rose: 52 posts

Aftelier Wild Roses is a rose perfume with character. It smells like the Summer of Love, with a dash of sweet incense and flower-child rosy cheeks (thanks to a dose of patchouli, I think).  When I smell it I imagine walking through the Haight, the epicenter of hippy culture in San Francisco, during that trippy era, with incense wafting from the shops and a kaleidoscope of other smells—ice cream, hashish, strawberries, flowers—all mixing together in fragrant nirvana.

The fragrance was inspired by the roses grown by its creator, Mandy Aftel, in her California garden. She must grow roses as large as dinner plates because Wild Roses smells almost surreal. To smell Wild Roses is to take an olfactory journey through the tangle one imagines in Aftel’s Berkeley back yard. As Aftel notes, Wild Roses is all about a “hundred petals unfolding: balsamic, spicy, apricot, and honeyed roses, mixed with the smell of warm earth and herbs.”

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I debated whether I should review Shiseido White Rose Natural, because it’s expensive and available only in Japan. For some, this may be a tantalizing combination, for others (and we are in the majority), the ultimate frustration. But if you’re a rose lover, a perfume history buff, or like me, have a strong interest in Japanese fragrances, White Rose is hard to resist. Given Japanese perfume tastes, it’s somewhat of a puzzle–a rose that doesn’t smell at all like the fresh watery roses that grace the regional top seller lists. White Rose Natural combines the boldness of American perfumery with the refinement of French, but the end result is that smells remarkably Japanese, even if it doesn’t follow the established trends.

Last year Shiseido celebrated its 140th anniversary. Its story is full of interesting tidbits. Did you know that the company was founded by the ex-head-pharmacist to the Imperial navy, Fukuhara Arinobu, when he was only 23? Or that Shiseido is believed to have introduced ice cream to Japan? White Rose may not be an expected Japanese perfume, but then again, Shiseido doesn’t always play by the rules.

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Yesterday, when reviewing Valentino Valentina Acqua Floreale, Kenzo Amour I Love You, and Juicy Couture La La, I promised three more sheer spring roses.  The fragrances chosen today, Cartier Eau de Cartier Goutte de Rose, Balenciaga L’Eau Rose, and Van Cleef et Arpels Féerie Spring Blossom set rose into a frame of woods and amber. In contrast to yesterday’s selection, this group is crisp and sharp, rather than soft and romantic.

Cartier Eau de Cartier Goutte de Rose

Quality is never an issue at Cartier, and with Eau de Cartier Goutte de Rose you’re getting a well-made woody rose. The floral accord that feels rich despite being crystalline and luminous is superimposed on the dry amber base. The original Eau de Cartier is a peppery cedarwood with a wistful leafy note, and Eau de Cartier Goutte de Rose retraces some of its austere form. A touch of sweetness from rose is an interesting touch. Even vanilla feels crisp and crunchy in this perfume.  Of course, you can find many great amber roses at a lower price point, such as the fabulous Yves Rocher Rose Absolu, but Eau de Cartier Goutte de Rose is a worthwhile option. Continue reading →

This spring is promising to be rose scented. Every other flanker, a sequel to the original big launch, seems to be reinvented in rose tinted prettiness.  From Kenzo to Cartier, every house has been thinking pink. Flankers are not known for being daring, and when I dutifully smelled through the whole lot, I felt that I was smelling the same perfume over and over again. Fruity, sparkling, instantly forgettable. In the end, I picked six fragrances that stood out, although you will see that in some cases this is an underhanded compliment.

Why bother then? Most of these fragrances will not appeal to perfume lovers used to the opulence of florals or the tinge of animalic notes hidden among the fleshy petals. By contrast, all six rose perfumes I’ve selected are clean and dewy. Some of them are better than others, but overall, this selection contains nice options for anyone who prefers their florals fresh and sparkling, without the cloying sweetness that’s a common theme in most feminine new launches. Simple and pretty are not negative qualities, and occasionally, this is exactly what hits the spot.

Today, I’m reviewing three fragrances that pair rose with white florals: Valentino Valentina Acqua Floreale; Kenzo Amour I Love You; and Juicy Couture La La. The white florals, be it tuberose or gardenia, have a creamy sweetness that contrast well with a sheer, citrusy rose accord.

Valentino Valentina Acqua Floreale

Valentina Acqua Floreale follows in the footsteps of its older sister, Valentina. The bubble gum tuberose of the original is sheered out, made less cloying and thick. It reminded me of a milder Juicy Couture. The vibrant start of citrus and orange blossom fades to a soft, musky drydown that goes by the “sexy clean” moniker in fragrance houses. On the other hand, Valentina Acqua Floreale is so perfectly well-behaved and inoffensive that I doubt one can have a strong opinion about it. It’s radiant, sheer and coy. It would make a sophisticated fragrance for a teenage girl. While it’s not a drama queen, it’s a good quality perfume, with smooth development and decent longevity.  Continue reading →

After my mixed experience with Lys Fume, I approached the rest of Tom Ford’s Jardin Noir collection reluctantly. As I wore the fragrances  over these past few months, I grew to like them very much, especially Ombre de Hyacinth and Café Rose. While Tom Ford promised that Jardin Noir would be abloom with twisted, dark florals, the collection is neither twisted nor dark. Instead, it features elegant, polished fragrances on four different themes: lily, daffodil, hyacinth, and rose. The lack of drama is a minus, especially given the concept of this quartert, but these interpretations of classical florals are so smooth and refined that they are worth sampling.

Café Rose was created by perfumer Antoine Lie, who also worked on Azure Lime and Violet Blonde for Ford.  It is the darkest perfume from Jardin Noir, but it has a distinctive Middle Eastern flair. The woods are so pronounced that they compete with rose for top billing, while the incense gives the perfume an exotic twist. The main reason I enjoy Café Rose is for its contrast–it feels sophisticated, but at the same time, it has a flamboyant air. Too much elegance can be boring, after all.

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