bursting before you notice all other facets.

Translating this sparkling effect into fragrance is more complicated than it seems in our age of high-tech tools. I smelled through a fair share of magnolia accords at one point to conclude that 90% of them smell either like furniture polish or bear no relation at all to magnolia. Which is why Eau de Magnolia comes as a surprise. It captures the nuances of magnolia, while setting them into a frame of citrus and moss. It makes for a beautiful arrangement.

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Cologne was never one of my favorite fragrance types. You see, when you start out exploring perfume, citrusy blends (eaux de cologne) are suggested on the grounds that they’re “fresh and easy to wear.” Except that I found most colognes to be neither. They smelled either too dry, too sharp or evoked an unfortunate association with furniture polish. I admired the ease with which some women could douse themselves in Hermès’s Eau d’Orange Verte and project an aura of casual elegance, but for quick refreshment, I reached for either light florals or green perfumes. What changed my mind about colognes was Christian Dior’s Eau Sauvage and Jean Patou’s Eau de Patou.

Much has been written about Eau Sauvage, one of the most revolutionary fragrances in recent history, but Eau de Patou has kept a lower profile. Perfumer Jean Kerléo created it in 1976, and when you smell the original version, it’s remarkably modern and luminous with its generous dose of sheer floral notes wrapped around classical bitter citrus and moss. A touch of sweetness takes the sharp edge off the lemon and lavender, and the drydown of damp woods and powdery amber is comfortable and graceful.

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