A special announcement for my readers in Taipei. I will be participating in a discussion about Ukraine on Tuesday July 23rd. You can find the information below as well as via this link. Please stop by and say hello.

When the Russian-Ukrainian war broke out in 2022, the Taiwanese media constantly compared Russia to China and Taiwan to Ukraine, reflecting the fear of the war in Taiwan.

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In 2023, Faces published Victoria Belim’s family history “The Rooster House”, which was written by the author who grew up in Ukraine and moved to Chicago, USA at the age of 15. In this book, the author uses an autobiographical style, starting with the disputes among family members regarding different historical views and political positions on Russia’s invasion of Ukraine. The author returns to Ukraine and, from the clues of his time with his grandmother, in the secret police unit “Rooster House”, archives and museums around the world, she pieced together the past of a family that was silenced during the socialist era in Ukraine, allowing the author to understand the authoritarian legacy that is still affecting the present from a more historical and profound perspective.
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In addition to viewing this war as a projection of Taiwan’s anxiety about being invaded, two years after the war began, can we have a deeper understanding of the impact and changes in the meaning of this war on Europe, on Ukraine, and on Victoria Bellim and her family? We invited Chi-Xin Liu, the author of “The Making of Truth” – who used to work with a team of reporters to record the “invisible” people and events in the Ukrainian war through first-hand interviews, and wrote “Ukraine’s Impossible War.” Through the conversation, we will explore everything that Ukraine is facing at the moment, how Taiwan can learn from it, and when totalitarian forces infiltrate the people, is there a possibility of reconnection after division.
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▍Lecture information To Register

Date｜7/23 (Tuesday) 19:30 – 21:00
Dialogue｜Victoria Belim (author of “The Rooster House”), Chi-Xin Liu (author of “The Making of Truth”, host of the podcast “Excuse Me”)

Location｜Xianliulu Store (1F, No.26, Lane 25, Sec.3, Chongqing N Rd, Taipei; 3 minutes walk from Exit 3 of MRT Daqiaotou Station)

Date: 2024.7.23 19:30 – 21:00

Ticket｜NT$150 (Line Pay, Cultural Coin)

Registration by appointment + on-site payment, the venue is limited to 35 people, and registration will be closed when the quota is full.

Announcement: I have an opening in the workshop/seminar on Japanese Incense.
Location: Online, Zoom
Date: July 14th, Sunday 12:00pm-1:30pm EST/6:00pm-7:30pm CET
SOLD OUT

In his marvelous essay Why Read the Classics? Italo Calvino offers 14 definitions of what makes a classic piece of literature. Reflecting on his list, I thought how easily its ideas could also be applied to perfumery. The same notions of the inexhaustible sense of discovery, timelessness, and “imprints on our imagination” also define a classic scent, be it Guerlain Shalimar or Chanel No 5. It was Calvino’s 13th point, however, that struck a chord. “A classic is a work which relegates the noise of the present to a background hum, which at the same time the classics cannot exist without,” he says. They’re rooted in the present even as they transcend it.

Inspired by Calvino, I decided to draw up a personal list of perfume classics, creations that reflect their moment and yet have timeless relevance. The first I selected was Serge Lutens’ Féminité du Bois, a fragrance conceived by the artist and photographer for Japanese brand Shiseido in 1992. Lutens wanted a perfume based on the Atlas cedarwood, and he sought to convey the softness of the ingredient that beguiled him ever since he came to Morocco in the 1960s. Initially when Lutens talked to the perfumers about his idea, he encountered a lack of comprehension. Cedarwood was traditionally treated as a sharp, masculine note and few fragrance professionals understood how to reinterpret it in a different guise.

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“What perfumes do men like?” is one of the most common questions I am asked, followed closely by “What perfumes will make women fall for me?” For both I have the same reply: each to his or her own, and instead of bothering to entice others with our perfume – a task of rather dubious merits – why not seduce ourselves instead?

Selecting perfume, however, can be tremendously complicated. The market is full of new launches, each making lofty promises, but with many smelling almost identical. There are also considerations of brand, packaging and marketing that influence us more than we are willing to admit, even to the point of obscuring our real preferences. And then there is the problem of the sheer volume of choices.

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My book The Rooster House is available in Chinese (traditional characters), titled 公雞之家 and published by Faces. I will be in Taiwan in July for a few events, including a seminar about Ukraine. I will share more details soon. In the meantime, I wanted to ask my friends and readers about your Taiwan recommendations. I’ve been to Taipei and Hsinchu twice, but this time I will also take a week to explore more of the country. Any food recommendations are more than welcome too.

On this note, if you have any recommendations for books about Taiwan or by Taiwanese writers, I would be most grateful.

Photography by Bois de Jasmin

I’m inspired by the scents of spring, but this idea has little to do with the calendar season. My ideal spring is a state of mind, which is why the perfumes that evoke an exhilarating, uplifting sensation are part of my wardrobe all year round. The most effervescent among them conjure up the color green.

Chanel Cristalle is a classic example of a green floral that has a dazzling character and radiant aura. It suggests lemon peel and shimmer, with a bittersweet twist of orange blossom and petitgrain (distilled Seville orange leaves). The Eau de Toilette offers the freshest experience, but it can be difficult to find. While the Eau de Parfum is so lavishly decorated with hyacinth and narcissus that it becomes a velvety, baroque bouquet, it has an uplifting green note that feels like champagne bubbles. Cristalle Eau Verte is another beautiful rendition, sharper, brighter, and yes, greener.

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