April 2015 will be coming up roses at L’Artisan Parfumeur. Rose Privée, its new launch, will pay tribute to the roses of Grasse. Rose de mai, or rosa centifolia, is one of the traditional crops in the Grasse region, and even today, the plantations are maintained, albeit in smaller scope.

Perfumer Bertrand Duchaufour worked with his Grass-based apprentice Stéphanie Bakouche to create the floral harmony of Rose Privée. It’s built around the absolute of rose de mai, with magnolia, basil, lilac, and carnation adding a bright touch. The drydown is accented with patchouli.

In other L’Artisan news, the house was recently acquired by Puig, the parent brand of Nina Ricci, Paco Rabanne and Carolina Herrera. The same acquisition has also brought Penhaligon’s into the Puig family.

L’Artisan Parfumeur Rose Privée will be available starting April 2015 at the brand’s boutiques and department store counters. 50 ml Eau de Parfum/£77; 100ml/£95. Via press release.

Chanel is introducing a new fragrance to Les Exclusifs de Chanel collection. Misia, in honor of Coco Chanel’s friend and muse Misia Sert. Her salon in Paris attracted such luminaries as Marcel Proust, Claude Monet, Pierre-Auguste Renoir, Odilon Redon, Paul Signac, Claude Debussy, Stéphane Mallarmé, and André Gide, and Misia was painted by Renoir, Toulouse-Lautrec, Édouard Vuillard and Pierre Bonnard. Her friendship with Chanel developed as she helped Coco grieve the death of her lover Arthur Capel in 1918, and the two women sustained a lasting bond.

The perfume is a blend of woody-gourmand and powdery floral notes. Iris root, Turkish rose, rose from Grasse, violet, tonka bean, benzoin and sandalwood form the composition. Created by Olivier Polge, it’s his first for Chanel as he assumes the in-house perfumer title alongside his father, Jacques Polge.

75 and 200 ml Eau de Toilette will be available at Chanel boutiques and concessions starting March 2015. Via press release

Andy on his love of incense.

If there’s one thing I smell to feel better, it’s frankincense. Whether I need a break from typing, am feeling stressed, need to be jolted awake—I often simply reach for my pouch of frankincense tears and take a deep whiff. Even if I rarely find the time to conduct an incense ceremony all my own, just a brief inhale of frankincense has come to feel like a special, private ritual to me. I mention my habit of smelling this special resin because Aedes de Venustas’s Copal Azur, created by perfumer Bertrand Duchaufour, captures every element of frankincense I love, from brisk piquancy all the way down to rich, balsamic sweetness.

Soon after Copal Azur melds into the skin, it reminds me of crushed peppercorns and cardamom pods. As this initial fiery sizzle begins to soften, the frankincense starts to shine through with a nearly pine-like, aromatic freshness. The overall effect is bracing and crisp, uplifting enough to widen one’s eyes for a moment, but devoid of any rough edges.

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In his 1701 portrait, Louis XIV of France wears red-heeled shoes.  While it seems like a minor detail, especially given the opulence of the king’s robes, the poppy red shade sends an instant message–status. Louis XIV even passed an edict limiting red heels to the wardrobes of nobility. Today, red soles are the trademark of Christian Louboutin, whose stiletto pumps cost upwards of $700. Not much has changed since the 18th century with regards to red heels and their mesmerizing effect.

The themes of status, fetish and fashion are explored in an exhibit “Killer Heels” hosted by Brooklyn Museum. “As fashion statement, fetish object, instrument of power, and outlet of artistic expression for both the designer and the wearer, throughout the ages the high-heeled shoe has gone through many shifts in style and symbolism. Deadly sharp stilettos, architecturally inspired wedges and platforms, and a number of artfully crafted shoes that defy categorization are featured among the more than 160 historical and contemporary heels on loan from designers,” explains the catalog.

The exhibit includes work of renowned designers such as Christian Louboutin, Alexander McQueen, André Perugia, Prada, Elsa Schiaparelli, Noritaka Tatehana, Vivienne Westwood, among many others. It also traces mentions and depictions of heels in paintings and sculptures, some of which date as far back as the 12th century.

Even if you can’t make it to the exhibit, please take a look at the video on the Brooklyn Museum site.

Killer Heels: The Art of the High-Heeled Shoe
Brooklyn Museum
200 Eastern Parkway, Brooklyn, NY 11238
Robert E. Blum Gallery, 1st Floor
September 10, 2014–February 15, 2015

Image: Louis XIV of France by Hyacinthe Rigaud, 1701 (a detail).

Gourmand is a fragrance family I love for its instant mood booster potential. At the same, many contemporary high-calorie blends can test the limits of one’s tolerance for sweetness, and if you’re looking for a luscious, but not cloying, treat, the options can seem limited. One of the good lines to explore for abstract gourmands is Parfums de Nicolaï. Its founder, Patricia Nicolaï, is an heir to Guerlain’s tradition (a house famous for its trademark accord of vanilla, tonka bean and other delicious notes), both as a granddaughter of Pierre Guerlain, Jacques Guerlain‘s brother, and an innovative perfumer in her own right.

Kiss Me Tender, her take on the candy-smelling plant, heliotrope, could have been inspired by Guerlain’s Héliotrope Blanc (1870). It’s a dessert of vanilla and almonds, but the pastry illusion is kept in check by the realistic jasmine, orange blossom and ylang-ylang.

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