Elegant: 198 posts

I’ve been wearing Tocca Colette for the past year without realizing that it is now one of my staples. Whenever I have one of those “I don’t know what to pick” moments, which everyone with more than one item of anything–perfume, outfits, shoes, books, etc.–has, Colette is one of the fragrances that invariably feels just right. It’s elegant and polished, with a tender and warm demeanor.

Despite my mixed opinions on Tocca perfumes, Colette was love at first inhale. It’s a transparent amber fragrance, with bright, shimmery mosaics of lemon, pepper, and juniper berries. It opens on a fizzy note–as if you’ve taken a sip of gin and tonic much too greedily–before mellowing down to a comfortable softness. Colette is easy to like, but it’s far from predictable.

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I rarely encounter a tuberose fragrance I do not like, so I quickly deduced that I would like Arquiste Parfumeur Flor y Canto. Flor y Canto presents tuberose on a tableau of marigold and aims to paint an olfactory portrait of a day in August in the year 1400 when during “the most fragrant festival in the Aztec calendar, the rhythm of drums palpitates as a wealth of flowers is offered on temple altars. Billowing clouds of Copal act as a backdrop to the intoxicating breath of Tuberose, Magnolia, Plumeria and the intensely yellow aroma of the sacred Marigold, cempoalxochitl.” (I will admit to a struggle in pronouncing “cempoalxochitl.”)

I fell for the story and I normally don’t. The mention of marigold and the promise of something mysterious was too exciting. Unfortunately for me, the most exciting part of Flor y Canto remains on paper. It’s a tuberose and plumeria fragrance–plumeria smells like jasmine, peach, and coconut, and it’s rather linear and at times approaches bubblegum sweetness before it dries down.

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When I first smelled Ann Gérard Perle de Mousse last year on a cold winter day, this delicate perfume didn’t seem quite right. Its sun-dappled demeanor needed a white seersucker dress, a picnic basket, and a mild spring breeze. In other words, it felt like a perfect warm weather fragrance that could be both casual and elegant, a rare combination.

Perle de Mousse was created by perfumer Bertrand Duchaufour for the jeweler Ann Gérard, whose warm Cuir de Nacre would tide me over while I waited for spring to come. (Ciel d’Opale is the only fragrance  from the trio that didn’t move me.) Though it’s already March, we still get the occasional snow fall here in Belgium; yet, the sun becomes more generous, prompting the freckles to bloom on my cheeks. It’s now time for Perle de Mousse.

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Jean-Louis Scherrer is one of the hidden classical gems. In the US, you might have to search for it at the discount shops, but the Europeans can easily find it at most perfumeries where it sits someplace between Ralph Lauren and Stella McCartney on the alphabetically organized  shelves. The tall oblong bottle filled with pale green liquid is not flashy, and the first whiff of the perfume doesn’t reveal anything extraordinary–leafy and peppery, with an unmistakable  wet earth note that you find in many classical green perfumes. It takes a few moments for Scherrer to weave its spell.

Classical is the best way to describe Jean-Louis Scherrer, because it’s a perfumed time capsule. Taking a deep breath of this green, earthy perfume is like stepping back three or even four decades. They don’t make them like this anymore. Scherrer was launched in 1979 by a French couturier who dressed women like Françoise Sagan, Jackie Kennedy, and Claudia Cardinale. Shortly thereafter, he added Scherrer 2 and Nuits Indiennes (now discontinued) to the collection.

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Do you know the feeling when you try an outfit and can’t decide whether it suits you or not? You think, “maybe it would be fine if I were to add a different purse or wear my hair up…” Those are the kind of pieces that end up gathering dust in the closet. Perfume is not exactly like clothing, because some fragrances don’t cast their spell on you immediately, but as my recent experience with Chanel 1932 proved, sometimes the first instinct is the correct one.

I admit to having a certain reverence for Chanel. Its perfume collection includes some splendid gems like No 5, Bois des Iles, Cuir de Russie, and No 19, and even releases like Allure and Coco Mademoiselle have the kind of attention to quality that one rarely finds at department store counters. For this reason, I wasn’t ready to give up on 1932, a new addition to the Les Exclusifs collection, but when I first tried it on my skin I found it to be pale and limpid.

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