Victoria: 2669 posts

Launching a perfume today requires an intricate–and costly–configuration of product development, marketing, and distribution. Small brands may risk taking their own idiosyncratic course, but large fashion houses usually rely on another brand to create and distribute their fragrances. If they want to make real money, that is. For Prada’s sister Miu Miu, the partnership has been with Coty. It means in practical terms that the Coty fragrance development team weighs heavily on the finished creation, subjecting it to market tests and other scrutiny; after all, the success of it will reflect as much on Coty’s profit margins as it would on Miu Miu’s. In other words, don’t expect avant-garde or cutting edge.

And so I didn’t. But I was still taken aback at the wan aura of Miu Miu. I am certain that in its early iterations it must have been more interesting, since it was composed by Daniela Andrier, a perfumer noted for the elegance and polish of her creations (Marni, Bottega Veneta Knot, Prada Infusion d’Iris, Martin Margiela Untitled, all among my favorites). But what I smell on my skin is pale and far from the flamboyant chic of Miu Miu fashion. There is definitely quality, there is attention to detail, but it feels like the numerous cycles of market tests stripped Miu Miu of its more distinctive parts.

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I hope that everyone is enjoying these last weeks of summer. This week, we have our “Recommend Me a Perfume” thread. You can use this space to ask any questions about perfume, including fragrance recommendations. Meanwhile, I’m working on some new perfume reviews and stories.

How does it work: 1. Please post your requests or questions as comments here. You can also use this space to ask any fragrance related questions. To receive recommendations that are better tailored to your tastes, you can include details on what you like and don’t like, your signature perfumes, and your budget. And please let us know what you end up sampling. 2. Then please check the thread to see if there are other requests you can answer. Your responses are really valuable for navigating the big and sometimes confusing world of perfume, so let’s help each other!

To make this thread easier to read, when you reply to someone, please click on the blue “reply” link under their comment.

Photography by Bois de Jasmin

The Belgian province of Limburg is an expanse of green fields punctuated by neat red brick towns. Although Brussels is a much more laid-back and calm city in comparison to London, Paris or Berlin, as I stroll through the woods near Hasselt, Limburg’s capital, I feel as if I just left a bustling metropolis. It’s all serenity, stone church spires and the soft rustle of leaves in the trees lining the river. And the rich perfume of lavender.

Although lavender is usually associated with Provence, there is a 4 hectare farm near Herkenrode in Limburg, and it’s open for the summer. “Yes, we have lavender in bloom, and it’s a genuine variety, not lavandin,” I was told by a lady at the nursery. “Please visit before we harvest it.” The following weekend my husband and I drove one hour to Limburg to see the lavender fields of Belgium.

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I blame my current infatuation with color on taking up embroidery after a long hiatus. As I play with fabric and thread and search for the right kind of ivory to sparkle against white linen, I give more thought to the colors around me, sometimes even too much. “Wouldn’t that be a great pairing!” I think as I walk over a chocolate brown grate that my Brussels commune stamps with its lemon yellow seal. When I’m not admiring the exquisite detail of local plumbing, I indulge my color obsession via my makeup kit.

Makeup is a natural way to explore color, because face products–lipstick, blush, eyeshadow, powders–allow for an infinite variation of shades and gradations of tones. Depending on the texture and transparency, the same hue can take a different cast, not to mention the effect provided by your own skin. Of course, it’s also an excuse for adding to my makeup wardrobe, because as I delve further into my embroidery and as the summer roses bloom with more abandon, my collection grows steadily. One pink is suddenly not enough. I want all of the roses on my lips.

But alas, roses proved to be a difficult case. While reds and berries suit my pale complexion well, roses and pinks can emphasize the yellowish cast of my skin and make me look as if I haven’t slept for days. The swatching exercise below was done chiefly to organize my stash. The result is a selection of mini-reviews. I prefer my cosmetics unscented, but some of my favorite formulas have a strong scent. I added short fragrance notes, in case you’re picky about this aspect of your lipstick.

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Sei Shonagon has been my companion for many years. She was an opinionated 11^th century Japanese lady-in-waiting, and she wrote what has become the embodiment of Japanese classical prose, The Pillow Book. I’ve already written about this quirky collection and its author and quoted one of my favorite lyrical passages about things that make one’s heart beat faster. Reading her enchanting descriptions of dew on chrysanthemums, first plum blossoms or the color of incense smoke is an instant escape from my routine, and while the world of Sei Shonagon wasn’t a cherry blossom tinted fantasy—a woman’s life at court was one of ennui and seclusion—the genius of the writer is to make you think otherwise. “Delightful” is one of the most frequently used words throughout the book.

Lyricism and refinement aside,  I’m drawn to Sei Shonagon for a far earthier reason—her flaws. She complains about her fellow ladies-in-waiting. She whines about her lovers whose morning departure is not as elegant as she would like it to be. She can be a snob. She finds it unseemly that the snow falls on the houses of common people—“moonlight shining into such houses is also a great shame,” she adds. She has a dry sense of humor. She’s vulnerable and prone to bouts of melancholy. She’s merely human. Despite her living more than a thousand years ago, she doesn’t come across as a museum piece.

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