Whenever I mention to a new acquaintance that I work in fragrance and we plunge into a discussion of perfume, most people remark that they never thought that scents could be so fascinating. We take our nose for granted. In various surveys asking people what sense they would most likely give up, most select their sense of smell. But it only takes a moment of reflection to realize how hard this loss would be. As many studies show, without the sense of smell, our food tastes bland, our libido suffers, our world loses color and even our memories becomes so much poorer. The message is simple: take care of your nose and use it to its full capacity.

Enjoying perfume is only one facet of being scent obsessed–cooking, gardening, and even something as simple as taking a walk in the park counts too. But perfume is such a great adventure. It cheers me up when I feel down. It makes me feel elegant. It indulges my fantasies and wanderlust. Exploring scents for their rich history and fascinating craftsmanship gives me as much satisfaction as art and music, and it is just as rewarding.

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Today’s guest post is brought to you by Anne-Marie. She is a museum curator and historian living in Canberra, Australia. Her mother wore Yardley’s April Violets for over fifty years, and this is what sparked Anne-Marie’s interest in perfume. You  can also find Anne-Marie’s reviews at Beauty on the Outside.

“Oh, it’s from my private collection.”

Thus would Estée Lauder reply when people asked her about the intriguing perfume was wearing. It could not be bought. At first she shared it only with Princess Grace of Monaco and the Duchess of Windsor (Wallis Simpson). In 1973 Mrs Lauder was finally persuaded to put the fragrance on the market and she kept the name, Private Collection.

Whether or not this is true, Private Collection is a brilliant example of fragrance marketing. Its story makes me think of Givenchy’s L’Interdit, a bespoke fragrance created for Audrey Hepburn and launched commercially in 1957. We are told that Estée Lauder tried to keep Private Collection “to herself”, just like Hepburn, who upon heard the proposal to release her fragrance cried, “But that is my perfume, I forbid it! (Mais c’est mon parfum, je vous l’interdis!)”

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Perfumer and Flavorist Magazine published an interesting overview of the autumn-winter  fragrance trends. Analyzed by  Seven Scent Ltd, a trend agency based in Manchester, United Kingdom), this biannual fine fragrance forecast looks at what might influence the launches a year ahead–the 2013/14 autumn-winter collections.

• “Tea accords: a move away from the classic or traditional green tea accords, towards a more unusual, sophisticated and rich fragrance
• Wood accords: the rich spice of oud is softened in a partnership with rose; a classic marriage of materials from middle eastern perfumery
• Leathers and suede: evoking a timeless elegance and quality in masculine scents
• Spices: such as cardamom, cumin and saffron inspired by the Middle East
• Amber: versatile and popular, it adds warmth and blends with oriental spices as well as soft musky notes
• Red berries: rich and dark notes will deliver an autumnal feel”

Nevertheless, it’s easy enough to find new perfumes that fit many of these categories: Tom Ford Jardin Noir series, Diptyque Volutes, Serge Lutens Une Voix Noire, Chanel Coco Noir, to name a few.

Photography by Bois de Jasmin

What can one expect from a fragrance inspired by Billie Holiday’s gardenia, called Une Voix Noire (Black Voice) and created by the dream team of Serge Lutens and Christopher Sheldrake? Heady, dark, convoluted, perhaps? Well, Une Voix Noire is none of these things. It has a surprising combination of softness and warmth. Its presence is generous, but it’s not overwhelming. It’s dramatic without being heady or dense. Une Voix Noire feels velvety the moment you put it on, and it gracefully moves from one stage to another. Frankly, if Lutens said that he was inspired by ballerina Maya Plisetskaya’s Black Swan, rather than by Lady Day, I would have believed him.

I admit that this Lutens wasn’t love at first inhale the way Bois de Violette or De Profundis have been for me.  I anticipated the heady, the dark and the bittersweet, and I missed them in this soft perfume.  Nevertheless, I’m glad that I went along for the ride, because Une Voix Noire forced me to take our courtship slowly and to fall in love with it one layer at a time.

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Do you wear perfume to bed? What is your favorite scented nightgown?

When asked what she wore to bed, Marilyn Monroe answered, ” five drops of Chanel No 5.” The idea was so sultry and thrilling that the sales of Chanel No 5 skyrocketed in response. No 5 sounds interesting as a scented nightgown, but nothing beats a splash of rosewater or orange blossom water for me. Their delicate scent is soothing, and both waters are excellent for the skin.

I also love simple scents like Annick Goutal Rose Splendide or Le Muguet. Jo Malone Vintage Gardenia starts as spicy and sparkling, but the drydown of musk and vanilla is comforting.  While Penhaligon’s Violetta lacks the sensual twist of Marilyn’s favorite perfume, it helps me wind down after a long, stressful day.

Photography by Bois de Jasmin