Citrus: 84 posts

When I first smelled Ann Gérard Perle de Mousse last year on a cold winter day, this delicate perfume didn’t seem quite right. Its sun-dappled demeanor needed a white seersucker dress, a picnic basket, and a mild spring breeze. In other words, it felt like a perfect warm weather fragrance that could be both casual and elegant, a rare combination.

Perle de Mousse was created by perfumer Bertrand Duchaufour for the jeweler Ann Gérard, whose warm Cuir de Nacre would tide me over while I waited for spring to come. (Ciel d’Opale is the only fragrance  from the trio that didn’t move me.) Though it’s already March, we still get the occasional snow fall here in Belgium; yet, the sun becomes more generous, prompting the freckles to bloom on my cheeks. It’s now time for Perle de Mousse.

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Among niche perfumers, Swiss creator Vero Kern stands out for her unique fingerprint that reminds me of classical Guerlain elegance. But there is more. Under that well-behaved, well-coiffed elegance you notice something smoldering and dark. At first, it may feel disconcerting–and for some, it remains so, making Rubj, Onda, and even the brighter and fresher Kiki love or hate perfumes. For me, it’s the former, because I enjoy exploring Vero Kern’s world through the prism of her perfumes.

The newest addition to the collection, Mito, follows her sisters in their steps, but the perfume feels different from the baroque, Guerlain-inspired themes. It’s a chypre so green, it sparkles. Is its effervescence an allusion to the glittering fountains in the garden of Italy’s Villa d’Este that inspired Swiss perfumer Vero Kern to create Mito?

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It should come as no surprise that Nicole, the debut fragrance from reality-star fashion icon Nicole Richie is—gasp!—a “fruitchouli.”  The Nicole perfume, which debuted in September in 2000 doors nationwide, features notes “ juicy blackberries and oranges from Seville, which are followed by golden amber, Moroccan rose, lily of the valley and papyrus, layered over the base of cashmere, sandalwood, sugared patchouli and vanilla absolute.” The nose behind the fragrance is Steve DeMercado, who also authored Paris Hilton’s eponymous scent as well as mall blockbusters like Marc Jacobs for Women.

According to Ms. Richie, the scent is meant to evoke her mother, who layered oil and perfume over lotion and created more than just a “one-dimensional smell.” The smell that one gets, however, leads one to contemplate how involved any particular celebrity is with the creation of their namesake fragrances.  While Sarah Jessica Parker was intimately involved with the creation of Lovely, or at least tried to steer it into darker territories, one wonders about Nicole or whether Nicole was herself steered by market trends.

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The idea of a love potion can be traced back to antiquity, and excavations at Roman and Greek sites reveal various artifacts that were used to charm, sway and spellbind. Today we still yearn for a potion that would make us more beautiful, more alluring. So, Dsquared2, a fashion house often described as having “va-va-voom sex appeal,” decided to cater to our ‘earnings’ and offer its own version of a love filter. Potion for Woman is the feminine counterpart to last year’s Potion for Men, and is described as seductive and sultry.

The disconnect between the promise and the execution is evident in the crass marketing image. Who on earth decided that this visual conveys anything sexy or alluring? When I’m not distracted by the hairy arm in the foreground, I’m baffled by the drunken look on the model’s face. She looks more like a victim than a temptress.

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Scarves are my favorite accessories. I love the way the sheer organza feels on my shoulders in the summer. The warm heft of a thick, cable-knit wool feels comforting on blistering cold days in the winter. My work uniform of jeans and black sweater can be easily spiced up with a piece of silk in cobalt blue or the Russian style tasseled square in red.  In an overlap with my sartorial wardrobe, I have a whole category of fragrances I categorize as my “scarf” perfumes. They usually stay close to the skin and have a warm, smoky drydown. To smell them on me, you would have to lean in close, and I love the intimate aura they create.

One such warm and smoky contender has been Diptyque Volutes, which I’ve been testing over the past couple of weeks. Volutes in French means swirls, as in swirls of smoke, and as Volutes unfolds gently on skin and wraps me in its warm embrace, it indeed makes me think of sweet cherry scented tobacco. The story behind Volutes is of the transatlantic journeys one of Diptyque’s original founders, Yves Coueslant, used to make as a child, crossing from Marseille to Saigon and back. The vision of the “elegant ladies leaning on the ship’s rail smoking their Khedive cigarettes” inspired this languid perfume. These ladies must also have worn Shalimar, because this Guerlain classic was my immediate association with Volutes.

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