Elegant: 198 posts

Frédéric Malle Vétiver Extraordinaire by perfumer Dominique Ropion is said to contain 25% vetiver—the most on the market where this herbal, grassy note is a frequently the principal note in men’s fragrances. Depending on which facets the perfumer has illuminated, vetiver can be sweet, dry, smoky, bitter, fruity, peppery, and woody. In Vétiver Extraordinaire, the note is freed like a balloon by ozone, which gives it a fresh airiness in opposition to more earthbound vetivers (like Maitre Parfumeur et Gantier’s earthy Route du Vétiver or Serge Lutens’ root-y Vétiver Oriental).

Vetiver is a grass that is native to India but is also grown in Haiti, Indonesia, China, Java, and Reunion.  For perfumery purposes, oil is extracted from the roots. The damp, woody scent of vetiver is so complex that it can be a perfume on its own. The note is used as a drydown accent or it can be treated as a main theme.  It’s traditionally associated with masculine fragrances like Guerlain Vetiver, but it also appears with regularity in the bases of feminine perfumes like Chanel No 19 or Guerlain Chamade.

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After my mixed experience with Lys Fume, I approached the rest of Tom Ford’s Jardin Noir collection reluctantly. As I wore the fragrances  over these past few months, I grew to like them very much, especially Ombre de Hyacinth and Café Rose. While Tom Ford promised that Jardin Noir would be abloom with twisted, dark florals, the collection is neither twisted nor dark. Instead, it features elegant, polished fragrances on four different themes: lily, daffodil, hyacinth, and rose. The lack of drama is a minus, especially given the concept of this quartert, but these interpretations of classical florals are so smooth and refined that they are worth sampling.

Café Rose was created by perfumer Antoine Lie, who also worked on Azure Lime and Violet Blonde for Ford.  It is the darkest perfume from Jardin Noir, but it has a distinctive Middle Eastern flair. The woods are so pronounced that they compete with rose for top billing, while the incense gives the perfume an exotic twist. The main reason I enjoy Café Rose is for its contrast–it feels sophisticated, but at the same time, it has a flamboyant air. Too much elegance can be boring, after all.

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It might seem strange to wear a gauzy floral perfume during the first weeks of winter, when warm, rich scents might seem more appropriate. But Jour d’Hermès has so much radiance that it lights up the darkest of days, and this trait, along with a coquettish playfulness, is what caught my attention. It’s the latest addition to the Hermès fragrance collection, and like many recent launches, it was created by perfumer Jean-Claude Ellena.

Jour d’Hermès has the weightless presence, brightness and luminosity of Ellena’s other fragrances. It’s a delicate vignette of floral notes that unravels into the drydown of musk. The description may not seem exciting, and it’s true that Jour d’Hermès doesn’t have the opulence or drama that you might find in say, a Serge Lutens composition. But despite its understated presence, it has so many facets that it’s exciting to wear. It’s also an uplifting and happy perfume, as if Ellena infused the liquid with some of the Mediterranean sunshine.

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One autumn afternoon as I was walking home through a park and wading slowly through the piles of golden leaves, I wondered if there is a perfume in my collection that could match this serene and yet exhilarating atmosphere. Of course, I have my beloved Guerlain Mitsouko and Chanel Bois des Iles, which are some of the most quintessentially autumnal scents, but Mitsouko is too damp and plush, while Bois des Iles is too austere and cool. I wanted a perfume that smelled sunlit and bright, warm and bracing, with a hint of nutty sweetness from burnished leaves.

When I smelled Hermès L’Ambre des Merveilles after one such walk, I discovered with a surprise that it captured part of my golden autumnal fantasy. It’s a fragrance of woods, amber and vanilla, but L’Ambre des Merveilles avoids heavy sweetness and instead has plenty of luminosity. You can almost see the sun glittering on the crimson maple leaves as you smell it.

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Gardenia is the flower with the most feminine of connotations. It’s a blossom that the jazz singer Billie Holiday tucked in her hair. Its seeds give a vibrant yellow hue that the turn of the century Shanghai courtesans appropriated as a signature shade of their lingerie. More innocently, it’s the preferred flower for a prom corsage–even without water it will remain fresh and fragrant for hours. When Arquiste Parfumeur announced that its Boutonniere no.7  will be a masculine rendition of gardenia, I was intrigued.

The idea behind Boutonniere no.7 was to create a fragrance for a vignette: a group of 19th century dandies standing in the foyer of the Opéra-Comique in Paris and wearing gardenia boutonnieres on their lapel. Perfumer Rodrigo Flores-Roux received the commission to make this story come to life. Flores-Roux is a talented perfumer, but I still wondered if it’s really possible to create a realistic gardenia perfume and yet make it suitable to men?

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